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Zhang HongyuNocturnal Melody 6 by Zhang Hongyu - Contemporary animal painting, abstract2019
2019
About the Item
Nocturnal Melody 6 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian Ink, acrylic, etching on cardboard mounted on canvas, dimensions are 140 × 100 cm (55.1 × 39.4 in).
The artwork is signed, sold framed and comes with a certificate of authenticity. Framed dimensions are 146 x 106 x 5 cm (57.4 x 41.7 x 2 in).
Hongyu Zhang’s technique is part of the oldest and richest artistic heritage in the human history. The artist fuses techniques from his ancestors with acrylic, oils and pastels from the West. He works on different mediums placed directly on the floor. The expression, however, is truly from western inspiration, and the influence of engraving is obvious in his paintings.
This painting is part of the ‘Nocturnal Melody’ series. In this series, Hongyu Zhang draws from his childhood visions on the plains of Inner Mongolia, where the silence and darkness of the night were disrupted only by the appearance of the horses and their galloping noise.
- Creator:Zhang Hongyu (1981, Chinese)
- Creation Year:2019
- Dimensions:Height: 55.12 in (140 cm)Width: 39.38 in (100 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803113423432
Zhang Hongyu
Hongyu Zhang’s artworks take root in calligraphy and traditional Chinese painting. The line creates the fundamental unity of all his works, particularly his portraits, which have a striking expressive power. The artist draws them on different mediums placed directly on the floor, with music helping him to find the strength, rhythm and movement of each work. He creates an energetic space that attracts and captivates, inviting us to decipher the artist’s nervous writing, which seems to have been invented to understand the depths of the soul. “For me, a work is the meeting between a subject and the artist’s thoughts, his experiences. It is about giving an impression, translating a feeling... This approach is central to the aesthetic system of traditional Chinese painting: it is more about expressing a sensation than painting a reality.’’
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