Items Similar to Old Master Wooded Landscape - Irish 1830 art woodland oil painting
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Old Master Wooded Landscape - Irish 1830 art woodland oil painting circa 1830
circa 1830
About the Item
A delightful large oil on canvas of a wooded landscape which dates to circa 1830 and is attributed to Irish artist James Arthur O’Connor. A superb painting and an excellent example of his work.
Provenance. Sotheby's London
Condition. Oil on canvas, 30 inches by 25 inches unframed and in good condition.
Housed in a fine carved frame, 38 by 33 inches framed. Very good condition.
James O'Connor was born in 1792, the son of William O'Connor, an engraver and print-seller who carried on business at No. 9 Exchequer Street, and, from 1791, at No. 15 Aston's Quay. James O'Connor, beyond some lessons he is said to have received from William Sadler (q.v.), was self-taught as an artist. His early works were compositions; his first studies from nature were made in the Dargle where he delighted in portraying its rocks and tangled foliage and rushing waters. In 1809 he commenced to exhibit, sending from 13 Aston's Quay an oil sketch, "Card-players," to the exhibition held in the Dublin Society's House in Hawkins Street. He continued to exhibit there until 1821, with the exception of the years 1816 and 1817, his contributions being mostly landscape compositions. In 1810 he published three etchings of figures, which were described in the "Hibernian Magazine" "as the first productions of a young and, as we have some reason to believe, a self-taught artist." He had formed a friendship with George Petrie and Francis Danby, to the latter of whom he had given some instruction in painting, and the three young artists determined to pay a visit to London. They arrived there in June, 1813; but their want of means made their stay a short one. Petrie returned to Ireland, and O'Connor and Danby set out on foot for Bristol where they arrived penniless. By the sale of some drawings Danby enabled O'Connor to return to Dublin; he himself remaining. On his return, O'Connor settled down as a landscape painter at 15 Aston's Quay, and later, in 1819, at No. 18 Dawson Street. He painted the scenery of Wicklow and the neighbourhood of Dublin, and in 1818 and 1819 was in the west of Ireland where he was patronized by Lord Sligo and Lord Clanricarde, for both of whom he painted a number of pictures of local scenery, views about Westport and Portumna. In 1820 he was awarded a premium of 25 guineas by the R.I. Institute. Though he worked hard he found but little demand for his pictures in Dublin; he had married, and, anxious to improve his prospects, he left Ireland and went to London. He began to exhibit at the Royal Academy the year of his arrival, 1822, and found some sale for his works. He continued as a constant exhibitor both at the Academy and at the British Institution until 1840, and also at the Society of British Artists, of which he was a member. He contributed to the Royal Hibernian Academy only twice, in 1836 and 1840; but a number of his works were exhibited there in 1842 and 1843, after his death. In 1826 he went to Brussels where he remained a year, and was successful in disposing of many of his pictures. In 1832 he was in Paris where he stayed eight months, leaving in May, 1833, when, accompanied by his wife, he visited Chalons, Saarbruck, Saarlouis and Metlach, and thence to Treves and down the Moselle to Coblentz and on to Mayence and Frankfort, returning to London in November, 1833. During this tour he painted some of his best pictures. In London he laboured incessantly, but with small success. He suffered from weak sight, and in 1839 his health began to fail. His inability to work involved him in pecuniary embarrassments, and, after a life of struggle and disappointment, he died in humble lodgings at No. 6 Marlborough Street, College Street, Brompton, on 7th January, 1841. He left a widow unprovided for. A subscription, headed with twenty guineas from the Prince Consort, was started for her benefit in 1845. O'Connor was a painter of deep feeling; his landscapes are solidly and vividly executed and are good in tone and colour. He was happy in the delineation of wild scenery and richly wooded landscapes, often with early morning or moonlight effects, in which he excelled. He was fond of introducing small figures in red coats or dresses into his landscapes. Most of his work was in oil, but he occasionally worked in water-colour. His works are housed in many National Collections.
- Attributed to:James Arthur O'Connor (1792 - 1841)
- Creation Year:circa 1830
- Dimensions:Height: 33 in (83.82 cm)Width: 38 in (96.52 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU853113392492
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2018
402 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Amsterdam Harbour Scene with Figures Dutch 17th Century art marine oil paintingLocated in London, GBThis superb Dutch 17th century Golden Age Old Master cityscape oil painting of Amsterdam is by noted artist Jacobus Storck. Painted circa 1670, ...Category
17th Century Old Masters Landscape Paintings
MaterialsOil
- Travellers and Carriage in Landscape Dutch 17th century Golden Age oil paintingLocated in London, GBThis superb Dutch Old Master Golden Age oil painting is attributed to Pieter Bodding van Laer. Painted circa 1635 the composition is a group of travellers who have stopped to rest. I...Category
17th Century Old Masters Landscape Paintings
MaterialsOil
- Ships Heading to Sea - Dutch 17th century Old Master marine art oil paintingLocated in London, GBThis fantastic Dutch Old Master marine oil painting is by noted Dutch marine artist Abraham Storck. Painted circa 1670 the composition is a number of ships heading out to sea, their sails billowing and banners and flags blowing in the wind. The sea is also choppy and clouds race over head. It is an ambitious, busy nautical scene and Storck has perfectly captured the energy and movement of the ships and smaller vessels. This is an excellent example of a 17th century Dutch Old Master oil painting. Provenance: Part of a private collection of Flemish & European paintings. Koller Auctions in Switzerland in 2011. Bonhams 2020. Condition. Oil on canvas, 25 inches by 24 inches and in good condition. Frame. Housed in an ornate 23 carat gilt carved Lely period frame with name plate, 32 inches by 31 inches and in excellent condition. Abraham Storck (1644-1708) was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes. Storck was also an outstanding draughtsman. Storck was baptized in the Noorderkerk, a Protestant church in the Jordaan. His father was the painter Jan Jansz Sturck (or Johannes Storck) (1603-1673), from Wesel; his mother was Teuntje (Apolonia) Jacobs. The couple married in 1628. Storck had two brothers, who were also painters using the name Sturckenburch until c. 1688 after which they started calling themselves Storck or Sturck. It is likely they were all trained with their father in the family workshop and joined the local Guild of Saint Luke, otherwise it was impossible to sell any painting. Circa 1666 Storck established his workshop producing naval, harbor scenes as well as landscape paintings and city scapes. In 1670 he traveled with his brother Jacob and worked in Germany. In 1694, at age 49, he married the widow Neeltje Pieters van Meyservelt. At the end of his life he lived on Kattenburg near the harbour. Storck's marine and river scenes were influenced by the two Willem van de Veldes (the elder and the younger), Ludolf Bakhuizen...Category
1670s Old Masters Landscape Paintings
MaterialsOil
- Wooded Landscape with Diana Hunting - 17thC Old Master French art oil paintingBy Jean François MilletLocated in London, GBA original large French Old Master oil on canvas which is by Millet (1642-1679) and was painted circa 1675. This large canvas is in good clean condition and depicts a wooded landscap...Category
17th Century Old Masters Landscape Paintings
MaterialsOil
- Travellers near Ruins in a Landscape - Dutch Old Master art figural oil paintingBy Pieter WouwermanLocated in London, GBThis lovely Dutch Old Master oil painting is attributed to artist Pieter Wouwerman. Painted circa 1660 it is figurative landscape with horseback travellers and their dogs in the foreground approaching ruins on their left. Beyond is a river snakes through the landscape, beneath the fading light of approaching dusk. There are some superb details making this an excellent Dutch Golden Age oil painting...Category
Mid-17th Century Old Masters Landscape Paintings
MaterialsOil
- Royal Navy Ships Firing a Salute - British Old Master marine art oil paintingBy Peter MonamyLocated in London, GBA superb British Old Master marine oil painting by Peter Monamy. Painted circa 1730 it depicts the Royal navy first and third rate men o war firing a salute....Category
1730s Old Masters Landscape Paintings
MaterialsOil
You May Also Like
- Attributed to John Riley, 17th century English portrait of a girl on a terraceBy John RileyLocated in Bath, SomersetPortrait of a young girl, full-length, wearing a blue silk gown, standing on a terrace beside a classical urn holding a branch with blossom. Attributed to John Riley...Category
17th Century Old Masters Portrait Paintings
MaterialsOil, Canvas
- View of Shipping on the River Avon from Durdham Down, near BristolLocated in Stoke, HampshireThomas Smith of Derby (c. 1710-1767) View of Shipping on the River Avon from Durdham Down, near Bristol, 1756 Oil on canvas Canvas size - 20 x 47 in Framed size - 26 x 53 in Provena...Category
18th Century Old Masters Landscape Paintings
MaterialsOil
- Huge Old Master Oil Painting 17th century Diana & Cupids in Panoramic LandscapeLocated in Cirencester, GloucestershireDiana The Huntress and her Cherubs Northern European artist, circa 1680's period oil on canvas, unframed canvas: 20 x 60.5 inches provenance: private collection, UK condition: some p...Category
17th Century Old Masters Figurative Paintings
MaterialsOil
- 18th Century English Marine Oil Painting on Wood Panel Fishing Boats Stormy SeaLocated in Cirencester, GloucestershireStormy Seas English School, 18th century oil on thick wood panel, unframed panel: 25 x 30 inches provenance: private collection, East Anglia, England condition: very good and sound c...Category
18th Century Old Masters Landscape Paintings
MaterialsOil
- Arthur Joseph Meadows 19th Century Seascape Off CalaisBy Arthur Joseph MeadowsLocated in York, GBA very fine painting by the renowned seascape painter Arthur Joseph Meadows,Off Calais; fishing fleet returning at low tide. Housed in an antique style gilt frame the size overall is...Category
19th Century Old Masters Landscape Paintings
MaterialsOil
- Forest landscapeLocated in Genève, GEWork on paper mounted on cardboardCategory
1880s Old Masters Landscape Paintings
MaterialsOil
Recently Viewed
View AllMore Ways To Browse
Antique Art Sale
Large Old Master
Master Of The Die
Friendship Art
Old Master Etchings
Old Pictures
Antique Oil Painting Red
View Master Antique
Antique View Master
Old Antique Dresses
Red Antique Landscape
Woodland Landscape
Ireland Landscape Painting
James West
Set 9 Paintings
7th Art
House Ireland
18th Landscape Oil