French School More Art
to
1
16
3
9
6
6
1
2
5
5
Overall Height
to
Overall Width
to
3,209
2,632
2,578
1,494
649
293
206
206
169
48
47
45
43
31
1
1
1
1
12
1
6
1
1
12
2
1
9
5
3
3
2
Style: French School
Oak and Marble 18th Century French Commode
Located in London, GB
Oak with marble top
Height: 55 inches (86.25 cm)
Width: 55 inches (140 cm)
Provenance
Château de Mareil Le Guyon
This commode is available to view at our gallery on Cecil Court.
Jean-Pierre Latz
Jean-Pierre Latz was one of the handful of truly outstanding cabinetmakers working in Paris in the mid 18th-century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, amarante, purpleheart and rosewood, often featuring the distinctive end-grain cuts. He also produced lacquered pieces, most famously the slant-front desk in the collection of Stavros Niarchos...
Category
18th Century French School More Art
Materials
Marble
Jardiniere Directoire
Located in ROUEN, FR
JARDINIERE DIRECTOIRE de forme carrée ornée d’une étoile et une rose des Vents ainsi qu’un écusson avec la lettre « A ». Intérieur en tôle. Ep.Empire. H.26 L.21.
Category
Late 18th Century French School More Art
Materials
Wood
ROUEN, XVIIIème - Suite en faïence de 2 PLATS
Located in ROUEN, FR
ROUEN, XVIIIème - Suite en faïence de 2 PLATS à contours chantournées et décors grand feu polychrome d'une double corne d'abondance et œillets noirs. 35 x 25 cm.
Category
18th Century French School More Art
Materials
Faience
Dégueuloir de fontaine Louis XVI
Located in ROUEN, FR
Dégueuloir de fontaine Louis XVI en plomb à masques de lion entourés de motifs feuillagés. Ep.XVIIIè. Diam.21.
Category
18th Century French School More Art
Materials
Other Medium
Petit thermomètre Louis XVI
Located in ROUEN, FR
Petit thermomètre Louis XVI en bois doré et sculpté à décor de nœuds de rubans, guirlandes de fleurs et de laurier. Il est en bois peint. Ep. fin XVIIIè. H.36 L.13.
Category
18th Century French School More Art
Materials
Wood
Encoignure desserte Louis XVI estampillé de TOPINO
Located in ROUEN, FR
Encoignure desserte Louis XVI, estampillé de TOPINO, en acajou et placage d’acajou veiné à encadrement de bronzes. Elle ouvre par 1 tiroir en ceinture qui surmonte 2 étagères à galer...
Category
18th Century French School More Art
Materials
Marble
Amours sur des Nuages Jouant avec des Colombes
Located in Milford, NH
A fine grisaille oil painting on canvas of putti in the clouds, unsigned, labeled on verso BOUCHER (genre de Francois), titled “Amours sur des nuages jouant avec des colombes ” (literally translated “cupids on clouds playing with doves”), dating to the 19th century, unframed. French artist Francois Boucher (1707-1770) was well known for Rococo portrait, landscape and mythology painting...
Category
19th Century French School More Art
Materials
Canvas, Oil
Table Cabaret En Acajou Sculpté Louis XV
Located in ROUEN, FR
Table Cabaret En Acajou Sculpté et mouluré de motifs floraux asymétriques ouvrant par un tiroir en ceinture. Pieds cambrés. Travail de port de l'époque Louis XV. H. 70 cm x L. 83 cm ...
Category
18th Century French School More Art
Materials
Mahogany
Summer Siesta 1959 New Wave period large drawing relaxed young woman daydreaming
Located in Norwich, GB
All the sun and the joie de vivre of the mediterranean in one large drawing! Dated 1959, the work evokes Brigitte Bardot, the French Riviera and French New Wave Cinema.
The artist is Dany Lartigue, son of photographer Jacques Henri Lartigue, Dany was brought up between Paris and Saint Tropez, which was still a fisherman’s village at the time. Although as an artist Dany worked from Montmartre studio, the Cote d’Azur of his childhood remained his spiritual home, and he returned there often. In Saint Tropez, by then fashionable, he would meet his friends Juliette Greco...
Category
Mid-20th Century French School More Art
Materials
Canvas, Paper, Charcoal
Louis XVI period clock
Located in ROUEN, FR
Gilt bronze Louis XVI clock representing a helmeted man holding a profile of King Louis XVI above the enameled movement. To the right, a cannon, cannonballs and various flags. Blacke...
Category
18th Century French School More Art
Materials
Bronze
Middle game table Regency period
Located in ROUEN, FR
Middle game table Regency period in natural wood with a nice patina. It is decorated on the belt with squares and a central medallion with the date 1732. It stands on finely carved c...
Category
18th Century French School More Art
Materials
Wood
Baromètre-thermomètre Louis XVI
Located in ROUEN, FR
Baromètre-thermomètre Louis XVI en bois doré et sculpté à décor d’un vase à l’antique et de guirlandes de laurier. Ep.XVIIIè. H.100 L.43.
Category
18th Century French School More Art
Materials
Wood
PAIRE D’ENCOIGNURES RÉGENCE - Estampillées de Pierre Migeon II
Located in ROUEN, FR
PAIRE D’ENCOIGNURES RÉGENCE en placage de bois de violette à façade bombée. Elles ouvrent par 2 portes encadrées de montants décreusés de cannelures. Triple piètement. Dessus de marb...
Category
18th Century French School More Art
Materials
Marble
"The Napoleon" Coat of Arms Tapestry
Located in Atlanta, GA
The Emperor Napoleon Coat of Arms tapestry features the imperial eagle of Napoleon Bonaparte (1769-1821). This is a Belgian-made, Jacqu...
Category
Late 20th Century French School More Art
Materials
Tapestry
"Panier Fleuri" Flower Basket Tapestry
Located in Atlanta, GA
French made, jacquard woven with relief stitch. Fully lined with rod pocket for hanging.
Cotton and polyester.
Navy background shown and also available in beige background. Both back...
Category
Late 20th Century French School More Art
Materials
Tapestry
Jean Picart Le Doux Unicorn Lithograph Hommage a la Licorne Mid Century
Located in FR
Jean Picart Le Doux Lithograph Unicorn Mid Century
Hommage a la Licorne
Jean Picart Le Doux, 1902-1982 French
Jean Picart Le Doux, born in Paris January 31, 1902 and died in 1982, w...
Category
Mid-20th Century French School More Art
Materials
Lithograph
Jean Picart Le Doux Limited Edition 'Fabric' Lithograph of Tapestry Artist c1964
Located in FR
Jean Picart Le Doux Limited Edition on to Fabric Lithograph of Woodcutter Tapestry c1964
Marked very well on back by the Artist
Jean Picart Le Doux, 1902-1982 French
Interesting Fab...
Category
1960s French School More Art
Materials
Lithograph, Fabric
Mill by Marcel Haussaire Woodcut French c1900
Located in FR
Mill by Marcel Haussaire Woodcut French c1900
Good antique condition with signs of age and wear with some foxing in places
Category
Early 1900s French School More Art
Materials
Woodcut
Madonna and Child, carved and polychrome wood, Early 18th C, South of France
Located in brussel, BE
Although the 18th century, the period of the Enlightenment in France, spawned thinkers who criticized the privileges of the clergy and the truthfulness of certain dogmas, the Roman Catholic faith was very much present in everyday life. Since king Louis XIV had issued the Edict of Fontainebleau in 1685, Protestantism was banned from the country. This Madonna with child illustrates the daily practice of faith. Like many 18th-century Madonna statues...
Category
18th Century French School More Art
Materials
Wood
Related Items
Antique French Grand Tour Gilt Bronze Statue on Column Diana the Huntress 1838
Located in Portland, OR
A fine & large (34" tall) antique French gilt-bronze on marble column of Diana, cast by Ferdinand Barbedienne (1810-1892) after a statue by Jean Antoine Houdon (1741-1828), the bronz...
Category
1830s French School More Art
Materials
Marble, Bronze
Summer and Winter, Mid-Century Tapestry, Woven Hanging, Textile Wall Sculpture
By Adela Akers
Located in Wilton, CT
Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...
Category
1970s French School More Art
Materials
Textile, Linen, Thread, Yarn, Fabric, Tapestry
Adela AkersSummer and Winter, Mid-Century Tapestry, Woven Hanging, Textile Wall Sculpture, 1977-2015
H 54 in W 66 in D 10.5 in
Antique Horse Bronze Saddled Horse Playing with a Dog-Pierre Lenordez circa 1860
By Pierre Lenordez
Located in SANTA FE, NM
Antique Horse Bronze
"Saddled Horse Playing with a Dog"
Pierre Lenordez (1815-1892)
Bronze, circa 1860
11 x 7 inches
Painter and sculptor, professor...
Category
1860s French School More Art
Materials
Bronze
Mason leaning on his shovel
Located in PARIS, FR
This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902)
Bronze with nuanced brown patina
cast by Susse Frè...
Category
Late 19th Century French School More Art
Materials
Bronze
Pichet gravé gris, Picasso, Pitcher, Owl, Portrait, Design, Animal, Postwar, Art
Located in Geneva, CH
Pichet gravé gris
Ed. 500 pcs, 1954
White clay with grey engobe painting, partially glazed in white and black with incised decor.
H. 30 cm
Stamped underside : Madoura, Edition Picass...
Category
1950s French School More Art
Materials
Ceramic, Clay, Earthenware
Portrait of Gentleman, Thomas Bruce, Earl of Elgin c.1638 Manor House Provenance
Located in London, GB
Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history and, more specifically, to the roles of Colonel the Hon. John Russell in the Civil War and the reign of King Charles II and of Lord Arthur Hill, later 2nd Baron Sandys, in the Peninsular War. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This painting hung in The Great Hall (see photo).
This charming portrait is an example of the type of small-scale panel portraits, often of splendid beauties of the time, that became fashionable from about the first quarter of the seventeenth century. The sitter has been depicted wearing a low-cut silk dress with the wide billowing sleeves typical of the late 1630’s. The simplicity of the ensemble is reinforced by the absence of lace on either the collar or cuffs. At this time gone are the complicated layers of fabrics, and now replaced with understated elegance of plain silk (satin and taffeta were most popular), with only a couple of focal points as accessories. There is an abundance of the accessory par excellence – pearls, and they are worn as a necklace, on her attire, and as earrings; the pear-shaped earrings are called ‘unions excellence’ reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20 millimetres in diameter. There is a splendid display of gold, diamond and pearl jewellery which is an obvious sign of her wealth.
The portrait is thought to represent Thomas Bruce (1596-1654), Earl of Elgin. The physiognomy and features in our portrait strongly correlate to a portrait of the Earl, by Cornelius Johnson (1593-1661), painted circa 1638, and is held at Kenwood House, London. Another painting from Ombersley Court, also with Titan Fine Art, is contemporaneous to ours and is thought to represent the Earl’s wife, Diana Cecil, 1st Countess of Elgin (c.1603-1654) - it appears to have derived from Cornelius Johnson’s depiction of the Countess circa 1638, also at Kenwood House. During the 1630’s Johnson painted a number of portraits, obviously influenced by Van Dyke. Here, Theodore Russel, who worked in the studios of both Van Dyle and Johnson, and later specialised in small scale reproductions of his master’s works, modelled the head, with the striking large dark eyes, on Cornelius Johnson, and the attire on Anthony van Dyke. There are also other portraits by Johnson of the sitter with very similar facial features to that of the sitter in ours. Theodore Russel and Cornelius Johnson also had a family connection as it is thought that Russel’s step-mother was a sister of Johnson.
Thomas Bruce, 1st Earl of Elgin, was a prominent Scottish nobleman who held titles such as the 3rd Lord Bruce of Kinloss. He resided at Houghton House in Bedfordshire and played a significant role in the political and social landscape of his time. His legacy as an Earl and Lord continues to be remembered in history.
Thomas Bruce, born in Edinburgh in 1599, inherited the Scottish peerage title as the 3rd Lord Bruce of Kinloss at the age of 13 following his brother's untimely death in a duel. The family's estates, including Whorlton Castle and manor, were granted by King James I of England to Thomas's father, with the wardship of Thomas and the estates entrusted to his mother until he reached the age of 21. He maintained a strong connection with King Charles I's court during the Personal Rule, receiving titles of honour and prestigious roles throughout the years.
Thomas Bruce was married twice in his lifetime. His first marriage was to Anne Chichester in 1622. Ann died in 1627, the day after giving birth to their only child, Robert Bruce, who later became the 1st Earl of Ailesbury. On 12 November 1629, Thomas Bruce married Lady Diana Cecil, the daughter of William Cecil and widow of Henry de Vere. The marriage was childless, but Diana brought significant estates with her. Thomas Bruce died on 21 December 1663 at the age of 64.
This oil on panel portrait has been well cared for over its life, which spans almost four centuries. Having recently undergone a treatment to remove an obscuring discoloured varnish, it can be fully appreciated, and attributed to Theodore Russel.
Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare.
Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone.
Presented in a fine period frame.
Theodore Russell, or Roussel, was born in London in 1614. His father came from Bruges to England and was the Royal Stuart jeweller. His apprenticeship was spent in the studio of his uncle, Cornelius Johnson, with whom he lived for about nine years. Sometime after 1632, he is said to have worked as an assistance to Van Dyck. He executed numerous copies of portraits by his famous master and other notable painters, also painting original works. He is particularly remembered for his portraits of Charles II at Woburn Abbey and James II at the Palace of Holyrood. His son, Antony Russel (c.1663–1743) was also a portrait-painter and is said to have studied under John Riley. Several of his copies were in the Royal Collections, and among the nobility.
Provenance
Richard Hill...
Category
17th Century French School More Art
Materials
Oil, Wood Panel
H 18.9 in W 16.15 in D 1.58 in
Portrait of a Lady Diana Cecil, Countess of Elgin c.1638, Manor House Provenance
Located in London, GB
Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history and, more specifically, to the roles of Colonel the Hon. John Russell in the Civil War and the reign of King Charles II and of Lord Arthur Hill, later 2nd Baron Sandys, in the Peninsular War. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This painting hung in The Great Hall (see photo).
This charming portrait is an example of the type of small-scale panel portraits, often of splendid beauties of the time, that became fashionable from about the first quarter of the seventeenth century. The sitter has been depicted wearing a low-cut silk dress with the wide billowing sleeves typical of the late 1630’s. The simplicity of the ensemble is reinforced by the absence of lace on either the collar or cuffs. At this fashion moved away from complicated layers of fabrics to an understated elegance of plain silk (satin and taffeta were most popular) with only a couple of focal points as accessories. However, obligatory for any respectable woman, pears are shown in abundance, as a necklace, on the dress attire, and pear-shaped earrings called ‘unions excellence’ reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20 millimetres in diameter. There is a splendid display of gold, diamond and pearl jewellery which is an obvious sign of her wealth.
The subject is thought to be Diana Bruce née Cecil, 1st Countess of Elgin (c.1603-1654). The physiognomy and features strongly correlate to a portrait of the countess by Cornelius Johnson (1593-1661), painted circa 1638, at Kenwood House, London. Another painting from Ombersley Court, also with Titan Fine Art, is contemporaneous to this and is thought to represent the countess’s husband, Thomas Bruce, 1st Earl of Elgin (1599-1663) – it appears to have derived from Cornelius Johnson’s portrait of the Earl, of circa 1638, also at Kenwood House. During the 1630’s Johnson painted a number of portraits, obviously influenced by Van Dyke. Here, Theodore Russel, who worked in the studios of both Van Dyle and Johnson, and later specialised in small scale reproductions of his master’s works, appears to have modelled the head, with the striking large dark eyes, on Cornelius Johnson, and the attire on Anthony van Dyke. Theodore Russel and Cornelius Johnson also had a family connection as it is thought that Russel’s step-mother was a sister of Johnson.
Diana Cecil, Countess of Oxford (1596–1654), later Countess of Elgin, was an English aristocrat. She was probably the middle daughter of the three daughters of William Cecil, 2nd Earl of Exeter and Elizabeth Drury. Her first husband, Henry de Vere, 18th Earl of Oxford, died in battle only 18 months after their marriage in 1624. She married her second husband Thomas Bruce (1599-I663) in 1629, becoming the Countess of Elgin in 1633. Her portrait was presumably painted at a similar time as the companion portrait of her husband, the Earl of Elgin. She died in 1654, outlived by her husband and leaving no children. A large monument exists of the countess in her burial shroud at Ailesbury Mausoleum, Bedfordshire.
The work has been well cared for over its life, which spanning almost four centuries, and having recently undergone a treatment to remove an obscuring discoloured varnish, it can be fully appreciated, and attributed to Theodore Russel.
Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare.
Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone.
Presented in a fine period frame.
Theodore Russell, or Roussel, was born in London in 1614. His father came from Bruges to England and was the Royal Stuart jeweller. His apprenticeship was spent in the studio of his uncle, Cornelius Johnson, with whom he lived for about nine years. Sometime after 1632, he is said to have worked as an assistance to Van Dyck. He executed numerous copies of portraits by his famous master and other notable painters, also painting original works. He is particularly remembered for his portraits of Charles II at Woburn Abbey and James II at the Palace of Holyrood. His son, Antony Russel (c.1663–1743) was also a portrait-painter and is said to have studied under John Riley. Several of his copies were in the Royal Collections, and among the nobility.
Provenance
Richard Hill...
Category
17th Century French School More Art
Materials
Oil, Wood Panel
H 18.9 in W 16.15 in D 1.58 in
Cup with Patterns II (Hand-Painted, Gold Luster)
Located in Kansas City, MO
Melanie Sherman
Cup with Patterns II (Hand-Painted, Gold Luster)
Porcelain, Glaze, Porcelain Paint, Hand-made Vintage Decals, Gold Luster, Platinum Luster
Year: 2022
Size: 3x3.25x3.2...
Category
2010s French School More Art
Materials
Luster, Porcelain, Paint, Glaze, Underglaze
Napoleon Ist
Located in Paris, FR
Antoine-Denis CHAUDET (1763 - 1810)
NAPOLEON Ist, circa 1808
Carrare Marble - First Empire
Hermes Bust of Napoleon Ist, after Antoine-Denis CHAUDET
Dimen...
Category
Early 1800s French School More Art
Materials
Marble
Antique Silvered Bronze Rooster, France circa 19th Century
Located in SANTA FE, NM
Antique Silvered Bronze Rooster
France, circa 1900
10 1/4 x 9 1/2 (H x D) inches
A very fine and lively bronze statuette of a preening Rooster. Nicely cast and well-carved and in ex...
Category
19th Century French School More Art
Materials
Silver, Bronze
Hay Binder
Located in PARIS, FR
This Hay binder is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902)
Bronze with dark brown patina
cast by Susse Frères - st...
Category
Late 19th Century French School More Art
Materials
Bronze
Metal Classical Style Sculpture of Anteros
Located in Troy, NY
This European metal sculpture, most likely bronze or brass, is probably Anteros, God of requited love. The piece altogether is 18" in height; the figure itself 7.25". The bottom and...
Category
Late 19th Century French School More Art
Materials
Marble, Metal
Previously Available Items
Assiette ronde à filets contours en argent gravé d'une double armoirie sommée d'
Located in ROUEN, FR
Assiette ronde à filets contours en argent gravé d'une double armoirie sommée d'une couronne et un heaume de chevalier. Poinçon Minerve. M.O : Cosson Corby. Diam. : 24 cm. Poids : 48...
Category
18th Century French School More Art
Materials
Silver
H 9.45 in Dm 9.45 in
Louis XVI clock known as the Magician clock
Located in ROUEN, FR
Louis XVI clock called the "Pendule au Magicien" in gilt bronze and patina. The magician is showing with his wand a painting with 3 fleur-de-lys with the indication "de part du Roi"....
Category
Late 18th Century French School More Art
Materials
Bronze
19th C, French School, Caricatures of Two Pleading Lawyers
Located in brussel, BE
In preparation for his caricatures, Daumier made a series of small-scale portrait busts of parliamentarians and people from judicial circles in unbaked clay, coloured with paint. Ass...
Category
19th Century French School More Art
Materials
Metal
"The Napoleon" Coat of Arms Tapestry
Located in Atlanta, GA
The Emperor Napoleon Coat of Arms tapestry features the imperial eagle of Napoleon Bonaparte (1769-1821). This is a Belgian-made, Jacqu...
Category
Late 20th Century French School More Art
Materials
Tapestry
Pair of Portraits of Louise Henriette de Bourbon and Francoise Marie de Bourbon
Located in London, GB
French School, nineteenth century
A pair of portraits of Louise Henriette de Bourbon (1726 – 1759) and Françoise Marie de Bourbon, (1677-1749)
Oval pastel on paper; signed indistinctly; held in decorative swaged neo-classical giltwood frames
Louise Henriette de Bourbon (1726 -1759) was a French princess, who, by marriage became Duchess of Chartres (1743–1752), then Duchess of Orléans (1752–1759) upon the death of her father-in-law. In 1752, her husband became the head of the House of Orléans, and the ‘Premier Prince du Sang’, the most important personage after the immediate members of the royal family.
Françoise Marie de Bourbon, (1677-1749) was the youngest illegitimate daughter of Louis XIV and his mistress, the Marquise de Montespan...
Category
Mid-19th Century French School More Art
Materials
Pastel
H 18 in W 14 in D 1.5 in
19th Century A Portrait of Rousseau After Maurice-Quentin de La Tour
Located in London, GB
After Maurice-Quentin de La Tour
A Portrait of the Philosopher Jean-Jacques Rousseau (1712-1778)
Pastel on paper
This fine19th century pastel portrait of the philosopher Rousseau is directly drawn from the original by La Tour now in the Musee Antoine Lecuyer...
Category
Mid-19th Century French School More Art
Materials
Pastel
H 26.75 in W 23.5 in D 3 in
French School more art for sale on 1stDibs.
Find a wide variety of authentic French School more art available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Jean Picart Le Doux, and Dany Lartigue. Frequently made by artists working with Wood, and Fabric and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large French School more art, so small editions measuring 3.94 inches across are also available. Prices for more art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $426 and tops out at $13,148, while the average work sells for $2,447.
Recently Viewed
View AllMore Ways To Browse
Terra Cotta Paintings
J Allen
Wood Block Still Life
Japanese Vintage Watch
Modernist Judaica Art
Monumental Antique Oil Painting
Portrait Medici
Thomas Jones
Venice Charm
Jacks Of Hollywood
Little Lord
Miniature Train
Vintage Poster Bear
18th Century Oil Painting Woman
19th Cat Painting
Husband And Wife Oil Painting
Music Statue
Japan Coin