Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Ian Ruhter
Monument Valley (How The West Was Won)

2014

About the Item

Listing includes free shipping for unframed prints in the U.S. and 14-day return policy. Ian Ruhter Monument Valley (How The West Was Won) 30 x 40 inch archival pigment print Edition of 30 *Please note that most orders will be made-to-order and will require additional handling time* Artist Biography - Ruhter’s photographs, following in the steps of the great 19th century American landscape photographers transform the imagery of the west into a scale unimaginable in their time. Creating unique large-scale collodion wet plates up to 48 x 60” (as well as making same scale archival pigment prints from the collodion plates) Ruhter blends old and new technologies to create powerful and resonant artworks. Ruhter began his experiments with the wet plate collodion process five years ago. The nineteenth century photographic process involves pouring a liquid mixture of iodides, bromides, and a solution called collodion over a glass or aluminum plate. The plate is then bathed in silver nitrate, making it light sensitive. The plate must then be quickly exposed and developed in just a few minutes, before the collodion dries and loses sensitivity. Obsessed with perfecting the wet plate collodion process but eager to move from the traditionally small hand held plates to something larger, Ruhter’s epiphany came when he realized he needed to shoot from within the camera to create the size of wet plates he had envisioned. To achieve this Ruhter converted a large delivery truck into a giant mobile camera and traveling darkroom. Regardless of the protection of the truck, the process is laborious and extremely unpredictable as temperature and moisture can affect the chemicals and alter the developing process, ruining a wet plate. However, when everything works, the results of this highly intense labor can produce a unique and incredibly detailed image with rich layers of silver suspended in emulsion producing an almost three dimensional effect. Because the process is produced and controlled entirely by hand, each plate is inherently unique, with the chemicals’ process leaving irregular and ghostly shadows, halos, and ripples in each plate. As Ruhter says of his work, he has time traveled back into the future. “When I designed the apparatus that allowed me to make the pictures in the 48 x 60" size I had to invent a new way of working with this process. Many told me this wasn't possible but in fact I was able to achieve what had not been possible for 150 years.”
  • Creator:
    Ian Ruhter (American)
  • Creation Year:
    2014
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)
  • Medium:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU155928408662
More From This SellerView All
  • Golden State Freeway Looking Southeast Over Fernanando Pass, 2004
    By Michael Light
    Located in New York, NY
    From the acclaimed series "LA Day (2004)", this photograph by Michael Light is available as a 40 x 50 inch editioned print of the Golden State Freeway Looking Southeast Over Fernando Pass. Listing includes framing ($1,000 value with non-glare museum glass), free shipping to the continental US, and a 14 day return policy. Michael Light Golden State Freeway Looking Southeast Over Fernando Pass, 2004 Image Size: 40 x 50 inches Frame Size: 42 x 52 x 2 inches Edition 3 of 10 Signed and editioned on verso Artist Biography - Michael Light was born in 1963. The pre-eminent aerial photographer of his generation, he is the recipient of a Guggenheim Fellowship for photography and his work is in the collections of major museums from SF MoMA to the Victoria and Albert. Prior to taking up aerial photography, Light conceived of and put together the book Full Moon - the first look at NASA photography as fine art - and a project which was published in multiple editions selling several hundred thousand copies around the world. In a way Full Moon had a bearing on Light's subsequent aerial work, as he continues to see and explore the terrestrial world much as the astronauts saw the moon. For the last 15 years Light has been flying his own small aircraft primarily over the American West investigating how both man and nature make their mark on the landscape. To date Light has completed 18 separate Western projects - each of which comprises an oversize handmade artist's book as well as more traditional prints. Largely documenting the impact of man and industry on the land (but not immune to the sublime) Light's subjects range from Utah's gold and copper mines and the (over)development of places like Sun City, AZ and Lake Las Vegas, NV to contrasting Arizona's Meteor Crater - the largest meteoric impact site in the Americas - with James Turrell's Roden Crater...
    Category

    Early 2000s Landscape Photography

    Materials

    Photographic Film, Pigment, Archival Pigment, Digital Pigment

  • Untitled from "On The Acropolis"
    Located in New York, NY
    Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...
    Category

    1980s Black and White Photography

    Materials

    Photographic Paper, Silver Gelatin

  • Eastern Sierras
    By Ian Ruhter
    Located in New York, NY
    Listing includes free shipping for unframed prints and 14-day return policy. Ian Ruhter Eastern Sierras 30 x 40 inch archival pigment print Edition of...
    Category

    2010s Landscape Photography

    Materials

    Photographic Paper

  • Yosemite Falls
    By Ian Ruhter
    Located in New York, NY
    Listing includes free shipping for unframed prints and 14-day return policy. Ian Ruhter Yosemite Falls 30 x 40 inch archival pigment print Edition of ...
    Category

    2010s Landscape Photography

    Materials

    Photographic Paper

  • Summerland
    By Will Adler
    Located in New York, NY
    Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and be shipped directly from Will Adler's studio in Santa Barbara. Will Adler Summerland, 2012 20 x 24 inch archival pigment print Artist Proof after sold out edition of 8 - *last print available* Signed on artist certificate Other sizes are available from the same edition. 30" wide, 40" wide, 50" wide and 60" wide. Please inquire for pricing. Artist Biography - Will Adler is a 38 year old west coast photographer known for his distinctive take on the surf world. Adler's laid back, light infused images, (as often of women surfers as men) convey the spirit and atmosphere of place as much as the action of the sport and have earned him a cult following in surfing and photography circles. For his summer show at Danziger Gallery, Adler is showing pictures from Hawaii, California, and Montauk shot for himself and for magazines such as Juxtapoz, Neon, Surfer, WAX, and The New Yorker, His commercial clients have included Quiksilver, Patagonia, Nike, and Hixsept. The 2014 summer show at Danziger Gallery was curated by Tom Adler...
    Category

    2010s Color Photography

    Materials

    Digital Pigment, Archival Pigment, Digital, Archival Paper, Photographic...

  • Epic Western III
    By Jim Krantz
    Located in New York, NY
    Listing includes framing with UV plexiglas (a $1,500 value) and a 14-day return policy. Shipping charged at a discounted rate worldwide via white glove delivery service. Please inquire if you would like to purchase an unframed print for a reduced rate. Available for local pick up at our Los Angeles gallery. Jim Krantz Epic Western III, 2019 40 x 68 inch chromogenic print Edition 3 of 5 Signed on signature label. Artist Biography - Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...
    Category

    2010s Color Photography

    Materials

    Photographic Paper, Archival Pigment

You May Also Like
  • Ancient #02, Beech Pollard; Black and White Tree Landscape
    Located in London, GB
    An immense beech pollard, cut in its youth hundreds of years ago, has developed dozens of thick branches from its spiralling trunk. One in a line of several very old beeches in Sussex woodland that may have marked a boundary or a long forgotten track. Artwork info: Archival Pigment Print, Edition of 8 +2AP This print is unframed but can be mounted on Dibond upon request (price upon application) and further framing options are also available - Please contact us at MMX Gallery for more details or purchase here the unframed print. About the Artist: Born in Birmingham in 1973, Jasper Goodall...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Photographic Paper, Archival Pigment

  • La Défense 1- Signed limited edition Architectural print, Black white photo
    By Ian Sanderson
    Located in Barcelona, Barcelona
    La Défense 1 - Signed limited edition archival pigment print, 2004 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gs...
    Category

    Early 2000s Contemporary Black and White Photography

    Materials

    Black and White, Photographic Paper, Pigment, Giclée, Archival Paper, Ar...

  • Shaped by the Wind
    By Jean- Michel Lenoir
    Located in New York, NY
    SHAPED BY THE WIND 30" X 42" Ed. of 10, Unframed we can frame it in a white wood shadow box. The frame price is 400$. Available in size 42 x 60" Framed Ed. of 10. $6,800 A resolu...
    Category

    2010s Naturalistic Landscape Photography

    Materials

    Archival Paper, Digital Pigment, Archival Ink, Photographic Paper, Archi...

  • Panorama - black and white photography, Limited edition print, Landscape
    By Sam Thomas
    Located in Barcelona, Barcelona
    Panorama - Limited edition pigment print - Limited Editions of 15 Seascape in France, 2001 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 3...
    Category

    Early 2000s Contemporary Landscape Photography

    Materials

    Black and White, Photographic Paper, Photographic Film, Archival Paper, ...

  • Twilight #19, Gathering - Silver Birch Tree - Black and White Landscape Print
    Located in London, GB
    A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Photographic Paper, Archival Pigment

  • Architectonic 3- Signed limited edition print, Large contemporary, Architecture
    By Michael Banks
    Located in Barcelona, Barcelona
    Architectonic 3 Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbe...
    Category

    Early 2000s Abstract Landscape Photography

    Materials

    Pigment, Photographic Paper, Black and White, Archival Paper, Archival P...

Recently Viewed

View All