James Francis Danby

View from Richmond Bridge, 19th Century Oil Dawn Landscape

Oil on canvas, signed bottom right and dated '1840' Image size: 22 x 30 inches (56 x 76.25 cm) Albert Bierstadt Recognized as the foremost painter of the American frontier during the nineteenth-century, Albert Bierstadt was born in Solingen, Germany, in 1830. At the age of two, he and his family emigrated to the United States, settling in New Bedford, Massachusetts. Nothing is known of his early art training; however, he might possibly have been influenced by local landscape painters. By the time he was twenty, he was supporting himself by teaching "monochromatic" painting and his work was beginning to attract the attention of New Bedford collectors. In 1853, Bierstadt traveled to Düsseldorf in order to broaden his art education. It was there that he was associated with such American artists as Worthington Whittredge and Carl Wimar, all of whom frequently gathered in the studio of the German-American history painter, Emanuel Leutze...

Oil on canvas on board, signed on reverse Image size: 19 3/4 x 15 1/4 inches (50 x 39 cm) Original frame This charming scene depicts the harbour of Fowey, a small town in South Cornwall. The port town...

Oil on canvas, signed and dated '1948' bottom right Image size: 10 3/4 x 16 1/2 inches (27.25 x 42 cm) Contemporary style hand made frame The Artist Hugh Griffiths was a painter who was born in Karachi. Was educated at Canford School and the Dragon School, Oxford. Showed at RA, RBA and NEAC. Griffiths lived at Winchelsea and later St Leonards...

Oil on canvas, signed lower right Dated '1932' and inscribed on reverse Image size: 28 x 22 inches (71 x 56 cm) This vivid painting depicts a beech tree at Hopetoun House on the outskirts of Edinburgh. Hopetoun House is a remarkable stately home that has been home to the Hope family since the late 1600s - it is filled with stunning collections and sits in majestic grounds. However, the colour pallet, low view point and stylised forms in this painting have transformed this picturesque pastoral scene into something psychedelic, other-worldly and uncanny. Harry Fabian Ware Harry Fabian Ware was a British post-impressionist artist who created bold artworks. Harry married fellow artist Armyne May Davidson on 1st August 1928 in Aboyne, Aberdeenshire. They both exhibited at the New Gallery, Edinburgh on 9th November 1935 alongside fellow artists James Cowie...

Oil on canvas, signed lower left and dated '1912' Image size: 16 x 12 inches (30.5 x 40.5 cm) Original gilt frame This is a scene of the Thames Docks. It is most likely to be on Ban...

Oil on board Image size: 12 1/2 x 15 1/2 inches (31.75 x 40 cm) Contemporary style handmade frame Exhibitions 1952 Royal Academy of Arts Exhibition, Gallery no. VII, no.429. This forest scene invites the viewer into a multi-sensory event where the cool, damp shadows of the foliage can almost be felt and the rich bouquet of the forest floor recalled. Here, Sherlock has chosen a somewhat unusual angle and composition, dissecting each truck and tree form so that only a part can be seen. Furthermore, as we look into the depths of this space it becomes clear that we are stood gazing down into a valley that is in the distance, behind this wooded area. Indeed, instead of giving us an uninterrupted view of this vista, as perhaps would be expected, this view is deliberately blocked and our focus is directed instead towards the organic forms in the foreground. The Artist  Marjorie Sherlock was born at Fir Tree Cottage, George Lane, Wanstead, Essex, on 3 February 1891, the elder child of the civil engineer, Henry Sherlock, and his wife, Alice (née Platts), who was born in Benares, India. By 1901, the family was living at ‘The Limes’, 121 Mill Road, Cambridge, and Marjorie received an education locally. In 1918, she entered into marriage with her cousin, Major Wilfrid Barrett, though this proved unsuccessful and they later divorced (he remarrying in 1941). She then continued to live at the family home until the Second World War. During the First World War, Marjorie Sherlock studied at Westminster Technical Institute under the Camden Town School painters, Walter Sickert and Harold Gilman. She exhibited at the Royal Academy of Arts from 1917, when she showed a powerful view of the interior of Liverpool Street Station (Government Art Collection) (to which the current etching [202] relates). In time, she would exhibit at the International Society, the New English Art Club, the Royal Society of British Artists, the Society of 207 Graphic Art and the Women’s International Art Club (becoming a member of the last two). She also showed work internationally. Developing as a printmaker as well as a painter, Sherlock studied etching under Malcolm Osborne at the Royal College of Art in 1925. She published her etchings in four series, the titles of which indicate her love of travel: ‘English Etchings, ‘Egyptian Etchings’ (both 1925), ‘German Etchings’ (1929) and ‘Indian Etchings’ (1932). During this period, she also visited the united States. More admiring of Continental painters than British ones, she furthered her studies, in 1938, by working in Paris under André L’Hôte and André Dunoyer de Segonzac. During the Second World War, Sherlock moved to East Devon and settled at Oxenways, a Victorian hunting lodge...

An oil on canvas painting executed in bright, lush reds, blues, pinks and peach depicting the Tewa Plaza by Santa Fe artist Dan Namingha. Signed lower left corner, “Namingha, 1985”. ...

A painting by Max Pellegrini. "Il Dormiento, La Caduta di Icaro a Torino" contemporary painting, oil on canvas in a dark and earth-tone palette by Italian artist max Pellegrini. The ...

Signed post impressionist landscape oil on canvas by French painter Henri Le Sidaner. This stunning piece depicts two fishing boats moored in a fishing village at sunset. The last l...

Alfredo Tominz (Trieste 1854 – 1936), Passeggiata a cavallo a Trieste Dipinto ad olio su tela di cm 69 x 110 firmato e datato 1890 in basso a destra. Provenienza: Asta Stadion Trie...

Paolo Pietro Baroni (Turin 1871 - Rome 1938), The cannonball fountain at Trinità dei Monti (1938) Oil painting on canvas 65 x 75 cm signed, located Rome and dated XVI lower left.

Emilio Longoni (Barlassina 1859 - Milan 1932), Alpine Lake (1910) Oil painting on canvas pasted on board 20 x 41 cm signed lower right in Emilian frame late 16th century.