John Albok

Prosperity on the Corner

1933

Vintage gelatin silver print 9 1/2 x 7 1/4 in. Titled, dated and artist stamp on verso. Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 192...

Edition 4/200 Signed, dated and numbered in black ink on print margin by Harold Feinstein Harold Feinstein was born in Coney Island, New York, in 1931. He began photographing in 19...

Titled, dated and artist stamp.

Harlem (Girl with Dog in Baby Carriage) by John Albok presents a young girl in a dress pushing a baby carriage down the street. A small dog sits in the carriage, looking over it's sh...

Unique Vintage gelatin silver print 10 x 8 in. Titled and artist stamp on verso. Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 findi...

Unique Vintage gelatin silver print 10 x 8 in. Titled, dated, and artist stamp. Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 findin...

Patsy Pulitzer, Seaplane At Palm Beach Chromogenic print, 1955 Estate stamped and hand numbered edition of 150 with certificate of authenticity...

American actress and gossip columnist Hedda Hopper (1890 – 1966) chatting with James Stewart (1908 – 1997) during a New Year’s Eve party held at the Romanoff Restaurant in Hollywood,...

Michael Canfield and Jacqueline Bouvier (1929 – 1994) at Newport Casino Tennis Week, Newport, Rhode Island, 1955. Estate stamped and hand numbered edition of 150 with certificate of...

Vintage gelatin silver print Signed in black ink, recto Credit stamped and numbered, verso of mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 6.5 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Madelyn Meatyard was an indulgent model. The role her husband usually chose for her was that of mother, posing with one or more of her three children. Here, he stations her before an arched window. The pious atmosphere created by this framing is contradicted by Madelyn’s everyday dress and by the dilapidated Venetian blinds behind her. Unlike a traditional religious icon, this Madonna gazes sternly into space, while her small child stands facing the maternal loins from which she sprang. Many photographers prior to Meatyard—such as Alfred Stieglitz, Edwards Weston and Harry Callahan—had produced series based on their beguiling wives.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), pp. 86-87 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 6.75 x 6.75 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This photograph is found in the portrait section of the Time-Life publication "Photographing Children...