Eugene Iverd

Grandfather on a Train with Christmas Gifts

A Kuppenheimer ad study and was published in Step By Step Graphics, January/February 1987 in the article “Learning From Masters of the Past” by Walt and Roger Reed Medium: Oil on Ca...

Medium: Oil on Canvas Signature: Signed and Dated Lower Left Cover illustration for The Saturday Evening Post, June 8, 1912

Medium: Oil on Canvas Signature: Signed Lower Right J. C. Leyendecker’s illustrations and advertisements fueled a collective visual memory for the early 20th century American public. Over the course of his career, Leyendecker created 322 covers for The Saturday Evening Post, as well as numerous other magazines, including Collier’s and Ladies’ Home Journal. The only illustrator to eclipse his fame was Norman Rockwell and Rockwell was quick to credit Leyendecker as his mentor and inspiration. This previously unknown work was recently discovered at a small country auction in South Carolina. It is likely an early work by Leyendecker, dating to circa 1900. The sinuous reddish orange flames emitted by the slain dragon recall the steam and vapors found in his later work, including an advertisement for Ivory Soap and a Thanksgiving cover for The Saturday Evening Post. The chiseled features and elegant expressions of the two knights and Christ are similar to those of his many successful advertising campaigns and illustrations. The inclusion of columns and the decorative border also are seen in works ranging from the 1901 Thanksgiving edition cover of Success magazine...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 28.00" x 24.00;" Framed 36.00" x 31.00" Collier's Magazine Cover,Christmas Edition, December 24th 1921

Signed and Dated Lower Left The Saturday Evening Post cover, May 23, 1936

Medium: Oil on Canvas Signature: Signed Lower Right Original cover illustration for The Saturday Evening Post, July 18, 1953. The Post described, “Gently, gently now, for both side...

60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...

Original oil painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable...

'Island of Broken Toys' 2019, a diptych contemporary oil on canvas painting by Tamera Avery, whose paintings are created with wit and wisdom. Avery's work...

In this series of portraits, Birch materializes enigmatic, ectoplasmic figures in his psychologically charged canvases linking sympathies between external forces and interior emotion...

Johannes Boekhoudt is a Dutch artist born on October 20, 1966. In 1973, Boekhoudt immigrated with his parents to Costa Rica, eventually working as a commercial and air ambulance pilo...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...