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WILLIAM SHAYER SENIOR (1787-1879)A Bustling Town Scene
About the Item
William Shayer Senior
Oil on Canvas. Signed bottom right
Canvas Size: 30 x 40" (76 x 102cm)
Outside Frame Size: 39 x 49" (99 x 125cm)
1787-1879
William Shayer was born in Southampton and spent his entire life in Hampshire. He was a self-taught artist but he attained great prominence during his lifetime and his works sold well. Shayer was a prolific painter and he exhibited widely in London. He was elected a member of the Society of British artists in 1829 and he showed his works there until 1879. He also exhibited at the British Institution between 1827 and1862 and at the Royal Academy between 1820 and 1843. The artist sometimes collaborated with the artist Edward Charles Williams and he had three sons who all became painters.
Shayer’s work followed the tradition of George Morland and Francis Wheatley. He painted idyllic rural scenes of the English countryside untainted by the Industrial Revolution.
Shayers work though has a depth and brightness to it missing from the paintings of many of his contemporaries, due to his skilful application of glaze (ie, spreading a thin, oily, transparent layer of paint over a dry opaque paint).
He exhibited at the Royal Academy (6 works), the British Institution (82 works), and at the Suffolk Street Gallery of the Society of British Artists (338 works). He also exhibited in many of the lesser-known Victorian art venues as well.
- Creator:WILLIAM SHAYER SENIOR (1787-1879) (1787 - 1879, British)
- Dimensions:Height: 39 in (99.06 cm)Width: 49 in (124.46 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This painting depicts a charming scene of English country folk enjoying a drink at the Royal Oak and it captures the atmosphere of ‘old England’ to perfection. The painting is in a very good condition having benefited from a light clean and a reline.
- Gallery Location:St. Albans, GB
- Reference Number:1stDibs: LU2469213238092
WILLIAM SHAYER SENIOR (1787-1879)
William Joseph Shayer, senior was a self-taught artist, who began by painting decorations on rush-bottom chairs, and moved on to painting carriages in the town of Guildford, after which he started doing a heraldic painting. Ultimately he began painting oil on canvas and became skilled at portraying woodland scenes with gipsies, people and animals in front of country inns and farmhouses, and beach scenes crowded with boats and fishermen. He lived mainly in the south of England, in Shirley, Southampton, but painted throughout Hampshire and in a wooded district in the southwest part of Hampshire called the New Forest. Michael Hoy, a wealthy Southampton merchant, was one of his most enthusiastic patrons and bought many of Shayer’s paintings of the area.
Shayer lived a long life, during which he had two wives and ten children. His eldest son, William Joseph Shayer, junior (1811-1892) was also a painter and painted in a style very similar to his father. Their paintings are easily confused, which is made all the more difficult by the fact that they probably collaborated on several paintings in the elder Shayer’s later years. Three of Shayer senior’s younger sons – Edward Dasherwood Shayer (1821-1864), Henry Thring Shayer (1825-1894) and Charles Walker Shayer (1826-1914) – became painters as well, and all assisted him at times in his studio. William Shayer, senior died at the age of 92 on 21 December 1879 at his home at Bladon Lodge near Southampton.
William Shayer, senior was a competent landscape artist, but he is best known as a figure painter. His work is reminiscent in some respects to the paintings of George Morland, another very popular figure painter. Shayer’s work though has a depth and brightness to it missing from the paintings of many of his contemporaries, due to his skilful application of glaze (i.e., spreading a thin, oily, transparent layer of paint over a dry opaque paint). He exhibited at the Royal Academy (6 works), the British Institution (82 works), and at the Suffolk Street Gallery of the Society of British Artists (338 works). He also exhibited in many of the lesser-known Victorian art venues as well. His works are on display at many museums including the Victoria and Albert Museum, the Tate Gallery, the Glasgow Art Gallery, and the New York Metropolitan Museum of Art.
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