Kristen Hatgi

Blue Butterfly Lashes

2015

Landscape, Color Photography, Beach, Newport Beach, California, Water, color, beach, landscape photograph color photograph Price and size range (Custom...

As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a d...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories. Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...

Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and...

'Spring Couplet' ('Mono No Aware' Series) 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The dance of the cherry blossoms ...

'Sunday's Tulips (II)' 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching sof...

'Sunday's Tulips (III)' 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching so...

Transcendence reflects on our relationship with the planet, and explores the concept of surpassing the limitations and distractions of our material existence to reach unlimited possi...

Transcendence reflects on our relationship with the planet, and explores the concept of surpassing the limitations and distractions of our material existence to reach unlimited possi...

Transcendence reflects on our relationship with the planet, and explores the concept of surpassing the limitations and distractions of our material existence to reach unlimited possi...