Items Similar to 19th Century horse portrait oil painting of a champion Shire mare
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Henry Frederick Lucas Lucas19th Century horse portrait oil painting of a champion Shire mare1893
1893
About the Item
Henry Frederick Lucas Lucas
British, (1848 1943)
Rokeby Fuchsia
Oil on canvas, signed & dated (18)93, further signed & inscribed verso
Image size: 19.5 inches x 25.5 inches
Size including frame: 25.5 inches x 31.5 inches
A wonderful painting of a dappled grey champion Shire mare named Rokeby Fuchsia in a stable, by Henry Frederick Lucas Lucas. Rokeby Fuchsia was a famous champion Shire mare foaled in 1887, by Lincolnshire Boy (sire) and Lady Grey (dam) by Noble Devonshire. The breeders were WH & J Spalton of Derby. The mare was originally called Bowbridge Fuchsia and owned by Mr. J Camden of Aston Magna in Warwickshire, who first began showing her.
In 1891, she was sold to Mr John Parnell of Rugby and her name was changed to Rokeby Fuchsia. Parnell owned a number of show horses and under his ownership she began winning a number of championships and key prizes. At the Essex Agricultural Show of 1892 she won 1st prize in the Shire Mare class, the championship cup and the Shire Horse Society’s Gold Medal for the best mare. In February 1893, she won first prize and took both the Challenge cup and the Championship cup at the annual Shire Horse Show at Islington. In the same year she won first prizes at the Royal Agricultural Show, the Leicestershire agricultural show and Warwickshire Agricultural show. In 1894, she again took the first prize, Challenge cup and Championship cup at the Shire Horse Show. She then went on to win the Champion prize for Best Shire Mare at the Royal Agricultural Show of June 1894.
Her success undoubtedly prompted her owner, John Parnell to commission this portrait from Lucas Lucas who also lived in Rugby. An illustration of the painting was published in the Land and Water magazine of March, 1894. It was also referred to in an article about Rokeby Fuchsia by the Rugby Advertiser of 10 March, 1894 which described it as “an excellent painting”. A Photograph of the mare titled “Mr. John Parnell’s Rokeby Fuchsia” later appeared in the 1897 book ‘Points of the Horse’ by M. Horace Hayes, facing page 254.
Henry Frederick Lucas was born on 24 March, 1848 in Louth, Lincolnshire, the son of St. John Wells Lucas, a surgeon and Louisa Lucas née Bazalgette. His mother died when he was young and by 1871 the family had moved to Withington in Lancashire where Lucas became an architect’s pupil, helping to produce drawings. At some point in his late 20’s, he decided to become an artist and although little is known about his education, given the quality of his work he most likely studied art and animal anatomy. It is unclear why he started signing his works as Henry Frederick Lucas-Lucas, but this may well have been to distinguish himself from other artists.
He married Sarah Blanche Mordacque on 26 June, 1877 at St Peter Port, Guernsey and they moved to Rugby shortly afterwards, living at Clifton Road. By 1879, Lucas had established himself as an animal artist and was living in North Street. Their only child St John Welles Lucas Lucas (1879-1934) later attended Oxford and became a poet, publishing works from 1904.
Lucas specialised in sporting paintings usually featuring horses or dogs. Many of his works were portraits of racehorses, polo ponies and hunters, but he also painted hunting scenes, including the Pytchley Hunt and polo matches. His paintings were popular within the sporting community and gained him many commissions, including those from patrons such Earl Beatty and Sir Humphrey de Trafford. Many polo ponies and hunters that were owned by them were painted by Lucas. Some of the polo ponies that played in the Westchester Cup matches were also painted by him including Charmer, owned by Walter Jones and Blue Sleeve owned by Pat Nichols in 1909. Some of his paintings were also published by Fores Sporting Prints including perhaps his most famous work ‘Putting in the Terrier. Although he tended to work mostly on commissions, he is known to have exhibited at the Royal Birmingham Society of Artists between 1885 and 1887.
Lucas married Kathleen Liffie Beatson in October of 1890 after the death of his first wife. The couple had 5 children together and lived at Hillmorton Road, Rugby. He continued to work as an artist from his base in Rugby, following sporting events around the country. After the death of his second wife in 1935, he spent his remaining years living at Bilton Hill, Rugby and was still known to be active as an artist as late as 1939. He died in Northampton in 1943 at the age of 95. Examples of his work are held by the National Horseracing Museum, National Trust, Newport Museum, Walker Art Gallery, Liverpool and Museum of the Dog, New York.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine Art
- Creator:Henry Frederick Lucas Lucas (1848 - 1943, British)
- Creation Year:1893
- Dimensions:Height: 25.5 in (64.77 cm)Width: 31.5 in (80.01 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Nr Broadway, GB
- Reference Number:1stDibs: LU156212656112
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1972
1stDibs seller since 2015
272 sales on 1stDibs
Typical response time: <1 hour
Associations
The British Antique Dealers' AssociationLAPADA - The Association of Arts & Antiques DealersInternational Confederation of Art and Antique Dealers' Associations
- ShippingRetrieving quote...Ships From: Nr Broadway, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Pair of 19th Century sporting oil painting with terrier dogsBy Edward ArmfieldLocated in Nr Broadway, Worcestershire**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 22.25 INCHES x 18.25 INCHES** Edward Armfield British, (1857-1935) The Rat Trap & Under the Wheelbarrow Oil on canvas, pair...Category
19th Century Victorian Animal Paintings
MaterialsOil, Canvas
- 19th Century landscape oil painting of cattleBy Thomas Baker of LeamingtonLocated in Nr Broadway, WorcestershireThomas Baker British, (1809-1864) Cows with a Willow Tree Oil on canvas, signed & dated 1860 Image size: 14 inches x 11.75 inches Size including frame: 20.5 inches x 18.25 inches P...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- 19th Century pair of oil paintings with terriers ratting in a barnBy Edward ArmfieldLocated in Nr Broadway, Worcestershire**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 16.75 INCHES x 20.75 INCHES** Edward Armfield British, (1857-1935) On the Scent & Down the Hole Oil on canvas, pair, both s...Category
19th Century Victorian Animal Paintings
MaterialsOil, Canvas
- 19th Century landscape oil painting of sheep grazing on a clifftopBy Charles Jones (b.1836)Located in Nr Broadway, WorcestershireCharles Jones British, (1836-1892) Sheep Grazing on a Cliff Top Oil on canvas, signed with monogram Image size: 7.5 inches x 11.5 inches Size including frame: 13.5 inches x 17.5 inches Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...Category
19th Century Victorian Animal Paintings
MaterialsOil, Canvas
- 19th Century sporting oil painting of a horse and dogs huntingLocated in Nr Broadway, WorcestershireJohn Duvall British, (1815-1892) Directing the Shoot Oil on canvas, signed Image size: 17.75 inches x 13.75 inches Size including frame: 25.5 inches x 21....Category
19th Century Victorian Animal Paintings
MaterialsOil, Canvas
- 19th Century sporting animal oil painting of a horse & groom in a stableBy John Ferneley JuniorLocated in Nr Broadway, WorcestershireJohn Ferneley Jnr British, (1815-1862) Horse & Groom in a Stable Oil on canvas, indistinctly signed Image size: 18.75 inches x 23.25 inches Size including frame: 23.5 inches x 28 inches Provenance: The Parker Gallery, Berkeley St., London John Ferneley Junior was born in 1815, at Melton Mowbray, the son of the sporting artist John E Ferneley (1782-1869) and his first wife Sarah. His brother Claude Lorraine Ferneley (1822-1892) and sister Sarah Ferneley...Category
19th Century Victorian Animal Paintings
MaterialsOil, Canvas
You May Also Like
- 19th century Scottish Highland lock landscape with Highland Cattle drinkingLocated in Woodbury, CTLate 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...Category
1890s Victorian Landscape Paintings
MaterialsOil, Canvas
- 19th century English Antique portrait of a Race horse, Jockey, owner landscapeLocated in Woodbury, CTWell painted and very interesting oil on canvas depicting a Race Horse, the Jockey, and the owner on a Race track, possibly Epsom in Surrey. Harry Hall was...Category
1840s Victorian Animal Paintings
MaterialsOil, Canvas
- Dog sat amongst Roses, original oil on canvas, Victorian British artistLocated in Nutfield, SurreyThis lovely picture of a dog sat amongst roses is an oil-on-canvas painting that is over one hundred years old, by the English Artist Stanley Berkeley...Category
19th Century Victorian Animal Paintings
MaterialsOil, Canvas
- Sheep on a Hillside, original oil on canvas, sheep in a highland landscape, 1915By Robert WatsonLocated in Nutfield, SurreyThis beautiful oil-on-canvas painting of sheep on a hillside, dated 1915 is by the British Victorian artist Robert Watson. Robert William Watson was born in Brighton, Sussex in 1855. He was the son of the highland landscape artist William Watson (1809-1871). In 1880, he married Alice Ashcroft and they moved to Aughton, Lancashire, England. They had three daughters, Gertrude, Beatrice and Florence. Watson came from a family of painters who excelled in Cattle and Highland landscape paintings. He exhibited a number of his works across the UK including Liverpool and Glasgow. Queen Victoria was an avid collector of Scottish works of art which made Watson's Highland scenes incredibly popular in the late 19th Century. Robert Watson’s works can be found in collections at the Williamson Art Gallery, Astley Hall...Category
Early 20th Century Victorian Animal Paintings
MaterialsOil, Canvas
- English early Victorian period, Figures on a beach with horses, dogs, peopleBy WILLIAM SHAYER SENIOR (1787-1879)Located in Woodbury, CTWilliam Joseph Shayer, senior was a self-taught artist, who began by painting decorations on rush-bottom chairs, and moved on to painting carriages in the town of Guildford, after which he started doing a heraldic painting...Category
1830s Victorian Figurative Paintings
MaterialsCanvas, Oil
- A Fresh CatchLocated in Missouri, MOAlfred Guillou (French 1844-1926) "A Fresh Catch" Oil on Canvas Signed Lower Left Canvas Size: approx 18 x 24 inches Framed Size: approx 24 x 30 inches...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Canvas
Recently Viewed
View AllMore Ways To Browse
Luca Luca
19th Century Horse
1893 Painting
19th Century Paintings Of New York
Paintings Of Oxford
Horse Oil Paintings With Frame
19th Century Street Painting
Painting Of Mother And Son
19th Century Art Horses
19th Century Oil Painting Of Family
Blue Oil Antique Oil Painting
19th Century Paintings Of Children
Brown Oil Painting Horse
Original Horse Oil Painting
Painting Prize Winning
Antique Animal Portrait
Original Horse Art Oil
19th Century Oil Paintings Of Animals