Alexander Calder

The Birth of the Unexpected

1976

Original aquatint printed in 20 colors from 4 steel-faced copper plates on BFK Rives wove paper Hand-signed in pencil in the margin lower right Sam Francis. A superb artist’s proof...

Original lithograph printed in 6 colors (yellow, yellow-green, light blue, magenta, turquoise, dark blue) from 6 aluminum plates on BFK Rive wove paper Hand-signed in pencil lower r...

Signed with the artist’s monogram and dated on the stone lower right CA 74. A superb impression of the definitive state, from the edition commissioned by Braniff International Air...

Original lithograph printed in 6 colors (yellow, yellow-green, light blue, magenta, turquoise, dark blue) from 6 aluminum plates on BFK Rive wove paper Hand-signed in pencil lower r...

Original lithograph printed in 6 colors on Arches Cover wove paper Hand-signed with the artist’s monogram and dated in pencil at the lower right sheet tip RD82. A superb impression of the definitive state, from the edition of 250, numbered in pencil at the lower left sheet tip. One of 8 plates by various artists from the portfolio Eight by Eight to Celebrate the Temporary Contemporary, published by The Museum of Contemporary Art, Los Angeles; printed by Krystine Graziano, Kenneth Farley, Alan Holoubek, James Reid...

Original lithograph printed in 6 colors (light yellow, golden yellow, yellow-green, light ultramarine blue, purple, red on PTI #120 Waterleaf wove paper Hand-signed in pencil lower ...

Created in 1981 as an original lithograph with screen-printing, Roy Lichtenstein’s, Study of Hands is hand-signed in pencil, dated and numbered, measuring 31 ¼ x 32 ¾ in. (79.5 x 83....

Raymond Pettibon Black Flag 1983 (punk flyer): Black Flag at Mi Casita, Jan. 14, 1983: Offset-printed, 11 x 8.5 in. (28 x 21.6 cm). Black & white. Handbill / flyer for performance by Black Flag, Redd Kross, Descendents, Hüsker Dü, St. Vitus featuring original artwork by Raymond Pettibon. Rare. Good overall vintage condition. Hand written notes on the reverse. Unsigned from an edition of unknown. Raymond Pettibon Black Flag: Further Background: Raymond Pettibon is the foremost draftsman of his generation, and one of America’s most important contemporary artists. Approaching “high” and “low” subject matter with equal appetite and comfort, Pettibon plumbs the depths of American sexuality, politics, subcultures, mores, and intellectual histories through themes ranging from Shakespeare to Gumby, surfers to the Bible, baseball to German Romanticism. Raymond Pettibon popularized the American punk aesthetic with his designs that captured the riotous and chaotic character of punk such as this rare Black Flag flyer...

RICHARD LINDNER (American. 1901-1978) Hand Signed limited edition lithograph with blindstamp Publisher: Shorewood-Bank Street Atelier for the Skowhegan School of Painting and Sculpture 29.25 X 22 inches Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindner's mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police uniforms replaced European military uniforms as symbols of authority.At a time when Abstract Expressionism was all the rage, Lindner’s painting went against the current and always kept its distance. His pictorial language of vibrant colours and broad planes of colour and his urban themes make him a forerunner of American Pop Art. At the same time, he owes the critical tone of his paintings to the influence of European art movements such as Neue Sachlichkeit and Dada. His first exhibition did not take place until 1954, by which time he was over fifty, and, interestingly, it was held at the Betty Parsons Gallery in New York, a venue associated with the American Expressionists. From 1952 he taught at the Pratt Institute, Brooklyn, from 1967 at Yale University School of Art and Architecture, New Haven. In 1957 Lindner got the William and Norma Copley Foundation-Award. In 1965 he became Guest Professor at the Akademie für Bildende Künste, Hamburg. His Ice (1966, Whitney Museum of American Art) established a connection between the metaphysical tradition and pop art. He did work on Rowlux which was used by a number of pop artists (most notably Roy Lichtenstein)The painting shows harsh, flat geometric shapes framing an erotic but mechanical robot-woman. His paintings used the sexual symbolism of advertising and investigated definitions of gender roles in the media. While influencing Pop Art (Andy Warhol, Tom Wesselmann and Claes Oldenburg amongst others) his highly colourful, hard-edge style seems to have brought him close to Pop Art, which he rejected. Nevertheless, he is immortalised on the cover of the Beatles record "Sgt. Pepper’s Lonely Hearts Club Band" (1967) as a patron of the pop culture. He also did a tapestry banner with the Betsy Ross Flag...

SAILBOATS is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techniques on ...

A bright and freshly colored lithograph on Rives BFK. This impression is one of 10 numbered artist's proofs, aside from the edition of 200. It is signed, dated, inscribed "AP" and nu...

BALBOA PARK is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1990 in an edition of 150, using traditional ha...