Items Similar to high tide at Herring Cove Beach, Provincetown
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Frank Yamrushigh tide at Herring Cove Beach, Provincetown2004
2004
About the Item
Archival pigment print (Edition of 11)
Signed, dated, and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
The first print in the edition is offered with a limited edition book for $2500.00. Please inquire for additional information and availability.
“Cape Cod is the bared and bended arm of Massachusetts. . .” – from “Cape Cod: The Shipwreck” (1865) by Henry David Thoreau.
“Bared & Bended” is a series of abstract landscaped chronicling artist Frank Yamrus' first winter in Provincetown, Massachusetts. While Yamrus has frequented Cape Cod for over two decades, it was not until 2003 that he experienced the region’s harsher months. Seeking space from a spiraling personal relationship and solitude for artistic inspiration, Yamrus headed to Provincetown, the place he considers his true home. As part of his daily routine, Yamrus wandered through the frozen landscapes of the Cape. During these walks, he found his psychological space mirrored in the snow, fog, mist, and rain, and with these elements he created the images included in this body of work.
Frank Yamrus has been exhibiting his work internationally for over twenty years, with his photographs represented in numerous public collections, including the Museum of Fine Arts, Houston; the Victoria and Albert Museum, London; the Los Angeles County Museum of Art; the Worcester Art Museum, Massachusetts; and the Denver Art Museum; among others.
- Creator:Frank Yamrus (1958, American)
- Creation Year:2004
- Dimensions:Height: 6.5 in (16.51 cm)Width: 6.5 in (16.51 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93233271101
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2000
1stDibs seller since 2018
240 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Morning BreakingBy Michael MassaiaLocated in New York, NYArchival pigment print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board Signed and numbered, recto 30 x 26 inches, overall mat size 24 x 20 inche...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- BlackbirdsLocated in New York, NYArchival pigment print (Edition of 20) Signed, titled, dated, numbered, and inscribed in black ink, verso 10 x 10 inches, image This artwork is offered by ClampArt, located in New Y...Category
Early 2000s Contemporary Landscape Photography
MaterialsArchival Pigment
- Untitled (Beijing, #5707)By Steve GiovincoLocated in New York, NYArchival pigment print Signed and numbered, verso 40 x 50 inches (Edition of 3) 20 x 24 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Ab...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- Aberration #8By Adam EkbergLocated in New York, NYArchival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 5) $3,200 30 x 40 inches (Edition of 3) (The price of this edition includes mounting and framing) $5,8...Category
Early 2000s Contemporary Landscape Photography
MaterialsArchival Pigment
- A Camera in the ForestBy Adam EkbergLocated in New York, NYArchival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 3) $3,335 (The price of this edition includes mounting and framing) 30 x 40 inches (Edition of 3) $4,20...Category
Early 2000s Contemporary Landscape Photography
MaterialsArchival Pigment
- A Sparkler on a Frozen LakeBy Adam EkbergLocated in New York, NYArchival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 5) $3,900 40 x 50 inches (Edition of 2) $9,400 This photograph is offered by ClampArt, located in New Y...Category
Early 2000s Contemporary Landscape Photography
MaterialsArchival Pigment
You May Also Like
- "Yellow-throated Vireo" - original bird photography by Matt TillettBy Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Pigment, Archival Ink
- "Clark's Nutcracker"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Archival Pigment
- Two "Bohemian Waxwings"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Archival Pigment
- "Common Redpoll"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Archival Pigment
- "Pine Siskin"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Ink, Archival Pigment
- "Sandhill Crane"By Carolyn MonastraLocated in New York, NY17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...Category
2010s Contemporary Landscape Photography
MaterialsArchival Paper, Archival Pigment, Archival Ink
Recently Viewed
View AllMore Ways To Browse
Provincetown Print
Cape Cod Photography
Rain Cape
Henry Thoreau
Blue Herring
Brazil Sculpture
Etchings By American Artists
Music Sculpture
Print Folio
Contemporary Japanese Sculpture
Graphic Print Series
Used Office Artwork
Vintage Religious Art
Love 19
Artwork Wall Sculpture
German Antique Paintings
Graphic Prints 1970
Large White Wall Art