Joseph Beuys

Joseph Beuys, Parteiendiktatur - Signed Shopping Bag, 1971, Fluxus

1971

Damien Hirst (British, born 1965) Earth (from The Elements, H6-6), 2020 Medium: Diasec-mounted giclée print on aluminium composite panel Dimensions: 100 x 100 cm (39 3/8 x 39 3/8 in)...

Albert Oehlen (German, b. 1954) Meditation über Bürokratische Tendenzen bei TzK, 2020 Medium: Lithograph on paper Dimensions: 36.2 × 30.6 cm (14 3/10 × 12 in) Edition of 100: Hand-si...

Rupprecht Geiger (German, 1908-2009) Orange on Yellow (from "Colour in the Round"), 1969 Medium: Silkscreen in colours, on thin cardboard Dimensions: 28 × 26 in (71 × 66 cm) Edition ...

Rupprecht Geiger (1908 – Munich – 2009) Warm Reds (No. 11 from all die roten farben), 1981 Medium: Serigraph on 270g cardboard Dimensions: 39.5 x 40 cm Frame dimensions: 46.1 x 46.6...

Shepard Fairey (American, b. 1970) Floral Harmony (Red Yin/Yang), 2020 Medium: 2 screenprints on paper Dimensions: each 24 x 18 in (61 x 46 cm) Edition of 100: Each hand-signed and n...

Imi Knoebel (German, born 1940) Gelbe Fahne, 1999 Medium: Screenprint on rag paper Dimensions: 100 x 73 cm (39.25 x 28.75 in) Edition of 99: Hand-signed and numbered Condition: Mint

Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. Another version of this ...

Iain H Williams, Paradigim Distortion V4 (2022) 59.4 x 84.1 cm 23.4 x 33.1 in Limited edition hand-finished work on paper Hand-signed by the artist Iain's work has his own bo...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Brice Marden Attendants, Bears and Rocks (Hand Signed by Brice Marden), 2002 Offset Lithograph Poster Hand signed boldly in black marker by Brice Marden on the front 17 × 22 inches U...

Kathy Butterly Untitled from Earth School Portfolio, 2005 Digital Print on Card Stock 24 × 18 inches Hand signed by artist; Signed and numbered 19/25 in graphite pencil on the front Unframed This 2005 print was created by artist Kathy Butterly in a very limited edition of only 25, for the little publicized gem "Earth School Portfolio", in a linen covered portfolio box, which held a print by each of these 10 artists: Tom Burckhardt, Kathy Butterly, Tony Fitzpatrick, Yun-Fei Ji, David Sandlin, Amy Sillman, Kiki Smith, Fred Tomaselli, Carnie Waldman and Sally Webster. These artists all donated their work to support the Earth School, an alternative public school in the East Village of New York City. We acquired the complete portfolio with all of the works. This Kathy Butterly print...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...