Brian Duffy

Elle, Beach Shadow, Morocco

1963

Duffy is widely credited for having revolutionized the face of fashion photography, which defined the visual language of the swinging sixties in London. Duffy completed his training ...

Duffy is widely credited for having revolutionized the face of fashion photography, which defined the visual language of the swinging sixties in London. Duffy completed his training ...

Duffy is widely credited for having revolutionized the face of fashion photography, which defined the visual language of the swinging sixties in London. Duffy completed his training ...

Signed and editioned Edition of 5

Politics Makes Strange Bedfellows 2005 / Printed 2014 Bromoil Print Signed and titled in Russian. Dated and numbered in pencil on verso. Edition of 15 18 x 18 inches.

Pentti Sammallahti Untitled (Horses Kissing) 1979 Gelatin Silver print

Gelatin silver print (Edition of 50) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

ALBERT WATSON (*1942, Scotland) Monkey with Gun, New York City 1992 Vintage Silver Gelatin Print, Unique Image 36 x 28 cm (14 1/8 x 11 in.) Sheet 61 x 50.8 cm (24 x 20 in.) Frame 62 ...

Robert Stivers. Hands, 2001. Unique gelatin silver print.

Robert Stivers. Dancer, 2006. unique one-of-a-kind gelatin silver print.

"A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his...

Silver gelatin print, with numeric notation and stamp of collection of Jon Anderson (verso), 12cm x 18cm (41cm x 44cm framed). Jon Anderson was Paul Cadmus' partner of 35 years. The picture depicts the artists Paul Cadmus and George Tooker, the photographer, George Platt Lynes, and publisher, Monroe Wheeler. The painter Paul Cadmus (1904 - 1999) and married artists Jared (1902 - 1989) and Margaret French (1906 - 1998) comprise the photographic collaborative known by their acronym, PaJaMa. Beginning in 1937, and over the course of nearly two decades, the trio collectively staged photographs set against the backdrops of Fire Island, Provincetown, and Nantucket, among other locations. Their psychologically and sexually charged images often served as studies for the artists' subsequent paintings and works on paper. The statuesque quality of the figures and the stillness of each scenario are key characteristics of PaJaMa’s photographs...