Rudolf Kosow

Hopeful (black labrador, dog pet, woman, vintage, animal, surrealist painting)

2024

We love Rudolf's latest series and particularly this exquisitely comical and enigmatic painting. The artist says "Banal, everyday things meet in the middle of nowhere and present the...

Absurd scenery in the middle of nowhere: head of a chicken, seemingly alive ... and an elderly man ... do they belong together, are they probably old...

keywords; surrealism, pitbull, humour, uncanny, animals, purple, earth tones, oil painting, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figu...

keywords; surrealism, hunting dog, humour, uncanny, animals, prussian blue, emerald green, earth tones, oil painting, figurative painting, strangeness, contemporary surrealistic, uns...

Please note, the whites areas in the painting are trully white as opposed to bluey as shown in the pictures. Painting is signed at the front. COA provided keywords; surrealism, humo...

In "Fate challenge I“ a mountaineer is eagerly climbing a steep rocky promontory, hoping to get the sweetest fruit, an apple, and take a bite out of it. Although, she is completely c...

"Keep the Fire Alive," an evocative piece from Andreas Claussen's 'FLOOD' series, is a 2023 oil on canvas that elegantly captures the essence of determination against a serene, wintr...

Andreas Claussen's "Axe, Tree, Raft. That’s a Plan," is a 2023 oil on canvas from the compelling 'FLOOD' series, with dimensions of 23.62 x 31.50 x 0.79 inches. This painting thought...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Joseph Broghammer Luck Memory (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 21x17in Signed by hand COA provided Ref.: 924802-1897 *Framed - read...

Joseph Broghammer Point To Where It Hurts (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 66x72in Signed by hand COA provided Ref.: 924802-1898 *o...

Joseph Broghammer Wee One 9 (Hummingbird, Portrait, Storytelling, Oil Painting) Oil on Canvas Year: 2023 Size: 14x11in Framed: 15x12x1in Signed by hand COA provided Ref.: 924802-1903...