Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Neil Leifer
Muhammad Ali Knocks out Liston, Color Photography, Fine Art Print

1965

About the Item

Ali Knocks out Liston, 1965 Hand signed by Neil Leifer 20 x 24 in. (50 x 60 cm) Fine Art Archival Pigment Print Edition of 350 Native New Yorker Neil Leifer began photographing sports events as a teenager. Over 160 of his pictures have appeared on the cover of Sports Illustrated and over 40 of his photographs have graced the cover of Time. He has published 15 books, and was one of two principal photographers in TASCHEN’s tribute to Muhammad Ali, GOAT—Greatest Of All Time and the illustrated edition of Norman Mailer’s The Fight.
  • Creator:
    Neil Leifer (1942, American)
  • Creation Year:
    1965
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)
  • More Editions & Sizes:
    11 x 14, Ed of 350Price: $4,50016 x 20, Ed of 350Price: $9,000
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Los Angeles, CA
  • Reference Number:
    1stDibs: LU5081134543
More From This SellerView All
  • "Satisfaction" Rolling Stones on Stage, Sweden
    By Bent Rej
    Located in Los Angeles, CA
    59.1 x 39.4 in (150 x 100 cm) Archival Pigment Print Edition of 12 Price does not include tax.
    Category

    1960s Color Photography

    Materials

    Archival Pigment

  • Aerial view, Muhammad Ali victorious over Cleveland Williams, Color Photography
    By Neil Leifer
    Located in Los Angeles, CA
    Aerial view of Muhammad Ali victorious after round 3 knockout of Cleveland Williams during fight at Astrodome, November 14, 1966 24 x 20 in. (61 x 51 cm) Archival Digital C-Print ...
    Category

    20th Century Color Photography

    Materials

    Archival Pigment

  • London. Portrait of a City 'Traffic Policeman' Color Print & Limited Ed Book
    Located in Los Angeles, CA
    London Calling Tailor-made for TASCHEN by Paul Smith For die-hard lovers of Paris, Berlin, London, Los Angeles, and New York, TASCHEN introduces the Portrait of a City Art Edition series. For each edition, limited to only 500 copies, a legendary local fashion designer is invited to design a bespoke fabric to line the cover, and a large signed and numbered print of one of the images from the book is included. Limited to 500 numbered copies Comes with a fine art print on archival paper, signed by Elmar Ludwig Packaged in a special cover and clamshell case designed by legendary British fashion designer Paul Smith Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in hundreds of compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging ’60s; from the Battle of Britain to punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from Royal Weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to the glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander...
    Category

    20th Century Color Photography

    Materials

    Archival Pigment

  • "The Glimmer Twins", Rolling Stones on Stage, Copenhagen, Color Fine Art Print
    By Bent Rej
    Located in Los Angeles, CA
    31.5 x 31.5 in (80 x 80 cm) Archival Pigment Print Edition of 25 Price does not include tax.
    Category

    1960s Color Photography

    Materials

    Archival Pigment

  • Armstrong’s Lunar Suit, Air & Space Museum, Washington D.C, 1990, Fine Art Print
    By Albert Watson
    Located in Los Angeles, CA
    Archival Pigment Print
    Category

    1990s Contemporary Still-life Photography

    Materials

    Archival Pigment

  • Cassius Clay 5th Street Gym, Miami, Color Photography, Fine Art Print
    By Marvin Newman
    Located in Los Angeles, CA
    Cassius Clay, 5th Street Gym, Miami, 1963 30 x 40 in. (76 x 101 cm) Archival Pigment Print Edition of 7 The photographer Marvin E. Newman (b. 1927) was one of the first recipi...
    Category

    Mid-20th Century Color Photography

    Materials

    Archival Pigment

You May Also Like
  • Untitled (Ursine #54F-44)
    By Jill Greenberg
    Located in New York, NY
    Archival pigment print Signed and numbered on label, verso 20 x 24 inches (Edition of 10) 43 x 50 inches (Edition of 7) This photograph is offered by ClampArt, located in New York City. Since the great success of her monkey portraits...
    Category

    Early 2000s Contemporary Portrait Photography

    Materials

    Archival Pigment

  • Untitled (Ursine #2A-2)
    By Jill Greenberg
    Located in New York, NY
    Archival pigment print Signed and numbered on label, verso 24 x 20 inches (Edition of 10) 50 x 43 inches (Edition of 7) This photograph is offered by ClampArt, located in New York ...
    Category

    Early 2000s Contemporary Portrait Photography

    Materials

    Archival Pigment

  • Dar Flora #5, May Foxgloves, A floral arrangement of wild flowers and plants
    Located in London, GB
    Dark Flora #5 - May Foxgloves, 2020 Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8 Foraged from Sussex Wealden woodland in early summer, it includes Foxgloves, beech, heather and star moss surrounding a woodland bird’s nest. Foxglove’s sometimes used to be called dead man’s bells due to every part of the plant being poisonous... Inspired by Victorian era taxidermy dioramas...
    Category

    2010s Contemporary Color Photography

    Materials

    Archival Pigment, Glass, Wood, Photographic Paper, Color

  • "Yellow-throated Vireo" - original bird photography by Matt Tillett
    By Carolyn Monastra
    Located in New York, NY
    17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Pigment, Archival Ink

  • "Clark's Nutcracker"
    By Carolyn Monastra
    Located in New York, NY
    17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Archival Pigment

  • Two "Bohemian Waxwings"
    By Carolyn Monastra
    Located in New York, NY
    17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Archival Paper, Archival Ink, Archival Pigment

Recently Viewed

View All