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Paul ResikaWoman Cat Tree2004
2004
About the Item
OIl pastel on paper
Paul Resika (b. 1928, New York, New York) is best known for his paintings of iconic Provincetown forms. "Resika is recognized for the buoyancy of his palette and the basic shapes of his subjects, which are pared down to the simplest geometric forms-neat little houses in profiles and swishes of color that define the boats. His paintings are just a suggestion of a scene, but they are enough to spark a memory, evoke a mood, or illuminate a dream," writes artist and critic Deborah Forman. "As a colorist - a painter who draws in color with a loaded brush - (Resika) is now without peer in his own generation, a generation that has often made color its most important pictorial interest," Hilton Kramer stated in The New York Times.
Resika splits his time between New York and Truro, Massachusetts. Resika's work is included in the collections of the Hood Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art, the Smithsonian American Art Museum, the Whitney Museum of American Art, and the Addison Gallery among numerous others. He is the recipient of a Guggenheim Fellowship (1984) and has been elected Academician at the National Academy of Design (1978) and the American Academy of Arts and Letters (1994).
- Creator:Paul Resika (1928, American)
- Creation Year:2004
- Dimensions:Height: 8.5 in (21.59 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lawrence, NY
- Reference Number:1stDibs: LU149728243412
Paul Resika
Paul Resika (b.1928-) is an abstract figurative and landscape painter whose paintings are meditations on nature. Notable for their geometric forms placed against a mixed palette of high-keyed and subdued color, Resika's paintings create striking oppositions between form, color, and light. Like the paintings of Bonnard, Resika's work encapsulates the hidden power of nature with its color and forms. Resika himself states that he strives to capture "a feeling for nature but without nature." His work blends the figurative with the abstract in such a way that one senses Resika's response to both his physical and interior worlds. Born in New York City, Resika studied with Hans Hofmann in the 1940s and received his first show at age nineteen, at New York's George Dix Gallery in 1948. He was part of what is now considered the second generation of the New York School—artists who applied abstract expressionist techniques, such as the emphasis on gesture and emotional immediacy to the depiction of representational subject matter. During the 1950s, Resika traveled in Europe and began developing the series of recurring pared-down, quasi-abstract motifs: piers and harbors, farmhouses, floral still lifes, female figures. The tradition of French modernist painting, specifically the work of Pierre Bonnard and the French Fauvist painters Matisse and Derain, is strongly evinced in his work. Currently Resika spends winters in New York City, summers i n Provincetown, Massachusetts, and one month each spring in southern France. Each locale and its accompanying season informs his work and plays an important role in his choice of subject matter and palette. Resika was elected to the National Academy Design in 1976 and to the American Academy of Arts and Letters in 1994. He has exhibited both in the United States and abroad. His works are included in the collections of the Metropolitan Museum of Art, New York, and the National Museum of American Art in Washington, D.C.
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