Items Similar to F-111 (Castelli Gallery Poster)
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 10
James RosenquistF-111 (Castelli Gallery Poster)1965
1965
About the Item
ROSENQUIST, JAMES
(1933 - 2017)
F-111 (Castelli Gallery Poster)
Offset Lithograph c. 1965
Signed and dated in pencil along lower edge
Sheet Size: 28” x 22”,
Fresh bright colors
Published by Leo Castelli Gallery
James Rosenquist, born in 1933 in Grand Forks, North Dakota, is one of the most important American artists of our time. In 1955 Rosenquist left the Midwest for New York City, where he received his artistic training at the Art Students League amidst the popularity of Abstract Expressionism and artists such as Willem de Kooning. His artistic education led to a brief, but significant, career as a billboard painter, where he spent his days perched on scaffolding high above Times Square.
In the 1960’s Rosenquist transformed the visual language of commercial painting onto his canvases, filling his large-scale pictures with fragmented advertising imagery in bright Day-Glo colors. Rosenquist’s paintings of this era, such as the iconic F-111 (1965) in the permanent collection of the Museum of Modern Art in New York, are pictorial critiques of contemporary American culture and he is considered a pioneer of the Pop Art movement along with fellow artists Robert Rauschenberg, Jasper Johns, Andy Warhol and Roy Lichtenstein. Rosenquist’s paintings since the 1970’s have retained his trademark aesthetic and focus primarily on geo-political, existential and environmental themes.
The work of James Rosenquist is represented in major private and public collections worldwide, including the Metropolitan Museum of Art, the Los Angeles Museum of Contemporary Art and the Tate Modern in London. Aside from his many gallery and museum exhibitions, James Rosenquist has had more than fifteen retrospectives, with two at the Whitney Museum of American Art. In 2003-2004 the Guggenheim Museum organized a retrospective that traveled to Houston, New York, Bilbao and Wolfsburg. His 2009 autobiography Painting Below Zero: Notes on a Life in Art is a best-seller.
- Creator:James Rosenquist (1933, American)
- Creation Year:1965
- Dimensions:Height: 37 in (93.98 cm)Width: 31 in (78.74 cm)Depth: 1.5 in (3.81 cm)
- More Editions & Sizes:Unknown Price: $7,500
- Medium:
- Movement & Style:
- Period:
- Condition:This piece is in excellent condition and is in a brand new custom frame with UV protective plexglass.
- Gallery Location:Hinsdale, IL
- Reference Number:
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1994
1stDibs seller since 2020
38 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Hinsdale, IL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- "Ten Days" limited edition lithograph by James RosenquistBy James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST "Ten Days, from The New York Collection for Stockholm" Lithograph in colors on paper,1973 9 x 12 inches (22.9 x 30.5 cm) (sheet) Ed. 114/300 Signed, numbered, and d...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- "Woman in the Sun" by James Rosenquist, 1991By James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST (B. 1933) "Woman in the Sun" 15 color lithograph from aluminum plate on mould-made paper, white Rives BFK, 1991 Catalog #225 She...Category
1990s Pop Art Abstract Prints
MaterialsLithograph
- "Sunglass Lens - Landing Net - Triangle" by James RosenquistBy James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST (B. 1933) Sunglass Lens-Landing Net-Triangle Original etching, 1974 Catalog #80 Sheet size: 19 1/2” x 35 1/4” Edition number 11 of 80 Signed, numbered, and date...Category
1970s Pop Art Abstract Prints
MaterialsEtching
- "American - La France Variation VIII"By Robert MotherwellLocated in Hinsdale, ILRobert Motherwell American - La France Variation VIII Lithograph in colors from five aluminum plates with collage in Arches, 1984 Arches collaged on Oatmeal Australian Bemboka hand...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- "Untitled" Robert Motherwell from the Portfolio of NineBy Robert MotherwellLocated in Hinsdale, ILRobert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- "Dusk in August" from the Portfolio of NineBy Louise NevelsonLocated in Hinsdale, ILNEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
You May Also Like
- Saint Louis Art Museum poster (Hand Signed and dated by Roy Lichtenstein)By Roy LichtensteinLocated in New York, NYRoy Lichtenstein Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-si...Category
1980s Pop Art Abstract Prints
MaterialsOffset, Ballpoint Pen, Lithograph
- Historic 1960s exhibition invitation for Galleria ApollinaireBy Roy LichtensteinLocated in New York, NYRoy Lichtenstein Historic 1960s exhibition invitation for Galleria Apollinaire, 1965 Offset lithograph poster Frame included This poster/invitation was published for Lichtenstein exh...Category
1960s Pop Art Figurative Prints
MaterialsOffset, Lithograph
- EE-NUF! signed & numbered 31/50, anti-Pollution anti Fascism & anti-Trump printBy Ed RuschaLocated in New York, NYEd Ruscha EE-NUF!, 2020 Offset lithograph Hand signed and numbered 31/50 in pencil by Ed Ruscha on the front; accompanied by documentation issued by Gagosian Gallery 23 1/2 × 18 inch...Category
2010s Pop Art Figurative Prints
MaterialsLithograph, Offset, Pencil
- Chicago International Art Exposition poster (Hand Signed by Ed Ruscha)By Ed RuschaLocated in New York, NYEd Ruscha Chicago International Art Exposition (Hand Signed by Ed Ruscha), 1983 Offset Lithograph. Pencil Signed and dated. Unframed. Signed and dated by Ed Ruscha in graphite pencil...Category
1980s Pop Art Figurative Prints
MaterialsLithograph, Offset
- My Hustler and Beauty No. 2 (one of the top 100 Counter Culture posters ever)By Andy WarholLocated in New York, NYAndy Warhol My Hustler and Beauty No. 2 (Extremely rare movie flyer), 1966 Offset Lithograph flier, blue ink on pink paper. 11 × 8 1/2 inches Unframed Beauty No. 2 and My Hustler Scr...Category
1960s Pop Art Figurative Prints
MaterialsLithograph, Offset
- SunriseBy Roy LichtensteinLocated in New York, NYA very good impression of this early color offset lithograph. Signed in pencil by Lichtenstein. Printed by Colorcraft, New York. Published by Leo Castelli Gallery, New York. Catalo...Category
1960s Pop Art Abstract Prints
MaterialsColor, Lithograph, Offset
Recently Viewed
View AllMore Ways To Browse
Large Exhibition Poster
Large Art Exhibition Poster
Large Poster 1970
Exhibition Posters 1960s
Vintage Geo
London Gallery Poster
Contemporary Art Exhibition Poster Signed
Museum Collection Of Vintage Posters
Los Angeles Poster
Los Angeles Art Poster
Los Angeles Poster Print
Retro Political Posters
Times Square Vintage
Canvas Vintage Poster
Large Framed Vintage Posters
Los Angeles City Poster
Metropolitan Poster
Vintage Los Angeles Poster