Items Similar to 1940's Abstract Composition Jazz Lithograph Pencil Signed and Dated WPA Artist
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Konrad Cramer1940's Abstract Composition Jazz Lithograph Pencil Signed and Dated WPA Artist1949
1949
About the Item
Konrad Cramer, 1888-1963 was a painter, photographer, printer, and illustrator.
Based in the fertile Woodstock, New York, artistic community along with Yasuo Kuniyoshi and Russell Lee, Cramer was both educator and artist. He ran a summer school for miniature camera photography in the 1930s and later taught one of the first American college courses in photography at Bard College. Although he began as a painter of abstract, geometric forms in bold colors, Cramer is most known as a photographer.
Konrad Cramer was born and raised in Wurzburg, Germany. Cramer studied to be an artist at the Karlsruhe Academy under Ludwig Schmidt-Reutte and Ernest Schurth. He became interested in the German avant-garde early in his schooling, he was a member of the Blaue Reiter, exposed and encouraged by the experimental works of Wassily Kandinsky and Franz Marc. An additional influence on Cramer's artistic development was the Cubist landscapes of Paul Cézanne.
Florence Ballin Cramer opened a gallery on 57th Street in 1919, encouraged by the sculptor Elie Nadelman. Florence Gallery exhibited and sold the works of living artists. Although it only survived briefly, it was the first New York gallery to show works by Yasuo Kuniyoshi, Alexander Brook, Ernest Fiene, and Stefan Hirsch. Cramer then settled with his wife in Woodstock, New York, where Ballin had painted with the Art Students League each summer since 1906. Cramer established a reputation as one of Woodstock's most modern painters with an impressive series of abstract paintings exhibited at the MacDowell Club in 1913. In the 1920s Cramer developed a personal representational style which blended modern and regional influences. Cramer received a Rockefeller grant in 1920 to study educational methods for craftsmen in Germany and France. In 1922 he took a teaching position at the Woodstock School of Painting and helped establish the Woodstock Artists Association, where he served as a director. While teaching and painting, Cramer also applied his artistic talent to illustration and textile design.
Konrad Cramer first exhibited at the Whitney Studio Club in 1924 and participated in the Whitney Museum of American Art's first and second biennials in 1933 and 1935. He was also included in the 1935 exhibition Abstract Painting in America at the Whitney. Cramer was later included in the Whitney Museum exhibition Pioneers of Modern Art in America in 1946. In the 1930s Cramer participated in many other museum invitationals, including: the Carnegie International (1929, 1933, 1937, 1938); the Pennsylvania Academy of the Fine Arts (1934, 1936), and the Corcoran Gallery of Art (1935, 1937).
In 1934 Konrad Cramer and his wife travelled to Mexico where they produced many paintings and drawings. Back in Woodstock in 1935, Cramer briefly joined the (WPA) Federal Art Project, administering the regional program in Woodstock. In the mid-1930s Cramer took up photography to clarify aesthetic issues in his painting. Cramer had gotten to know Alfred Stieglitz upon his arrival in America in 1911 and wrote an essay about 291 Gallery for Stieglitz's magazine Camera Work in 1914. Through Stieglitz and then in the 1930s fellow Woodstockers like Russell Lee, Cramer became interested in the possibilities of photography and began working with it as an artistic medium. In the 1950s Cramer collaborated on a traveling exhibition and book of abstract photographs with Manuel Komroff and Nathan Resnick titled The Third Eye, which was circulated by the Department of State in 1961-1962. Like Man Ray and László Moholy-Nagy, Cramer explored the technique of solarization and made photograms. Konrad Cramer died in Woodstock in 1963.
- Creator:Konrad Cramer (1888-1963, German)
- Creation Year:1949
- Dimensions:Height: 19 in (48.26 cm)Width: 12.5 in (31.75 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. minor wear. faint foxing.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3825724982
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,556 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Set of Eyes, Color Lithograph, Belgian Abstract Expressionist Tamarind PrintBy Dirk de BruyckerLocated in Surfside, FLSigned, dated and titled. Initialed and dated lower right, each numbered 8/20, lower left. 9 x 6 image size, 22 x 15 in. sheet size. With the blindstamp of the Tamarind Institute pri...Category
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph, Archival Paper
- Violent Violin Concerto Hand Signed Lithograph SilkscreenBy ArmanLocated in Surfside, FLArman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Le masque à gaz, Gas Mask Hand Signed Lithograph SilkscreenBy ArmanLocated in Surfside, FLLe masque à gaz, 1971, edition of 300. Signed "Arman" in pencil l.r., numbered in pencil l.l. Lithograph in purple and gold on paper, image size 25 3/8 x 19 3/8 in. (64.3 x 49.0 cm),...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Violent Violin Concerto Hand Signed Lithograph SilkscreenBy ArmanLocated in Surfside, FLArman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Triptychos Post Historicus Picasso Conceptual Art Silkscreen Gold LithographLocated in Surfside, FLBraco D. Slobodan "Braco" Dimitrijević (born 18 June 1948) is a Paris-based Bosnian and Yugoslavian conceptual artist. His works deal mainly with history and the individual's place ...Category
1980s Conceptual Still-life Prints
MaterialsLithograph, Screen
- French Modernist Mourlot Lithograph Vintage Air France Poster Roger BezombesBy Roger BezombesLocated in Surfside, FLVintage French Travel Poster, Air france Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters. He designed posters for Air France and for the French national railways. Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar. Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work. Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud. Select Solo Exhibitions: 1938: Galerie Charpentier, Paris 1950, '53, '55, '57: Galerie Andre Weil, Paris 1953:Wildenstein Gallery, London 1954: Institut Francais, Cologne 1956: Galerie Matarasso, Nice 1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris 1958: Denys-Puech Museum, Rodez 1962: Musee de l'Athenee, Geneva; Chateau Grimaldi, Cagnes-sur-Mer 1966: Galerie des Ponchettes, Nice 1967: Galerie Martel, Montreal 1968: Romanet-Vercel Gallery, New York; Reattu Museum, Arles; Le Corbusier Center, Firminy 1969: Galerie Philippe...Category
1980s Modern Abstract Prints
MaterialsLithograph
You May Also Like
- Spider Mums (Edition 301/325)By Hari HockeyLocated in New York, NYHari Hockey (American), "Spider Mums" Edition 301/325, Abstract Still Life signed and numbered in pencil, 28.50 x 22, Late 20th Century Colors: Purple, Orange, Red, Blue, Black, BrownCategory
Late 20th Century Abstract Impressionist Still-life Prints
MaterialsLithograph
- Untitled: Yellow & Orange Tabletop Still Life (Edition 206/260)Located in New York, NYUnknown/ Unidentified Artist: "Untitled: Yellow & Orange Tabletop Still Life" Edition 206/260, Abstract Still Life signed and numbered in Pencil, 20 x 24, Late 20th Century Colors: ...Category
Late 20th Century Abstract Abstract Prints
MaterialsLithograph
- Original Arabic Art - Spain vintage travel posterBy José OrtegaLocated in Spokane, WAOriginal Arabic Art – Spain vintage travel poster. Artist: Jose Ortega. Size: 24.5" x 39.5". C. 1950. Original vintage European travel poster...Category
1950s Abstract Geometric Still-life Prints
MaterialsLithograph
- Acier du ConstructeurBy Alexander CalderLocated in Miami, FLTECHNICAL INFORMATION Alexander Calder Acier du Constructeur, 1965 Lithograph 21 7/16 × 29 3/8 in 54.5 × 74.6 cm Edition of 75 Condition: This work is in excellent conditionCategory
1960s Abstract Abstract Prints
MaterialsLithograph
- Colorful Abstract Composition - LithographBy (After) Serge PoliakoffLocated in Collonge Bellerive, Geneve, CH(after) Serge Poliakoff - Colorful Abstract Composition - Lithograph Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Serge ...Category
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Serge Poliakoff - Original Abstract Composition - LithographBy Serge PoliakoffLocated in Collonge Bellerive, Geneve, CHSerge Poliakoff - Colorful Abstract Composition - Lithograph Published in the deluxe art review, XXe Siecle 1961 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Serge Poliakof...Category
1950s Abstract Expressionist Abstract Prints
MaterialsLithograph
