Fritz Baumgartner

Green Woman - Original Screen Print by Fritz Baumgartner - 1970

1970s

The Restaurant is an original lithograph on paper realized by Albert Chavaz in 1947. Good Conditions. Edition of 50. The artwork represents an empty Restaurant. The artwork is dep...

Precious Reflections is a beautiful colored screen print on gray metallic paper realized by Mario Padovan in the 1970s . Hand-signed in pencil on the lower right. Numbered in pencil...

Abstract Composition in Circles is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered on the lower left, Edition ...

Abstract Composition is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered on the lower left, Edition of 4/100 pr...

Para el Caro Mario is an original screen print realized by Aguero Torres Leopoldo in 1973. Very good condition on a white cardboard. Hand signed with pencil by the artist on the lo...

Composition is an original contemporary serigraphy artwork on metal realized by the Italian artist Salvatore Provino in 1970. Hand-signed on the lower right and numbered on the lowe...

A pristine color screenprint, acrylic and oil paint and varnish over giclée on paper. Signed and dated in white ink by the Connor Brothers. Dimensions with the frame are 32 x 22 inches.

"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...

1976 Screenprint in colors, on heavy wove paper Sheet: 30 x 42 in. Edition of 100 Signed, dated and numbered in pencil, lower margin Unframed, very good condition

Mid-century modern abstract serigraph with a bird by Howard Bradford (Canadian/American, 1919-2008), 1959. This limited edition figurative abstract pri...

"Dodge Rebellion Girls" - 1967 Silkscreen on Paper 1967 color silkscreen depicting the Dodge Rebellion Girls by Marc Foster Grant (American, b. 1947). A silhouette of the 'dodge gi...

Signed lower right, 'J. Bedwell' and inscribed lower left, 'Ed/5'; additionally inscribed verso 'Serigraph by Jeanette Bedwell' and titled 'Leaves'. Accompanied by an original galler...