Wood Panel Portrait Paintings

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

The painting På Havet (On the Sea) by Carl Wilhelmson, created in 1911, stands as a remarkable testament to the artist's profound connection with the s...

The Amour II is a painting by contemporary artist Joachim van der Vlugt. Oil on wood, 110 x 110 cm. This work is signed, sold unframed. This portrait represents a man wearing a gas ...

Dan Cohen's "Maria Prophetissa," a compelling 2020 oil on panel, depicts a female model in a surreal setting. This 30x 20-inch artwork, framed to 30.75 x 20.75 inches, is ready to ha...

Court Portrait Of Robert Dudley, 1st Earl Of Leicester (1532-1588) English School Oil On Panel Large antique portrait of Robert Dudley, 1st earl of Leicester, oil on panel. Good qu...

Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from ...

Portrait of Henry IV, King of England (1367-1413), 16th Century English School Portrait - Early Oil On Panel Large 16th Century court portrait of Henry IV, King Of England (1367-14...

Days End is a contemporary take on a traditional figurative pose. Joanna Aplin’s paintings are clean and captivating. Her classically trained yet contemporary approach to color, form...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Mona Lisa iGreen measures 20 x 16" x 1.5" and is oil on birch panel . Ready to hang with wire on the back....

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Mona Lisa Orange measures 20 x 16" x 1.5" and is oil on birch panel . Ready to hang with wire on the back...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Mona Lisa Violet measures 20 x 16" x 1.5" and is oil on birch panel . Ready to hang with wire on the back....

Dog Painting: "Portrait of a Chihuahua with Red Bow" Zacharias Noterman (Belgium, France 1824-1890) Circa. 1870s Oil on wood panel (mahogany) Original stucco and gilt frame 13 1/2 x...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Mona Lisa Orange and Purple measures 20 x 16" x 1.5" and is oil on birch panel . Ready to hang with wire ...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Mona Lisa in Blue measures 20 x 16" x 1.5" and is oil on birch panel . Ready to hang with wire on the back...

Diane with Braids is from 2012 and is 12 x 10 and comes to you framed in minimal hardwood. This oil on panel painting by Shevlno link traditional representation with abstraction. Th...

Diane in Red is from 2015 and is 12 x 10 and comes to you framed in minimal hardwood. This oil on panel painting by Shevlino link traditional representation with abstraction. Throug...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: Queen Elizabeth 2 30”x40” x 1.5" oil on birch panel . Ready to hang with wire on the back They are blurred....

"Fragment" by Rudolf Kosow is a compelling painting that intricately uses the medium of wood to enhance its textural and emotional depth. The artwork features a close-up of a human f...

2 original paintings by Angela Smith. Slightly different sizes, both sold framed - Tuesday's Girl (Sakura): Complete size of framed work: 53 H x 53 W x 3.5 D cm (20.87 x 20.87 x 1.38 in) Single Hummingbird, Framed size: 45.5 H x 45.5 W x 2.5 D cm (17.91 x 17.91 x 0.98 in) TUESDAY'S GIRL (SAKURA): Original painting by Angela Smith showing back of girl's head. A portrayal of young girl with brown hair tied back by pink flowers.  Surrounded by a vibrant damask pink...

Johann Ludwig Robert von Steiger (Swiss, * 8th of January, 1856, Rio de Janeiro, Brazil; † 1st of June, 1941, Buenos Aires, Argentina) Portrait of Karl Alfred Arthur von Steiger Lie...

"Bob" Portrait of a Cairn Terrier by Frances Mabel Hollams (British 1877-1963) signed & dated 1946 titled to the lower corner oil painting on wood panel: 14 x 18 inches framed condit...

Textured mixed technique, 2021 Figurative Magical Painting. This is one of my early works, where I delve deeper into our connection with animals through a human and magical lens. Ani...

15th century, Italian Circle of Antonio del Pollaiuolo (1429-1498) Portrait of an Italian Noblewoman Oil and tempura on poplar panel With partial inscription: ALZETAPIN Provenance:...

A 13” x 15” x 2” Surrealist Mixed Media Portrait Painting executed on Wood Panel by artist Christopher Polentz. A certificate of authenticity will accompany the piece upon its purchase or delivery. “The Mad Barber is not quite ‘mad’ in the conventional sense, but rather exhibits a peculiar imbalance. With an eccentric flair reminiscent of characters like Sweeney Todd...

A 16” x 22” x 3” Magical Realism Acrylic Portrait Painting executed on Wood Panel with Custom Framing and Found Objects by artist Christopher Polentz. A certificate of authenticity w...

Figurative Magical Painting, textured mixed technique, created in 2021. This piece represents one of my earlier works, exploring our connection with animals through a human and magic...

A 14” x 40” x 2” Magical Realism Acrylic Portrait Painting executed on Wood Panel with Bronze by artist Christopher Polentz. A certificate of authenticity will accompany the piece up...

A 15” x 19” x 1” Magical Realism Acrylic Portrait Painting executed on Wood Panel with Custom Framing by artist Christopher Polentz. A certificate of authenticity will accompany the ...

André DEVAMBEZ (Paris, 1867 - Paris, 1944) Portrait of a woman in a bistro Oil on mahogany panel H. 22 cm; L. 16 cm Signed lower right Around 1905/1910 Provenance : Galerie de la Sc...

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

James Wolanin’s paintings transport the viewer to an effervescent, candy coated world inspired by vintage advertisements, photographs, and the artist’s own personal history. The Russ...

James Wolanin’s paintings transport the viewer to an effervescent, candy coated world inspired by vintage advertisements, photographs, and the artist’s own personal history. The Russ...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...

F. CLEVEROT Captain 1898 Oil on panel 18 x 14 inches Framed: 28 x 24 inches Hand signed lower right recto

"Joint II" - Contemporary figurative oil painting of a couple lying together on a bed by Chelsea Gibson Medium: Oil on linen Size 32 x 48 inches. Offered unframed. "Joint II" i...

"Succulent" - Contemporary figurative oil painting of male figure by Chelsea Gibson Medium: Oil on paper Size 43 x 42 inches. Offered unframed. "Succulent" is part of Chelsea G...

Antique Painting of a Hunting Dog Jules Chardigny (1849-1892) Circa 1870 Oil on wood panel Housed within its beautiful and original ornate original gilt frame. 9 x 7 1/4 (15 1/4 x 1...

"Eyed Wide" is an original artwork by Akira Gordon made from acrylic and oil on wood panel. This piece is a diptych and measures measures 48"h x 46"w complete. Akira hopes to give...

Figure with Cherubim in Wilderness Italian School, 17th century oil painting on wood panel framed 13 x 11 inches condition: overall for its age very good, though the work is most likely a preparatory...

Single hummingbird, oil on panel by Angela Smith Hummingbird on a green background, perfectly painted with lots of detail.  ADDITIONAL INFORMATION: Singl...

Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-...

Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-...

Original painting by Angela Smith showing back of girl's head. A portrayal of young girl with brown hair tied back by pink flowers.  Surrounded by a vibr...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

The Hunting Party, Scottish Moors, 19th Century by ROBERT CLEMINSON (1844-1902) similar to $15,000 Large 19th century Scottish Moors Hunting Party, oil on canvas by Robert Clemins...

King Solomon Worshipping The Idols, 17th Century FRANS FRANCKEN II (1581-1642) - signed sales to $6,000,000 Large 17th Century biblical account of King Solomon worshipping the Idols, oil on panel Frans Francken. Excellent quality and condition Old Testament biblical scene on a cradled panel depicting the Idolatry of Solomon, son and successor of King David. Exceptional detail and would be enhanced with a light clean. Presented in an antique period frame. Signed. Measurements: 47" x 34" framed approx Artist Biography Frans Francken II or the Younger is the third in order of descent in the Francken family tree. Born in 1581, the son of Frans Francken I or the Elder, he was the brother of Thomas, born in 1574, of Hieronymous II, born in 1578 and died in 1623, and of Ambrosius II, the last in line, who died in 1632. Hieronymous II, who died at the age of 56, is only known for his painting Horatius Cocles at Sublicius Bridge. Frans the Younger was initially a pupil of his father, who was then at the height of his career. In his father's studio he imbibed all the teaching of the tradition of Frans Floris. He also spent long periods in Italy, where he familiarised himself in particular with the masters of the Venetian school. Such study in situ enabled him to break away from the well-worn methods of Flemish Italianism, as practised by his father and uncles. It is conceivable that the young artist met Rubens, who was in Italy at the time. In 1605, at the age of 24, on his return to Antwerp, Frans the Younger became a master in the Antwerp Guild of St Luke. In 1607 he married Elisabeth Placquet in Antwerp. Three sons and eight daughters resulted from this marriage. His children made up the fourth generation in the dynasty. Better known are Frans III (1607-1667) and Hieronymus, born in 1611. The latter had a son, Constantinus (1661-1717), who marks the end of the line. The family of Francken painters runs from 1520 to 1717. As one of the most active masters in Antwerp, Frans II was appointed dean of the guild in 1614. He was also a member of the Violette, a major literary association, for which he painted an award-winning symbolic coat of arms. He was intimate with the most celebrated artists, in particular van Dyck, who executed a very fine portrait of him, judging by the engraving by Willem Hondius and Pieter de Jode. It is also likely that he was on familiar terms with Rubens who was his near contemporary. He died in Antwerp on 6 May 1642 at the age of 61, outlived by both Rubens and van Dyck. The first securely dated work of Frans the Younger is Christ on the Cross from the gallery in Vienna, painted in 1606. Witches' Sabbath (Vienna) and The Works of Mercy (Antwerp) are dated 1607 and 1608 respectively. In these two latter works the painter proves himself adept at painting figures and allegorical scenes. The Works of Mercy represents various groups of figures, symbolising the different activities inspired by Christian charity. Paupers and beggars occupy the foreground, the ensemble being dominated by the figure of the glorious Christ. While Frans the Younger cannot be compared with the masters of this great first generation of Antwerp, which was illuminated and steered by the genius of Rubens, he does nevertheless merit attention. He succeeded in developing and bringing into fashion an anecdotal genre on a more modest scale, elements of which were to inform the last representatives of the Francken family for over a century. Frans the Younger was undoubtedly the most talented draughtsman in the family. While his art may be criticised for its lack of grandeur and solemnity, the execution shows great talent. His brush stroke was vigorous and his imagination, albeit restrained, was brilliant. His interest in tonal values was highlighted by his study and appreciation of his remarkable contemporaries. This enabled him to carry out landscapes and also fleshy figures, which made him altogether worthy of the brilliant period to which he belonged. While detail certainly preoccupied him, he treated it with intelligence and even esprit, as witnessed in The Parable of the Prodigal Son and A Prince's Visit to the Treasury of a Church(both in the Louvre). The scenes painted in grisaille, which surround the principal motif of the Prodigal Son, are characteristic of his style. He excelled in painting jewellery, ornaments, and textiles with shot silk effects. A large number of his figures inhabit the neutral backgrounds of the interiors of apartments and galleries. He carried out such work not only under his own auspices, but also for other artists, such as Peeter Neeffs, van Bassen, Josse de Momper...

Portrait Of Elizabeth Percy, Countess of Northumberland (1646-1690), 17th Century Studio of Jan MYTENS (1640-1670) Large 17th portrait of Elizabeth Percy Countess of Northumberlan...

Coronation Portrait Of King Edward VI (1537-1553) as King Of England & Ireland, 16th Century English School - Oil on panel - circa 1547 Large 16th Century Coronation portrait of E...

Johann August Frederik Carl‏ Lorange (1833 - 1875) was highly skilled Danish artist of German roots. Not much known on his biography, unfortunately, but most of his works were produc...

Portrait Of King Edward VI (1537-1553) as Prince Of Wales, 16th Century English School - Oil on panel - circa 1547 Large 16th Century portrait of Edward VI as Prince Of Wales, oil...

My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scenes of play, group interacti...

My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scenes of play, group interacti...

"Diver" - Surrealist portrait painting of a female emerging from the water with a pearl on her tongue by Paul Green. Acrylic on panel. Signed on back by art...

My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scenes of play, group interacti...

My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scenes of play, group interacti...

My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scenes of play, group interacti...

My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scenes of play, group interacti...