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Style: Byzantine
Centaur and a woman
By Alexis Gritchenko
Located in Bayonne, NJ
This is a very rare to find painting that was exhibited by Alexis Gritchenko at the Athens Museum of Byzantine Art in 1923. Originally, 36 encaustic on cardboard pieces from the Greek Dancers...
Category
1920s Byzantine Paintings
Materials
Gouache, Encaustic
Virgin of Kataphyge and St. John, after a Byzantine Bulgarian Icon 14th Century
Located in Segovia, ES
The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century.
Egg tempera and gold leaf on gesso and wood.
Author: Oliver Samsinger...
Category
Early 1900s Byzantine Paintings
Materials
Gold Leaf
Ain't yo' Mama, Make yo' own Goddamn Pancakes
Located in Santa Monica, CA
Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...
Category
2010s Byzantine Paintings
Materials
Gold Leaf
Cathay Williams
Located in Santa Monica, CA
Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...
Category
2010s Byzantine Paintings
Materials
Gold Leaf
Lope Martin
Located in Santa Monica, CA
Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...
Category
2010s Byzantine Paintings
Materials
Gold Leaf
Letitia Munson
Located in Santa Monica, CA
Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...
Category
2010s Byzantine Paintings
Materials
Gold Leaf
Icon of Our Lady of Jerusalem with oklad by Oliver Samsinger
Located in Segovia, ES
Icon of Our Lady of Jerusalem.
Egg tempera on gesso and over a wooden board.
Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 "
Author: Oliver Samsinger...
Category
1990s Byzantine Paintings
Materials
Brass
Christ, the Great High Priest. Greek-Italian style Icon with silver oklad
Located in Segovia, ES
Christ, the Great High Priest. Greek-Italian style Icon with silver filigreed oklad.
Egg tempera, over gesso on wood with a silver cover, "oklad", with pol...
Category
1990s Byzantine Paintings
Materials
Silver
'Christ Pantocrator with Mary & St. John', Theotokos, Greek Orthodox, Christian
Located in Santa Cruz, CA
A very substantial, early 19th century, oil-on-canvas laid down on panel showing a view of the risen Christ Pantocrator flanked by the Virgin Mary and St....
Category
Early 19th Century Byzantine Paintings
Materials
Gold Leaf
Saint Nicolas in the style of Russian icons of the 18th century. With Oklad
Located in Segovia, ES
Icono of Saint Nicolas in the style of Russian icons of the 18th century.
Egg tempera and gesso on wood, covered by a metal oklad made by the artist himself. The oklad, in principle, were made to cover damaged parts of highly revered ancient icons...
Category
1990s Byzantine Paintings
Materials
Gesso, Wood, Egg Tempera
Christ Pantocrator" After an Icon in the style of the Moscow School
Located in Segovia, ES
"Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev.
Author: Oliver Samsinguer
Egg tempera and gold leaf on gesso and on wood.
Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm.
(H) 16.54 x (W) 13.19 x (D) 1.38 in.
This is how the artist sums up the technique used by him to create the icon:
“The aim of these steps is to create a durable painting. The icon is eternal.
The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability.
Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well.
Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is
"shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold .
Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments.
Tempera painting is done in numerous layers from dark to light.
When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”.
ABOUT THE ARTIST
Oliver Samsinger...
Category
1990s Byzantine Paintings
Materials
Gold Leaf
The Evangelist Matthew, after a Russian icon, school of Moscow, 15th century
Located in Segovia, ES
The Evangelist Mathew after a Russian Icon. School of Moscow, 15th century.
Egg tempera, gold leaf, and gesso, over a wooden board.
Dimensions: (H) 52 x (W) 36 x (D) 3 cm.
Saint Matthew, the Evangelist, is represented at his own desk, a true artisan laboratory.
THE THECHNIQUE
This is how the artist sums up the technique used by him to create the icon:
“The aim of these steps is to create a durable painting. The icon is eternal.
The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability.
Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well.
Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is
"shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24 carat gold .
Now does the actual process of painting begin. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments.
Tempera painting is done in numerous layers from dark to light.
When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”.
ABOUT THE ARTIST
Oliver Samsinger...
Category
1990s Byzantine Paintings
Materials
Gold Leaf
Christ Pantocrator after an Russian icon of the 15th Century
Located in Segovia, ES
Christ Pantocrator after a Russian icon of the 15th Century.
Tempera and gold leaf on gesso over a wooden board.
Measurements in centimeters: 38 x 29.5 x 3 cm. / In inches: 14.96 x 11.8 x 1.18 "
This is how the artist sums up the technique used by him to create the icon:
“The aim of these steps is to create a durable painting. The icon is eternal.
The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability.
Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well.
Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is
"shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold.
Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments.
Tempera painting is done in numerous layers from dark to light.
When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”.
ABOUT THE ARTIST
Oliver Samsinger (Vienna, 1968) began to take an interest in icons in 1990. He undertakes several trips to Bulgaria, Greece, and Cyprus to see in situ the original works treasured in these three countries. This experience will be crucial in his life since the studies carried out in Sofia, the Bulgarian capital, and his stay on Mount Athos...
Category
1990s Byzantine Paintings
Materials
Gold Leaf
The Virgin of Tijvin (after a Russian Icon in the style of the 18th century).
Located in Segovia, ES
The Virgin of Tijvin (after a Russian icon in the style of the 18th Century).
Egg tempera and gold leaf on gesso over wood.
Measurements in centimeters: 45 x 36.5 x 3 cm / In inch...
Category
1990s Byzantine Paintings
Materials
Gold Leaf
Virgin of Tijvin, after a Russian icon of the 17th Century.
Located in Segovia, ES
Virgin of Tijvin, after a Russian icon of the 17th century.
Egg tempera, gold leaf on gesso over a wooden board.
Measurements in centimeters: 44 x 33 x 3 cm / In inches: 17.32 x 12.99 x 1.18 "
Author: Oliver Samsinger...
Category
1990s Byzantine Paintings
Materials
Gold Leaf
Saint John The Forerunner after a Russian Icon from the 16th Century
Located in Segovia, ES
Saint John, The Forerunner, after a Russian Icon from the 16th Century.
Tempera and gold leave on gesso over a wooden board.
Dimensions: (H) 33 x (W) 25,5 x (D) 4 cm.
John, The Forerunner, is depicted as an ascetic desert saint with a tousled beard and a coat made from camel hair. The expression that transmits his beautiful face is very intense.
This is how the artist sums up the technique used by him to create the icon:
“The aim of these steps is to create a durable painting. The icon is eternal.
The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability.
Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well.
Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is
"shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold .
Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments.
Tempera painting is done in numerous layers from dark to light.
When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”.
ABOUT THE ARTIST
Oliver Samsinger...
Category
1990s Byzantine Paintings
Materials
Gold Leaf
"Birth of Christ" after a Russian icon of the 15th century. Oliver Samsinger
Located in Segovia, ES
"Birth of Christ", after a Russian icon of the 15th century.
Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm.
This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses.
ABOUT THE ARTIST
Oliver...
Category
1990s Byzantine Paintings
Materials
Gold Leaf
Califia
Located in Santa Monica, CA
Califia (c. 1510) is the mythical Black warrior Queen and inspiring character in Garci Rodríguez de Montalvo’s 16th century epic poem, Las Sergas de Esplandián (The Adventures of Esplandian). In Montalvo’s tale, Queen Califia rules on the fabled island of California, a utopia brimming with pearls and gold and inhabited solely by her menacing army of black Amazon women...
Category
2010s Byzantine Paintings
Materials
Gold Leaf
Zumbi dos Palmares
Located in Santa Monica, CA
Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of history as seen through a white lens. With Halo, Greenfield brings the stories of Black folk-saints, martyrs, freedom-fighters, survivors, magicians, and visionaries back into view. Many of the figures are from the 1400-1800s, a timeframe that corresponds with Europeans beginning to use racial distinction as a tool to justify slavery. Greenfield honors their
simultaneously disturbing and astounding lives by bestowing them with halos, traditionally seen as reverential symbols of adoration and respect. “I am reimagining what a saint is,” Greenfield says. “Maybe in studying their stories, they can inform us on better ways to live.”
Thought to have been a descendent of central African royalty...
Category
2010s Byzantine Paintings
Materials
Gold Leaf
Solitude of Guadeloupe
Located in Santa Monica, CA
Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...
Category
2010s Byzantine Paintings
Materials
Gold Leaf
Balthazar
Located in Santa Monica, CA
One of the three biblical ‘magi’ or ‘wise men,’ King Balthazar gave the highly prized gift of liquid myrrh to Jesus upon his birth. Balthazar was an African King...
Category
2010s Byzantine Paintings
Materials
Gold Leaf
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Tempera and gold leaf on gesso over a wooden board.
Measurements in centimeters: 38 x 29.5 x 3 cm. / In inches: 14.96 x 11.8 x 1.18 "
This is how the artist sums up the technique used by him to create the icon:
“The aim of these steps is to create a durable painting. The icon is eternal.
The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability.
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THE THECHNIQUE
This is how the artist sums up the technique used by him to create the icon:
“The aim of these steps is to create a durable painting. The icon is eternal.
The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability.
Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well.
Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is
"shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24 carat gold .
Now does the actual process of painting begin. Egg tempera is made fresh from egg yolk, water and a little vinegar. This is used to prepare the color pigments.
Tempera painting is done in numerous layers from dark to light.
When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”.
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This is how the artist sums up the technique used by him to create the icon:
“The aim of these steps is to create a durable painting. The icon is eternal.
The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability.
Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well.
Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is
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Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments.
Tempera painting is done in numerous layers from dark to light.
When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”.
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Byzantine paintings for sale on 1stDibs.
Find a wide variety of authentic Byzantine paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Mark Steven Greenfield, Anastasia Kurakina, and Sax Berlin. Frequently made by artists working with Paint, and Metal and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Byzantine paintings, so small editions measuring 7.87 inches across are also available. Prices for paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,046 and tops out at $35,000, while the average work sells for $3,186.