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Frédérique DomergueInfinity on Danakil by Frédérique Domergue - Abstract painting on metal, brown2022
2022
About the Item
Infinity on Danakil is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patina fixed with beeswax, dimensions are 75 × 150 cm (29.5 × 59.1 in).
The artwork is signed, sold unframed and comes with a certificate of authenticity.
Frédérique Domergue investigate metal material’s diversity to create a wide range of colours and textures. Her challenge is to alter its state: releasing the metal from the coldness and the brutality usually associated with it. Through polishing and oxidation, she gives it a warmth, softness and sensuality that makes you want to caress the radiant and silky oxidised surfaces of her paintings.
As metallic sheen changes, her artworks are often continuously evolving, witness to time passing. In the manner, the artwork’s oxidation transforms it bit by bit, as if alive. Frédérique Domergue gets her inspiration from nature and the seaside. Her paintings evoke landscapes, skies and seas that are sometimes calm and tranquil other times stormy, dark and ablaze.
- Creator:Frédérique Domergue (1963, French)
- Creation Year:2022
- Dimensions:Height: 29.53 in (75 cm)Width: 59.06 in (150 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803114188662
Frédérique Domergue
Fascinated by metal, Frédérique Domergue has developed a unique two-dimensional body of work that draws on both sculpture, through the use of relief, and painting, through the research of different colour shades obtained with oxidation. The artist uses thin sheets of metal applied on wood or aluminium panels. Through a patient process of polishing and oxidation she manages to confer astonishing warmth and sensuality on the metals. Frédérique Domergue finds her inspiration from nature and the seaside. “I have always liked the material – I had to touch it, knead it, transform it, see it evolve under my hand. I’ve always been fascinated by what I could achieve with it.’’
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