John Seymour Lucas

Historical military oil painting of a prisoner being brought before officers

1882

William Bromley British, (1816-1890) A Game of Marbles Oil on canvas, signed Image size: 13.5 inches x 17.75 inches Size including frame: 19.75 inches x 24 inches A charming genr...

Alfred Provis British, (1818-1890) By the Fireside Oil on canvas, signed & dated 1869 Image size: 10.5 inches x 15.5 inches Size including frame: 21.5 inches x 26.5 inches This charming cottage scene by Alfred Provis features a woman preparing supper by a fire with her young daughter. As the mother peels the turnips and places them in the pot, the girl’s attention is drawn to the kitten feeding from a saucer. The dress and hat of the woman bears a similarity to those found Provis’s other scenes of Welsh cottage interiors. The artist was known to have visited North Wales around the time this painting was produced. In 1869, he exhibited a work entitled ‘Interior of a Welsh Farmhouse’ at the Royal Society of British Artists. Given the level of detail in the painting and the fact that it is in such an impressive original frame, it is possible this is the same painting as the one exhibited. Alfred Provis was a genre painter born on 18 February, 1818 in Chippenham, Wiltshire. He was the son of John Provis, a timber merchant and his second wife Ann Banks. He spent time in London being tutored by the historical and portrait artist John Wood (1801-1870) before returning to Chippenham. He began exhibiting at the Royal Society of British Artists in 1843, continuing to exhibit there regularly until 1886. He made his debut at the Royal Academy in 1846 with a work entitled ‘A Cottage Door...

Joseph Clark ROI British, (1834-1926) The Coronation March Oil on canvas, signed & dated 1902 Image size: 25.5 inches x 19.5 inches Size including frame: 32.5 inches x 26.75 inches This painting by Joseph Clark depicts a lively group of boys leading a patriotic parade through a village. Two of the older children hold standards aloft, whilst the others wave flags or play instruments. In 1902, at the time of this painting Clark was living on Pinner Road, Harrow-on-the-Hill. The church depicted is very similar to Pinner Parish Church, which would have been the closest one to him at the time. On 9 August of that year, the coronation of Edward VII and Alexandra took place at Westminster Abbey. Special events were held all across the country to mark the occasion. Clark would probably have attended his local celebrations and was most likely was inspired to record his version of it. Joseph Clark was born on 4th of July 1834 at Cerne Abbas, Dorset. He was the son of William Henry Clark, a draper and his wife Susanna (née Shepherd). After the death of his father, his mother encouraged her son to move to London to study at the Leigh’s Academy, (now Heatherley School of Fine Art) which was set up by James Matthews Leigh in 1848. He later continued his artistic education by enrolling at the Royal Academy School and began specialising in genre scenes. He made his debut at the Royal Academy in 1857 with ‘The Sick Child...

Arthur David Mccormick Irish/British, (1860-1943) The Royal Fanfare Oil on canvas, signed Image size: 23.5 inches x 17.5 inches Size including frame: 31.5 inches x 25.5 inches Provenance: Frost & Reed A wonderful historical painting of a trumpeter signalling the arrival of the Royal Ship by Arthur David Mccormick. The Herald, dressed in yellow livery plays a fanfare as the others prepare for the arrival of the Royal boat. Arthur David Mccormick was a painter of historical, naval, and genre scenes who was born in Coleraine, Ulster in Northern Ireland on 14 October, 1860. After attending his local school, he studied at the Government School of Design in Belfast. He then moved to London where he enrolled at the Royal College of Art in 1883. To support his studies he also contributed drawings and designs to the English Illustrated Magazine and Illustrated London News. McCormick made his debut at the Royal Academy in 1889 continuing to exhibit there throughout his life. He exhibited at the Royal Society of British Artists from 1890, becoming a member in 1897 and at the Royal Institute of Oil Painters, Royal Institute of Painters in Watercolour and the Alpine Club Gallery. As well as being a yachtsman he also took an interest in mountaineering and on 5 February 1892 joined Sir Martin Conway’s expedition to the Karakoram Himalayas as their artist. He produced more than 300 illustrations, mainly watercolour paintings which appeared in Conway's 1894 book ‘Climbing and exploration in the Karakoram Himalayas’. He later published his own book ‘An artist in the Himalayas’ using his pencil sketches from the expedition. He married Helen MacAlpine-Woods at Strean Church, Newtonwards, Ireland on 25 September, 1894. The couple lived at 58 Queens Road, St John’s Wood where their only daughter Helen Gladys was born in 1895. During the same year, he travelled with Clinton T. Dent’s on his expedition to the Caucasus Mountains, producing a number of sketches and drawings. He was also made a fellow of the Royal Geographical Society in 1895 in recognition of his work. After the death of his wife in 1899, he remained at Queens Road from where he continued to work and exhibit, employing a governess to help with his daughter. When the Ulster Arts Club was formed in 1902 he was among its first honorary members. In 1905, he was made a member of the Royal Institute of Oil Painters and in 1906 became a member of the Royal Institute of Painters in Watercolours. On 7 May, 1906 he married Helen (Nellie) Elizabeth K Laker, his daughter’s governess. In addition to painting he also produced illustrations for many books mostly related to travel and adventure. He was employed by John Player & Son in 1927 to paint the sailor's head and shoulders for their cigarette packets as well as producing a number of oil paintings which were used as promotional posters. Around 1934 he moved to 53 Colet Gardens, Hammersmith, where he spent the rest of his life. He died in London, aged 83, on 12 March, 1943. Examples of his work can be found at the Alpine Club Collection, Coleraine Museum, Grundy Art Gallery, Imperial War Museum, National Museum of Wales, National Museum of the Royal Navy Portsmouth, Newport Museum, The Box Plymouth and Williamson Art Gallery. Presentation: The work is housed in its original gilt frame which is in excellent condition. The reverse bears a label for Frost & Reed and is dated 5 November 1936. Frost & Reed is a well known fine Art Gallery, frame makers and fine art publishers founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...

Émile Renard French, (1850-1930) Cordonnier à Jouy, Eure-et-Loir (Cobbler of Jouy) Oil on canvas, signed & dated 1883 Image size: 12.75 inches x 17.5 inches Size including frame: 23.5 inches x 28.25 inches A realist painting of a cobbler in his workshop by Émile Renard. The composition features an elderly shoemaker seated on a rickety chair next to a bench. The light from a window illuminates his work. Émile Henry...

Richard Beavis British, (1824-1896) Royal Dragoon Guards on the March Oil on canvas, signed with monogram Image size: 9.5 inches x 13.5 inches Size including frame: 17.25 inches x 2...

Portrait of Girl with Plaited Hair European School, late 19th century oil on canvas, framed framed: 41.5 x 35.5 inches canvas: 36 x 30 inches provenance: private collection, UK condi...

Wonderful Autumn/Fall landscape by one of Englands finest landscape painters. Born as Benjamin Williams, the artist added the surname Leader (his Father’s middle name) to distingui...

The Gleaner by Charles Sillem LIDDERDALE (British, 1831-1895) signed & dated 1890 oil painting on canvas, framed in what we believe to be the original frame framed: 51.5 x 37.5 inch...

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

The Highland Glen by F. E. Jamieson (British 1895-1950) signed with pseudonym oil painting on canvas, framed framed: 25.5 x 35 inches canvas : 20 x 30 inches provenance: private coll...

LESLIE E.B. SMYTHE 19th century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active paintings in both Scotland and England. He ...