Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Jacques Coulais (1955-2011)
Huge French Expressionist Abstract Large Original Painting

Mid 20th Century

About the Item

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) signed oil painting on canvas unframed: 39.5 x 39.5 inches condition: excellent provenance: all the paintings we have for sale by this artist have come from the artists studio and are all featured in the artists Catalogue Raisonne. Jacques, Paul, Firmin Coulais is a French painter born on March 22 , 1955 in Fenioux ( Deux-Sèvres ) and died at the age of 56, the June 25 , 2011 in Niort (Deux-Sèvres). Born into a farming family, he was the seventh of eight children. Suddenly becoming a quadriplegic at the age of six following poliomyelitis, he overcame this handicap by building with determination an independent life centered on artistic practice and an intense social life. For more than thirty years his house and his workshop have been the center of attraction for many artists, art lovers or simply friends of Niort and all of France. Coulais began to paint with his mouth, as an autodidact. In 1978, he made the acquaintance of a plastic art teacher who advised him and engaged him on the path of watercolour. The freedom granted to him by this technique as well as the flexibility of its application fascinate him. This meeting and the friendship shared with his teacher, lead him and very quickly direct his work from figurative to abstraction in a way that he explores and that he will then find in the works of Kandinsky and Paul Klee. Admitted to the School of Fine Arts in Angoulême, he studied there from 1981 to 1984 and obtained the National Superior Diploma in Plastic Expression at the age of 31. A few years later, Jacques Coulais exhibited at the Museum of Niort and since then, his career has been punctuated by his participation in numerous exhibitions organized very regularly in various French cities as well as abroad. In the 1990s, the AAPBP, Association of Mouth and Foot Painting Artists, opened its doors to him. It gives artists the opportunity to support themselves and devote themselves to their art, free from worries and concerns. Jacques Coulais becomes a scholarship holder of the Association. Two years later, he obtained the status of associate member. He has been a full member since 1998. This remarkable association organizes numerous artistic events every year. The painting of Jacques Coulais is most often abstract painting nourished by his training, his extensive and precise culture and the dreams, or more frequently nightmares, which populated his nights and whose memory he has preserved through four notebooks that he wrote himself. His painting is done either with his mouth or directly on the ground with the wheels of his chair. He had a very thick paper or a canvas, usually square, installed at his table, the brushes, the colors. Anyone present could prepare their colours. He gave extremely precise instructions in everything and got exactly the shade he was looking for. They handed him the brush he was holding with his mouth. For large formats, the brush was attached to a rod that could reach a meter in length. Mastering a very elaborate watercolor technique, he produces his works with his mouth with relentless meticulousness: a “pensive” painting made of “repetitive and patient gestures” which “are a matter of working on oneself ” . This painting refers either to the mandala - a multitude of stains and colors cover the surface and give it its rhythm and its light - or to the calligraphic painting, a singular writing, devoid of meaning whose main driving force is the unconscious, an abstract writing that only expresses its own aesthetics. “It is only a question of one thing, namely, the fundamental impossibility of describing, of writing a representation of the world. Perhaps it is only an attempt at poetic gesture!… For someone whose body has abandoned, gesture is vital. Bibliography Catalog of the exhibition at the Musée du Donjon , Niort, 1991. In absentia , text by Ami Barak, works by Jacques Coulais, ACAPA Éditeur, 1992. Of the sign, of the interpretation, of the incompleteness : interview with Paul Ardenne and Jacques Coulais, Revue La Licorne no 23 , 1992. Art, the Contemporary Age , Paul Ardenne, Editions du Regard, 1997. A small grammar of signs , Jacques Coulais, Cultural Action of the University of Poitiers, 2002. Portfolio of 18 watercolours, text by Dominique Moncond'huy, 2003. Paintings Please, Pay Attention, Please , Barbara Polla & Paul Ardenne, Editions Le Bord de l'Eau – La Muette collection, 2010. Jacques Coulais Pictor Maximus, Body & Canvas . texts by Barbara Polla and Paul Ardenne, interview with Ali kazma, Éditions TAKE FIVE - Trait d'Union collection, 2011. Continuum , texts by Jacques Coulais and Régis Busschaërt, Éditions Le Courtil des Roses, 2011.
  • Creator:
    Jacques Coulais (1955-2011) (1955 - 2011, French)
  • Creation Year:
    Mid 20th Century
  • Dimensions:
    Height: 39.5 in (100.33 cm)Width: 39.5 in (100.33 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Cirencester, GB
  • Reference Number:
    1stDibs: LU509313285552
More From This SellerView All
  • French Contemporary Abstract Painting Gold Highlights Expressionist Composition
    Located in Cirencester, Gloucestershire
    Artist/ School: French expressionist/ abstract contemporary artist, 21st century Title: Abstract composition Medium: oil/mixed media painting on canvas, unframed. canvas: 25.75...
    Category

    21st Century and Contemporary Abstract Expressionist Abstract Paintings

    Materials

    Oil, Canvas, Mixed Media

  • Huge 20th Century French Expressionist Abstract Oil Painting Black Grey Yellow
    Located in Cirencester, Gloucestershire
    Artist: French School, dated 1992 verso, inscribed into the paint to the front. Title: Black, Yellow, Grey, Taupe abstract, painted with very thick impasto paint creating a wonderf...
    Category

    20th Century Abstract Expressionist Abstract Paintings

    Materials

    Canvas, Oil

  • 20th Century French Expressionist Abstract Signed Oil Painting framed
    Located in Cirencester, Gloucestershire
    Artist/ School: French expressionist/ abstract artist, 20th century, indistinctly signed Title: abstract/ expressionist composition Medium: oil painting on canvas, framed framed:...
    Category

    20th Century Abstract Expressionist Abstract Paintings

    Materials

    Oil, Canvas

  • Very Large 20th Century French Expressionist Abstract Oil Painting on Canvas
    Located in Cirencester, Gloucestershire
    Artist/ School: French Expressionist painter, circa 1970 Title: abstract expressionist composition Medium: oil painting on canvas, unframed canvas: 39.25 x 25.5 inches Provenance...
    Category

    20th Century Abstract Expressionist Landscape Paintings

    Materials

    Oil, Canvas

  • Black & Green Expressionist Abstract Oil Painting Large Contemporary Canvas
    Located in Cirencester, Gloucestershire
    Abstract Expressionist by Andre Gallou (French 1927-2017) oil on canvas canvas: 20 x 24 inches provenance: private collection, France condition: very good and sound condition
    Category

    21st Century and Contemporary Abstract Expressionist Abstract Paintings

    Materials

    Oil, Canvas

  • Mid 20th Century French Expressionist Abstract Portrait Very Thick Impasto Oil
    Located in Cirencester, Gloucestershire
    Abstract Portrait French School, mid 20th century oil on board, unframed 36 x 25 inches provenance: private collection, France condition: very good and sound condition though there i...
    Category

    Mid-20th Century Abstract Expressionist Abstract Paintings

    Materials

    Oil

You May Also Like
  • Black on Black #4
    By Jimmy Ernst
    Located in Miami, FL
    The artist has painted the work in matte black and gloss black. It a sense this is also an optical art “Op Art” in that it changes as the light changes. Jimmy Ernst was a major figure of the New York School of abstract painting and part of The Irascibles, and son of Max Ernst: Provenance: Grace Borgenicht Gallery, New York, New York; Joseph H. Hirshhorn, New York and Washington, D.C. (acquired from the above in 1966); Joseph H. Hirshhorn bequest, Hirshhorn Museum, Washington, D.C., 1981; Sotheby's Arcade, New York, New York, February 24, 1995, lot 331; The Jeanne and Carroll Berry...
    Category

    1960s Abstract Expressionist Abstract Paintings

    Materials

    Enamel

  • Hot Fox in the Henhouse - Large Scale Abstract Expressionist Painting
    By Wesley Kimler
    Located in Chicago, IL
    Wesley Kimler (born 1953) an American artist based in Chicago, Illinois, is known for his colossal paintings, up to 15 feet high and 27 feet wide. According to critic Kevin Nance, th...
    Category

    2010s Abstract Expressionist Abstract Paintings

    Materials

    Canvas, Mixed Media, Oil

  • Celtic Song. Contemporary Abstract Expressionist Painting
    By Patricia McParlin
    Located in Brecon, Powys
    Patricia McParlin, is an award winning British artist who lives and works in Wales. She studied at The University of Wales and The West Wales School of the Arts. She has recently b...
    Category

    2010s Abstract Expressionist Abstract Paintings

    Materials

    Canvas, Oil, Acrylic

  • Informal Painting - Oil Painting 2013 by Giorgio Lo Fermo
    By Giorgio Lo Fermo
    Located in Roma, IT
    Pittura Informale is an original oil painting on canvas, realized in 2013 by the Italian artist Giorgio Lo Fermo. Hand-signed and dated on the lower left margin, signed on the back ...
    Category

    2010s Abstract Expressionist Abstract Paintings

    Materials

    Oil

  • Modernist abstracted Head
    By Erik Scholz
    Located in Norwich, GB
    Erik Scholz was a Hungarian artist who trained at the Academy of Fine Arts in Budapest. He was awarded the prestigious Munkácsy Award in 1950, and received stipends to work and study...
    Category

    Late 20th Century Abstract Expressionist Abstract Paintings

    Materials

    Mixed Media, Oil

  • Woman, 1986 - oil paint, 142x114 cm., framed
    By Damiano Bernard
    Located in Nice, FR
    Oil on canvas, signed back Bernard Damiano ne découvre sa ville natale, Coni, qu'en 1935, après neuf années d'émigration familiale avec son père Pietro (1895-1964), sa mère Rosa (née en 1897) et sa sœur Angela2, en Alsace, puis à Vallauris. En 1940, en même temps qu'il fait l'apprentissage du métier de taillage de la pierre dans l'atelier Revello à Coni, Bernard Damiano se lie, par des affinités artistiques et littéraires, d'une amitié durable avec le futur poète et linguiste Sergio Arneodo : plus tard, ils s'attacheront communément à la valorisation culturelle et spirituelle d'un village du Val Grana, Sancto-Lucio de Coumboscuro3. Trouvant un emploi de tailleur de pierre et de marbre à Tende (Alpes-Maritimes) en 1948 (c'est là qu'il rencontre son épouse Giselle2), puis d'ébéniste à Nice en 1951, il vit successivement à Nice, Villefranche-sur-Mer, Vallauris, puis de nouveau Nice où, dans un atelier situé dans un sous-sol de la rue Benoit Bunico4 dans le Vieux-Nice, il peint tout en étudiant les peintres de la Renaissance et les impressionnistes. Lors de sa première exposition personnelle (Nice 1958, suivie rapidement de participations à des salons), Bernard Damiano reçoit les encouragements du peintre niçois Sylvain Vigny (1904-1970) avec qui il restera en relations. Sa vie à Nice est interrompue par deux années à Paris (Bernard réside alors rue Saint-Vincent, au cœur de la vie montmartroise), coïncidant avec sa première exposition personnelle dans la capitale, de 1966 et 1968. Il obtient la nationalité française en octobre 1974 et se partage dès lors entre Nice et San Remo2. C'est précisément au cours de la décennie 1970 que la peinture de Bernard Damiano est dite s'éloignant d'une parenté avec Jean Dubuffet, l'Art brut ou le mouvement Cobra pour, dans « une touche nerveuse et une pâte triturée »5, puiser son style dans la suite de l'expressionnisme6. Cette proposition est toutefois énoncée avec réserve : à l'instar de l'espagnol Eduardo Pisano, Bernard n'a jamais daté ses œuvres, reprenant et retouchant même souvent un même tableau pendant plusieurs années. C'est peut-être dans l'usage du « trait-couleur et du flamboiement des chairs...
    Category

    1980s Abstract Expressionist Abstract Paintings

    Materials

    Oil

Recently Viewed

View All