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Terry O'NeillFaye Dunaway Reclining The Morning After, 1977 Hand Signed 1977 (printed later)
1977 (printed later)
About the Item
Faye Dunaway Reclining The Morning After, 1977 (Framed)
Signed Edition Print by Terry O'Neill
Mint condition C print hand numbered 11 / 50
and hand signed by photographer
Framed in white solid wood frame with matting and anti reflective anti UV glazing.
Framed dimensions :
27 height x 26" inches width x 1.5" depth / 69 x 66 x 4 cm
Print Paper size 24x20" inches / 61 x 51 cm
Printed later
American actress Faye Dunaway takes breakfast by the pool with the day's newspapers at the Beverly Hills Hotel, 29th March 1977.
She seems less than elated with her success at the previous night's Oscar awards.
Terry O'Neill said of this portrait: 'I call this picture 'The Morning After'.
I wanted to get a different kind of 'Oscar' picture - one to illustrate what the award meant to actors and actresses.”
No image better captures both the allure and the loneliness of celebrity than this of his future wife Faye Dunaway, with the Academy Award for Best Actress she won the previous night for ‘Network’.
The Morning After shot is considered to be one of his most iconic photographs and is part of the permanent collection of the National Portrait Gallery in London.
Ships crated and securely from London England
- Creator:Terry O'Neill (1938, British)
- Creation Year:1977 (printed later)
- Dimensions:Height: 27 in (68.58 cm)Width: 26 in (66.04 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:mint condition.
- Gallery Location:London, GB
- Reference Number:
Terry O'Neill
Terry O’Neill was one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he photographed the frontline of fame for over six decades.
O’Neill began his career at the birth of the 1960s. While other photographers concentrated on earthquakes, wars and politics, O’Neill realized that youth culture was a breaking news story on a global scale and began chronicling the emerging faces of film, fashion and music who would go on to define the Swinging Sixties. By 1965 he was being commissioned by the biggest magazines and newspapers in the world.
No other photographer embraced the span of fame as O'Neill had, capturing the icons of our age from Winston Churchill to Nelson Mandela, from Frank Sinatra and Elvis to Amy Winehouse, from Audrey Hepburn and Brigitte Bardot to Nicole Kidman, as well as every James Bond from Sean Connery to Daniel Craig.
O’Neill photographed The Beatles and The Rolling Stones when they were still struggling young bands in 1963 and pioneered backstage reportage photography with David Bowe, Elton John, The Who, Eric Clapton and Chuck Berry. His images have adorned historic rock albums, movie posters and international magazine covers.
Find a collection of authentic Terry O’Neill photography on 1stDibs.
(Biography provided by Hilton Asmus Contemporary)
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