Artemis Antippas

Sample (2)

2021

Edition 1 of 3, 2 APs Large Size: 36 x 27 inches STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the ...

24 x 18 inches - Edition 1 of 5 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the histor...

16 x 12 inches - Edition 2 of 7 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the histor...

16 x 12 inches - Edition 2 of 7 with 2 APs JONATHAN FERRARA GALLERY proudly presents The Changing Face of Portraiture, the premier solo exhibition of photography by artistic duo E2 ...

24 x 18 inches - Edition 1 of 5 with 2 APs JONATHAN FERRARA GALLERY proudly presents The Changing Face of Portraiture, the premier solo exhibition of photography by artistic duo E2 ...

ARTEMIS ANTIPPAS was raised in the French Quarter. From a very early age, she became consumed with the wildness that was New Orleans. The work Antippas makes is a reflection of her ...

Archival pigment print Signed and numbered on label, verso 20 x 24 inches (Edition of 10) 43 x 50 inches (Edition of 7) This photograph is offered by ClampArt, located in New York City. Since the great success of her monkey portraits...

Archival pigment print Signed and numbered on label, verso 24 x 20 inches (Edition of 10) 50 x 43 inches (Edition of 7) This photograph is offered by ClampArt, located in New York ...

Dark Flora #5 - May Foxgloves, 2020 Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8 Foraged from Sussex Wealden woodland in early summer, it includes Foxgloves, beech, heather and star moss surrounding a woodland bird’s nest. Foxglove’s sometimes used to be called dead man’s bells due to every part of the plant being poisonous... Inspired by Victorian era taxidermy dioramas...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...