Frank Sherwin

'Broad Street, Winchester', Medieval Cityscape, Heatherly School of Fine Art

Circa 1950

A delicate gouache landscape showing a view of a Renaissance villa overlooking calm blue waters of Lake Como, Italy. Signed lower right, 'F. Catano', (Italian, 19th century); inscri...

Signed lower right, "Croci" for Ron Croci (American, born 1945), and painted circa 1970. A substantial, Social Realist watercolor showing a view of a ramshackle rust-belt landscape ...

Signed lower right 'a/a' for Ronald Rose of Art Associates, Toledo, Ohio. A substantial and detailed, architects illustration of this proposed St. Louis riverside development showin...

Signed, verso, 'David R. A. Watson' (American, born 1950), titled, 'Bixby Bridge, Big Surreal #1' and painted in 2023. Artist Statement: " 'El Grande Sur' of the early Mexican settlers could only be penetrated by pack horse until the WPA pushed through the Pacific Coast Highway in 1935. The engineering wonder of the Bixby bridge is a focal point of public amazement drawing hundreds of weekend sightseers. Popular movie lore of this bridge will secure its future as an eternal monument. Yet in truth it is not only a bridge but a stunning entrance toward the Big Sur coast which lies beyond. Thus, the iconic Neo-Classical sculpture...

A serene marine painting from the artist’s late period showing both his unerring compositional sense and his mastery of light and perspective. Inscribed lower right, "Carl Sorensen" for Carl Frederick Sorensen (Danish, 1818-1879) and dated 1863. In 1848, Sorensen was commissioned by the Danish Government as the official naval artist to accompany the Royal Danish Navy on an official tour of the Mediterranean and to make a series of studies of the trip. The inspiration that Sorensen derived from this expedition led him to return to Capri every summer for the remainder of his life and also inaugurated his career as Denmark’s preeminent marine painter. Sorensen received many honors and awards during his lifetime and his work may be found in the permanent collections of museums worldwide, including a substantial collection at the Royal Naval...

Signed lower left, 'Soekardji' for Raden Soekardji (Indonesian, 1880-1950), painted circa 1950 and bearing shipping label from RMS. Otranto. An elegant and lyrical oil by this noted...

Unsigned, but it is attributed to Thomas Miles Richardson Jr., R.W.S. (1813 - 1890), since the similar work was sold through Christies in 1998 (same size with signature and date 1861...

Waves. Watercolor, paper, 55 x 93 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in Latvia, USA, Sweden, ...

An original watercolor painting by American artist Catherine Koenig.

Sandor Bernath (1892-1984). Highland Lighthouse at Dusk, Truro MA. Watercolor on heavy wove paper, 17 x 17 inches; 18 x 18 inches framed. Excellent condition with no fading. Signed lower right. Silver leaf custom frame. Sandor Bernath was known for his stylized watercolors of sailing ships. He was a student of Edward Hopper. Born in Hungary on December 30, 1892, Bernath immigrated in his youth to the United States, and by the early 1920s had begun to establish himself within New York art circles. In January of 1922, he was given a one-man show at Mrs. Malcolm's Gallery on East 64th Street. Although little is known about Bernath's education and early training, this exhibition of nineteen watercolors included works, which suggest that by 1922, the artist had traveled and studied abroad. "Coast of Normandy" and "Shrine, Czechoslovakia" are two works the subjects of which certainly resulted from time spent in Europe. Other paintings exhibited in the 1922 show, such as "Brooklyn Bridge", "Weehawken Freight Yards" and "East River" reveal that on the whole, Bernath's earliest subjects remained those found in New York. After his show at Mrs. Malcolm's Gallery, Bernath became a member of the American Watercolor Society and later that year, showed six works at their annual exhibition. Unlike the works exhibited on East 63rd Street, the watercolors featured at the AWS show, such as "Grand Manan Coast" and "Fishing Boats", reflected a growing attraction to the subjects offered within the Maine landscape, an attraction which truly took hold in the summer of 1922. Like many of his peers, Bernath worked as a teacher and illustrator to support himself. In order to escape the tedium of these dreaded day-jobs, many retreated to the villages of Maine and Massachusetts where artists' communities such as those at Monhegan Island, Gloucester and Ogunquit had sprung from the modern artist's desire to study natural forms. By 1923, Bernath's fascination with these forms becomes apparent with the complete shift in focus of his subject matter from the sights and scenes of his urban surroundings to the land and seascapes of New...

Th. Schmid (Swiss), Paris by Night, 1929. Pastel and gouache on hand made paper. Sheet measures 13 x 16 inches in a 14 x 17 inch original wood frame. Si...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...