Enzo FARAONI

"Green apples on the table" Oil on wood cm. 63 x 25 1970

1970

Purple, Green, Flowers MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya Kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Russia...

Lilac,Spring,Flowers,Violet,Pink,Russia,impressionist Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born ...

Flowers,Red,Pink,white,Jasmine ,Russian post Impressionism GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in...

Flowers,lillac , white MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Russia...

Flowers,Rose,Pot, purple,russian artist,woman artist MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, b...

Flowers, Peonies, White Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, United States and in the following museums: Moscow, Tret’jakov Gallery Moscow, The Ministry of Culture Collection Moscow, Central Museum of the Soviet Army St. Petersburg, Russian State Museum St. Petersburg, History Museum St. Petersburg, Repin Institute Museum Novgorod, Fine Arts Museum Ostrov, Contemporary Art Museum Rostov, Fine Arts Museum Pskov, Koustodiev Gallery Kostroma, Contemporary Soviet Art...

Ben-Zion (1897-1987) Flower Piece with Black Vase Oil on board, Hand signed 'Ben-Zion ' lower right, with the artist 's label and label from Duveen-Graham gallery, NY. 16 x 7 3/4 i...

Interior with fruit (Interior con frutas). Expressionist Colorful Oil on wood panel Still life with view in the background, Author: Aracely Alarcón. Me...

Frederick Serger Genre: Post Impressionist Subject: Flowers, Poppies Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Czech, Vienna, Austria and Munich, Germany. During World War I, Serger joined the Austrian Army and served in the Balkans. Once his service ended, he traveled to Paris where he resumed his art training and eagerly joined the Ecole de Paris (School of Paris) artists’ movement. During this period, he was greatly influenced by the Impressionist, Post-Impressionist, and Expressionist movements. While living in Paris, he met and married Helen Spitzer. Serger and his young wife moved from Paris to Scoczow, a city on the Polish-Czech border. They remained in Scoczow for 12 years and he continued to work as an artist, exhibiting in museums in Cracow and Warsaw, Poland. He also showed at the Paris Salon de Tuilleries and the Salon d’Automne. He was part of the generation of expat artists, mostly jewish known as the School of Paris. They created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists Marc Chagall, Chaim Soutine, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. Many École de Paris artists lived in the iconic La Ruche, a complex of studio apartments and other facilities in Montparnasse on the Left Bank, at 2 Passage Dantzig, built by a successful sculptor, Alfred Boucher, who wanted to develop a creative hub where struggling artists could live, work and interact. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, included Emmanuel Mane-Katz, Abraham Mintchine...

Roses and Blues (Rosas y azules), oil on panel, Expressionist Still Life. Dimension art: 27 x 22 cm. Dimension framed 51 x 46 x 4.5 cm. Small Expressionist still life...

Basket in Red (Canasto en rojo). Aracely Alarcón oil on panel. Expressionist Still-life on abstract background. Dimension art : 38 x 46 x 03 cm. Dimen...

Still Life is a superb original oil painting on panel, realized by the Italian artist Vincenzino Volò, best-known as Vincenzino dei Fiori (Rémondans, 1620-Milan, 1671) around 1640-1660. Original Title: Natura morta di fiori entro vasi biansati (Still life of Bouquet in two-handled vases). On the back of the panel, two labels are glued "da Milano", "A Piacenza", ("from Milan" "to Piacenza"). The labels indicate a transfer of the artwork, perhaps in the first half of the twentieth century, from Piacenza to Milan. While instead the style and technique make us understand the artwork was commissioned or created in the Milan of Federico Borromeo, archbishop of Milan from1595 to 1630. The author of the painting can be identified in the person of Vincenzo Volò, a talented artist who fell into oblivion, recently rediscovered and appreciated. Founder of the Vincenzini family, he was born in Franche-Comté in 1620 (in the past its birth was erroneously fixed to 1606). In the mid-forties of the seventeenth century he arrived to Milan, and held a leading artistic role: he was the founder of a family workshop that imposed his style and strongly influenced Milanese collecting with his still lifes and influenced generations and generations of painters. Vincenzino also was the first painter of still life to work on the Bella Island for Vitaliano VI Borromeo and collaborated with well-known figure painters such as Francesco Cairo, Scaramuccia, Nuvolone and Fumagalli. As regards the style, the archaic tendency of Lombard painting of still life from the early decades of the seventeenth century is clearly evident, looking at primitivism and the happy schematization of the composition of the artwork. The dating of this artwork could be fixed around the first half of the seventeenth century because it is confirmed by the type of support, a wooden panel, always used by Vincenzino. As for the subject, Volò generally painted bouquets of flowers in two-handled vases placed on transversal planes seen from the front. It is possible to compare this work with other Dei Fiori's artworks: the pair of Flower Vases...