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Dasha Pogodina
To be at home and drink coffee by Ukranian Artist Dasha Pogodina
2022

About the Item

ABOUT THE ARTWORK The painting titled "To be at home and drink coffee" is an intimate portrayal of solace and self-reflection. The subject, a figure with an introspective gaze, is captured in a moment of stillness, exuding a serene sense of being at home with oneself. The warm, muted palette of earthen tones, harmonized with soft shades of lavender in the subject's hair, emphasizes a personal sanctuary where time slows and the soul can breathe. The composition is balanced by the presence of a simple coffee cup, a universal symbol of comfort and contemplation. The artwork beckons viewers to savor the quietude of ordinary moments, celebrating the ritualistic and grounding act of enjoying a cup of coffee. The painterly strokes and the textured background, where words and shapes seem to emerge and recede, suggest layers of thought and the depth of the internal world one retreats to in such moments of tranquility.

Creator:

Dasha Pogodina (1992, Ukrainian)

Creation Year:

2022

Dimensions:

Height: 31.5 in (80 cm)Width: 23.63 in (60 cm)Depth: 0.79 in (2 cm)

Medium:

Canvas,Oil

Movement & Style:

Impressionist

Period:

2010-

Condition:

Gallery Location:

Zofingen, CH

Reference Number:

1stDibs: LU2203211483132

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Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions 2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland 2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia 2018 Group exhibitions Room of my Minds, Ukraine 2017 Group exhibitions Garden as an Art, Kyiv, Ukraine 2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine 2013 Group exhibitions Fragment of Life, Luhansk, Ukraine 2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice. In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”. I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.