Items Similar to Bords de riviere a Saint-Prive - Barbizon Landsape Oil - Henri Joseph Harpignies
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Henri Joseph HarpigniesBords de riviere a Saint-Prive - Barbizon Landsape Oil - Henri Joseph Harpignies1911
1911
About the Item
Signed and dated Barbizon School landscape oil on panel by French painter Henri Joseph Harpignies. The work depicts the trees lining the banks of the River Loing at Saint Prive in north-central France.
Signature:
Signed and dated 1911 lower left
Dimensions:
Framed: 26"x33"
Unframed: 15"x22"
Provenance:
Private collection - United States
Henri Harpignies devoted himself to art at the age of 27. He took lessons from the landscape painter Achard, and also studied the landscape artists of the School of 1830, and especially Corot. In his first works, he was clearly inspired by Corot's early works. He soon demonstrated a very strong artistic personality, characterised by a great force of expression. He was awarded the Croix de Chevalier of the Légion d'Honneur in 1875, Officier in 1883 and Croix de Commandeur in 1901.
Following a study trip to Italy, he exhibited at the Salon in Paris for the first time in 1853, with View of Capri, and continued to take part in exhibitions. In 1863 his painting Wild Ducks was refused by the admissions jury. He was so offended that he destroyed his work and then made a second trip to Italy in 1863-1865. Returning with many landscape paintings, and was awarded medals in 1866, 1868 and 1869. He also won a silver medal at the Exposition Universelle in 1878 for his Colosseum in Rome. The Grande Médaille d'Honneur for Banks of the Rhône in 1897, and the Grand Prix at the Exposition Universelle of 1900. In 1881 he became a member of the Société des Aquarellistes Français. And in 1887 a member of the Société des Artistes Français.
He also exhibited at the New Water-Colour Society in London. From 1883 Harpignies entered into a business relationship with the recently established dealers Arnold & Tripp. And in 1908 he signed a permanent contract with their gallery.
The 'Michelangelo of trees'
In addition to his Italian landscapes, he produced paintings of French regions, notably the Nivernais and the Allier. He was also attracted by depicting the season or a certain time, for example, moonlight. His compositions were distinguished and elegant. He would often use blue notes to infuse a carefully nuanced palette of greyish-green with light. His brushstroke was light but concise, using overlapping planes to create a flattening effect. He was influenced by Art Nouveau and the contemporary enthusiasm for Japanese prints and decorative arts. It could be said that he was to the Barbizon School what Guillaumin was to be to the Impressionists. Anatole France called him the 'Michelangelo of trees'. Harpignies himself also branched into the decorative arts. Painting lampshades and creating designs for the Paris Opera, the Senate and the Hôtel de Ville.
As a watercolourist, Harpignies enjoyed wide popularity during the latter part of his career. And he also took up teaching from 1885 at his school in Paris, which made him even more influential. He was an artist who bridged the gap between the declining public Salon system and the emerging private art market. Despite his popularity in the private market, his reputation still relied on his impressive Salon record.
Group Exhibitions
2001, Burgundian Landscapes, from Corot to Laronze (Paysages de Bourgogne, de Corot à Laronze), Musée des Beaux-Arts, Dijon
Museum and Gallery Holdings:
Bath (Holburne Museum of Art): Landscape (1861, oil on canvas)
Besançon: Aumance Valley
Besançon (MBA et d'Archéologie): Reserved Fishing (1865, oil on wood)
Bucharest (Muz. National de Arta al României): a watercolour
Clamecy: Landscape
Dieppe: a watercolour
Douai: Sorrento Seascape
Grenoble: Autumn
Harrogate (Mercer AG): Bords de la Loire (1910, chalk)
La Roche-sur-Yon: River in Morvan
Liège: View from St-Privé
Lille: Return from Hunting; Autumn at La Trumelière; Study from Nature; Souvenir of Meurthe
Louvres: three landscapes
Orléans: Saut-du-Loup
Rennes (MBA): From St-Privé to Bléneau, Souvenir of the Yonne (1885, oil on canvas)
Rochefort: a watercolour
Rouen: Landscape; Egg Collectors
Soissons: Landscape
Tourcoing: View from St-Privé; Souvenir of the Allier
Valenciennes: Run for your Life; Old Walnut Tree; Aumance Valley
- Creator:Henri Joseph Harpignies (1819-1916, French)
- Creation Year:1911
- Dimensions:Height: 26 in (66.04 cm)Width: 33 in (83.82 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good original condition.
- Gallery Location:Marlow, GB
- Reference Number:
Henri Joseph Harpignies
Henri Joseph Harpignies was born in Valenciennes on June 28, 1819 and died in Saint-Privé onAugust 28 1916 He was a French landscape painter , watercolourist and engraver of the Barbizon School . Henri Harpignies' parents, Henri and Adèle, intended him for a commercial career, but his determination to become a painter led them to authorize him to enter Jean Achard 's studio in Paris in 1846. After two years of training, he left to travel to Italy .
Returning to France in 1850, Henri Harpignies joined Corot and the Barbizon School, whose influence he came under. Bound by friendship, the two artists traveled to Italy together in 1860.
In 1859, he collaborated in the decoration of the staff room of the Charité hospital in Paris.
On his return from Italy in 1861, he achieved his first success at the Salon with his Lisière de bois sur les bords de l'Allier . He then exhibited regularly at the Salon. In 1866, he received his first medal for Le Soir in the Rome campaign, acquired by the State . He then lived at 185, rue du Faubourg-Saint-Honoré in the 8th arrondissement of Paris before moving to 9, rue Coëtlogon .
During his very long career, Henri Harpignies painted a large number of works in Hérisson in the Bourbonnais , as well as in the Nivernais and Auvergne . He made decorative works for the Paris Opera , including the Val d'Égrie panel , which he exhibited at the Salon in 1870. He was a friend of Léon Bonnat , who twice made his portrait in 1889 ( Musée des Beaux-Arts). He painted the stained glass windows of the Château de Trousse-Barrière in Briare in 1895. In 1898, he was named Rosati d'honneur .
Anatole France called him “the Michelangelo of trees and peaceful countryside” .
At the end of his life, he was nearly blind.
He is buried in the cemetery of Saint-Privé ( Yonne ) .
His works are held in numerous ublic collections :
Such as Landscape with a City in the Distance (c.1865), watercolor, New York , Metropolitan Museum of Art .
Montreal Museum of Fine Arts : Moonlight (1889)
National Museum of Fine Arts of Quebec : Mountain landscape
Tulsa , Philbrook Museum of Art : Briare Railroad Bridge .
Washington , National Gallery of Art : Landscape in Auvergne .
Buenos Aires , National Museum of Fine Arts : The Briare Canal Lille , Palace of Fine Arts : View taken at Moncel-sur-Seille (Meurthe-et-Moselle)
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2001
1stDibs seller since 2016
675 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Marlow, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Paysage avec une meule - Post Impressionist Landscape Oil by Henri LebasqueBy Henri LebasqueLocated in Marlow, BuckinghamshireSigned oil on panel landscape circa 1900 by French post impressionist painter Henri Lebasque. The work depicts a field lined with trees with a haystack to the left. There is a view o...Category
Early 1900s Post-Impressionist Landscape Paintings
MaterialsOil, Panel
- Plage a Belle Ile - Post Impressionist Landscape Oil by Georges D'EspagnatBy Georges d'EspagnatLocated in Marlow, BuckinghamshireSigned post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...Category
Early 1900s Post-Impressionist Landscape Paintings
MaterialsOil, Panel
- Rochers par temps gris - Impressionist Seascape Oil Painting by Emilio BoggioLocated in Marlow, BuckinghamshireA beautiful oil on panel circa 1900 by French impressionist painter Emilio Boggio. The piece depicts a coastal scene. The blue-green water crashes against the rocks on a grey day. S...Category
Early 1900s Impressionist Landscape Paintings
MaterialsOil, Panel
- Jardin en Ete - Impressionist Landscape Oil Painting by Leon Giran-MaxLocated in Marlow, BuckinghamshireSigned impressionist oil on panel landscape circa 1900 by French painter Leon Giran-Max. The work depicts a view of fenced garden with pink flowers contrasting against the green foli...Category
Early 20th Century Impressionist Landscape Paintings
MaterialsPanel, Oil
- Un jardin d'ete - Post Impressionist Flowers Landscape Oil by Octave GuillonnetBy Octave GuillonnetLocated in Marlow, BuckinghamshireStunning signed post impressionist oil on panel circa 1920 by French painter Emile Octave Denis Victor Guillonnet. The work depicts a summer garden filled with vibrant flowers in reds, pinks, yellows and whites, with green lawn and trees beyond. Signature: Signed lower left Dimensions: Framed: 28"x32" Unframed: 20"x24" Provenance: Private US collection Émile Guillonnet was a student of Lionel...Category
1920s Post-Impressionist Landscape Paintings
MaterialsPanel, Oil
- Lago Maggiore - Post Impressionist Landscape Oil Painting by Henri Le SidanerBy Henri Le SidanerLocated in Marlow, BuckinghamshireSigned post impressionist landscape oil on panel circa 1910 by French painter Henri le Sidaner. The work depicts a view of Lake Maggiore, a large lake located on the south side of th...Category
1910s Post-Impressionist Landscape Paintings
MaterialsOil, Panel
You May Also Like
- Old Boats in Provence Oil on Canvas Painting by Felix Eugene BellenotLocated in Atlanta, GAThis superb oil on canvas painting was created by Felix Eugene Bellenot (1892 - 1963). This vibrant and passionate composition represents the port of Sainte Maxime...Category
1930s Barbizon School Landscape Paintings
MaterialsCanvas, Oil
- In Bloom 36”x 36” oil on birch panel Impressionism Floral Women in the ArtsLocated in Houston, TXLOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: In Bloom measures 36" x 36" x 1.5" and is oil on birch panel . Ready to hang with wire on the back. Artist d...Category
2010s Abstract Impressionist Landscape Paintings
MaterialsBirch, Oil, Wood Panel
- OverarchingBy Jake FischerLocated in Phoenix, AZoil on panel Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. While at ASU, he was awarded accolades including the Benjamin Wong Fie Scholarship, Eirene Peggy Lamb Scholarship, and the Gerry Grout Award. Fischer then attended the Art Students League of New York's residency program where he received the Ruth Katzman Scholarship. In 2016, Fischer had his first solo exhibition in New York, Between Light, at Island Weiss Gallery and has since notably participated in Into the Night: Contemporary Art and Nocturne Tradition at the Tucson Museum of Art. Interpermeate at Bentley Gallery...Category
2010s Impressionist Still-life Paintings
MaterialsOil, Wood Panel
- LoftyBy Jake FischerLocated in Phoenix, AZoil on panel Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. While at ASU, he was awarded accolades including the Benjamin Wong Fie Scholarship, Eirene Peggy Lamb Scholarship, and the Gerry Grout Award. Fischer then attended the Art Students League of New York's residency program where he received the Ruth Katzman Scholarship. In 2016, Fischer had his first solo exhibition in New York, Between Light, at Island Weiss Gallery and has since notably participated in Into the Night: Contemporary Art and Nocturne Tradition at the Tucson Museum of Art. Interpermeate at Bentley Gallery...Category
2010s Contemporary Landscape Paintings
MaterialsOil, Wood Panel
- "Shell Beach" contemporary impressionist painting of Shelter Island beach-scapeBy Kelly CarmodyLocated in Sag Harbor, NYArtist Bio Kelly Carmody has exhibited at venues including the Portrait Society of America and the Art Students League. Most recently, she was selected for the 2015 BP Portrait Award...Category
21st Century and Contemporary Impressionist Landscape Paintings
MaterialsWood Panel, Panel, Oil
- Long Beach, Sag Harbor 08.05.2023 - American Impressionist Plein Air PaintingBy Nelson H. WhiteLocated in Sag Harbor, NYA 2023 painting from the plein air painter, and American Impressionist, Nelson Holbrook White. White depicts one of his iconic red umbrellas on a beach in Long Island, NY. Framed Dimensions: 13.5 x 17.75 inches Artist Bio: Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony...Category
2010s American Impressionist Landscape Paintings
MaterialsPanel, Wood Panel, Oil
Recently Viewed
View AllMore Ways To Browse
Japanese Landscape Antique
Musee De Louvre
Art Nouveau French Painting
A Liege
Barbizon School Of Painting
Barbizon Oil Painting
Barbizon Oil
French Barbizon
Henri Nouveau
Barbizon Painters
Barbizon Frame
French Barbizon Painting
Antique Barbizon Painting
Barbizon Artists
Henri River
St Joseph Oil Painting
French Barbizon Oil Painting
French School Oil Paintings 1910