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George DannattStudy for Blackawton 1996
1996
About the Item
George Dannatt (1915-2009)
Study for Blackawton
1996
Oil on painting board
Image: 17.8 x 25.6 cm
Frame: 32.5 x 40.0 cm
Exhibited: 1996 Michael Wright Fine Art at the Royal
College of Art
Provenance: The George & Ann Dannatt Collection and The George Dannatt Trust
Various grade pencils on torn up paper &
reassembled, with new drawing over all
(white) laid down on reverse of ticket
board for contrast
George Dannatt’s long career as a painter and sculptor ended with the artist’s death in 2009 at the age of 94. He was a respected member of a group of artists impressed by the qualities of the English countryside and coastline, including Terry Frost, John Wells, Bryan Winter and Dennis Mitchell, all of whom were alive to the unique visual appeal of the south and west of England. Working from his studio in Wiltshire and travelling frequently among the villages, hills and coastline of the region, Dannatt would take home pencil sketches of field systems, cliffs and beaches, with notes on colours to be used and shapes to be investigated. He favoured small scale in which he fashioned exquisite, thoughtful abstractions of landscape themes.
- Creator:George Dannatt (1915 - 2009, British)
- Creation Year:1996
- Dimensions:Height: 7.01 in (17.8 cm)Diameter: 10.08 in (25.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bournemouth, GB
- Reference Number:
George Dannatt
George Dannatt’s career as a painter and sculptor ended with the artist’s death in 2009 at the age of 94. He was a respected member of a group of artists impressed by the qualities of the English countryside and coastline, including Terry Frost, John Wells, Bryan Winter and Dennis Mitchell. Working from his studio in Wiltshire and travelling frequently among the villages, hills and coastline of the region, Dannatt would take home pencil sketches of field systems, cliffs and beaches, with notes on colours to be used and shapes to be investigated. His life-long interest in the geometry of nature, together with his virtuosity with colour, texture, tone and balance, are hallmarks of his style. Viewers will notice the very precise geometry in this work which is composed of strong horizontal, vertical and curvilinear elements which interconnect. Dannatt’s life-long involvement in the landscape resulted in an important contribution to the Wessex landscape school – a distinctive and perhaps unique artistic formation that belongs to the established history of modern British art.
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