William Constable Adam

"Women at the Well" - Tucson, Arizona Southwestern Figurative Landscape

c.1920

Classic mid-century seascape with sailboat by Carl Davidson (American, 20th Century), c.1955. Signed "C. Davidson" lower left. Presented in a wooden frame. Image size: 15"H x 30.25"...

Charming oil painting of corner of Santa Cruz Ave and W. Main Street in downtown Los Gatos, California by Eugene Atcheson (American, b. 1955), circa 1980. Si...

Old House at Capistrano, Laguna Beach Figurative Landscape by California Pioneer Artist Daisy A. Newell Kearns Substantial and historic mid-1930's period...

Sunny seascape of seagulls over ocean waves breaking on the coast by Joe Hazel Conrad (American, 20th century). Presented in a wood frame. Signed ...

Dynamic oil painting of the fisherman's moment of victory over a Northern Pike by unknown artist Emily (American, 20th Century). Signed and dated "Emily ...

Bright and sunny Santa Cruz, California figurative seascape of a Catamaran launch at Twin Lakes beach by Claire Paye-Gililland (American, 1940-2020), circa ...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

A contemporary oil painting of a woman stepping out of her small car, a Fiat Panda. Painted from life, shadows are purple and atmospheric. She's parked on bright green grass, in rura...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 32, plate #036. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph B...

Paul Cornoyer “Central Park Autumn” c. 1910 Oil on Canvas Framed Size: approx 29 x 35 inches Canvas Size: approx 22 x 26.5 inches Provenance: The Artist to Private Collection, St. Louis thence by Descent Conservation report: Excellent condition. On original canvas, not relined. No in-painting. Paul Cornoyer was born in 1864 in St. Louis, Missouri. He studied there at the School of Fine Arts in 1881. His first works were in a Barbizon mode, and his first exhibit was in 1887. In 1889, he went to Paris for further training, studying at the Academie Julien, and returned to St. Louis in 1894. By the early 1890s, his work was more lyrical and Tonal, and he applied this style to subjects such as cityscapes and landscapes. In 1894, he painted a mural depicting the birth of St. Louis for the Planters Hotel in that city. His activities during the next six years were not particularly profitable, however, and the whereabouts of his St. Louis paintings are scarcely known. One exception is the triptych, A View of Saint Louis, with its strong urban realism. It shows the Eads Bridge...

The Avenue Lights (5th Avenue, New York City) By. Gerald Harvey Jones (American, 1933-2017) Signed Lower Left 20 x 16 inches without frame 30.5 x 26.5 inches with frame G. Harvey (G...

Roy Andersen (b. 1930) "Old High Country Woman" Oil on Canvas 12 x 16 inches 21.5 x 25 inches framed Known as a western painter, Roy Andersen did paintings of Crow, Cheyenne, and Apache Indians. He began his career living in Chicago and New York and working as an illustrator. He did numerous covers for Time Magazine including portraits of Albert Einstein and Prince Fahd. He also did illustrations for National Geographic magazine, and did a stamp series on Dogs and American Horses, and in 1984 and 1985, won Stamp of the Year Award. As a muralist, he has filled commissions for the National Park Service, the Royal Saudi Naval Headquarters, and the E.E. Fogelson Vistor Center at Pecos National Monument in New Mexico. To pursue his talent for painting, Roy Anderson went West, living in Arizona and settling in Cave Creek. In 1990, he was voted official artist for Scottsdale's Parada del Sol, the "world's largest" horse-drawn parade commemorating the Old West. Andersen grew up on an apple farm in New Hampshire and learned about Indian customs from his many hours spent at the Chicago Museum of Natural History. He is meticulous about being historically accurate in his paintings. Of him it was written: "There are no 'happy accidents' in an Andersen painting. He has a knowledge of his subject that is attained only through extensive research. You will not find an Apache medicine bag...