Keith Haring

Keith Haring Citykids 1986 (sticker)

1986

Raymond Pettibon My Struggle for Life After Death 1982 (Raymond Pettibon zine): This visually enticing 1982 Raymond Pettibon artist book/zine titled incl...

Raymond Pettibon The Major Arteries 2009 (Raymond Pettibon zine): This visually enticing 2009 Raymond Pettibon artist book/zine includes 30+ evocative dr...

Raymond Pettibon Marcel Dzama artist book 2016: Raymond Pettibon, Marcel Dzama: Let Us Compare Mythologies, this rare limited edition artist book/ zine was published on the occasion of Pettibon & Dzama’s exhibition at David Zwirner, London, in October 2016. The book uniquely includes a large fold-out poster of ‘It is big big business’ - featuring Pettibon surfers immersed in gigantic waves amidst Dzama’s illustrations of outlandish characters. The title, Let Us Compare Mythologies is an homage to musician Leonard Cohen. Medium: offset-printed softcover artist book which includes a large fold out poster. Approximately 30+ pages. Book: 8.5 x 11 inches. Poster: 37.5 x 10.25 inches Unused. Very good to excellent overall condition. Unsigned from an edition of 500. Published by Zwirner Books, 2016. About Raymond Pettibon (American b. 1957): Having emerged from the Southern California DIY culture and its punk-rock sensibility, Raymond Pettibon fuses together youthful edginess and political engagement. Drawing from disparate cultural sources—from Marcel Proust to the Bible—the artist’s cartoon-inspired ink drawings on unframed paper recall the look of fanzines and concert flyers, however with an often cryptic semblance of narrative. More recently, Pettibon’s works have been a sustained critique of the Iraq War and American foreign policy, such as No Title ("Why press him?") (2007), which depicts George W. Bush with bloodied hands and surrounded by pointed, ironic commentary. Pettibon was a recipient of the Whitney's Bucksbaum award in 2004. Marcel Dzama: Often compared to outsider artist Henry Darger, Marcel Dzama’s small ink and watercolor drawings of hybrid characters, resemble story illustrations. Interspersed with a range of references including Surrealist film, Dadaism and Soviet-era prop art, his work more often recalls folk and craft storytelling traditions. Dzama also works in sculpture and video and has experimented with puppetry and costumes. His work has been used as cover art for bands such as They Might Be Giants, Beck, and The Weakerthans; and his costume designs have been seen in music videos, including the video for the Bob Dylan’s When the Deal Goes Down. Related Categories: Raymond Pettibon zine...

Raymond Pettibon Up The Threshold 1992 (Raymond Pettibon zine): This visually enticing 1992 Raymond Pettibon artist book/zine includes 20+ evocative draw...

Raymond Pettibon Short Teats Bloody Milk 1985 (Raymond Pettibon zine): This visually enticing 1985 Raymond Pettibon artist book/zine titled, Short Teats,...

Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon ...

Makes a unique and memorable gift - a truly one of a kind piece of Pop Art history! Takashi Murakami, Jeff Koons, Richard Prince, Piotr Uklański, Ashley Bickerton, Gavin Turk, Maurizio Cattelan, Cosey Fanni Tutti, Sturtevant, Tracey Emin Pop Life Art in a Material World (hand signed, inscribed by all 10 artist, some with drawings) to former Tate Curator Sheena Wagstaff, 2009 Unique Ink drawings and signatures inside of softback book, all dedicated to renowned Tate Gallery curator Hand signed, inscribed and drawings by 10 artists 10 9/10 × 8 7/10 inches First -- yes, that Murakami Absolut ink drawing is absolutely unique - and that alone is worth the price of the whole lot. This one-of-a-kind historic Pop Art monograph ,was published by the Tate Gallery on the occasion of the exhibition Pop Life: Art in a Material World at Tate Modern, London, October 1, 2009 - January 17, 2010; Hamburger Kunsthalle, Hamburg, February 15 - May 9, 2010; The National Gallery of Canada, Ottawa, June 11 - September 19, 2010. (At the bottom is a detailed description of this historic survey, from the Tate Gallery press release): This softback catalogue bears unique, original drawings, signatures and ink inscriptions by these artists: Takashi Murakami, Tracey Emin, Jeff Koons, Sturtevant, Richard Prince, Piotr Uklanski, Ashley Bickerton, Gavin Turk, Maurizio Cattelan and Cosey Fanni Tutti. The following artists created drawings near or on the pages featuring their respective artworks: Jeff Koons -signed Antiquity drawing, done in ink Takashi Murakami - drew his own Absolut Vodka interpretation (unique signed ink drawing) on the same page as Andy Warhol and Keith Haring's Absolute Vodka designs Cosey Fanni Tutti - legs drawing The following artists wrote inscriptions: Jeff Koons: Thank you for the opportunity to show at the Tate! Great Show! Love Jeff Tracey Emin: For Sheena, with love, Tracey Emin XO Sturtevant: For Sheena, my favorite digital girl Piotr Uklanski: With best wishes Ashley Bickerton Provenance: This book of artists drawings was acquired from the collection of the world renowned curator Sheena Wagstaff who was Chief Curator of Tate Modern from 2001-2012. She then left the Tate and London to become the Leonard A Lauder...

Ed Ruscha, Billy Al Bengston Business Cards (hand signed by Ed Ruscha and Billy Al Bengston), 1968 Mixed Media Artist's Book: Softback monograph with a latigo leather thong, silver g...

Tracey Emin Angel Without You monograph (Hand signed by Tracey Emin), 2013 Hardback monograph with illustrated boards (hand signed by Tracey Emin) Boldly signed in blue ink by Tracey...

Alex Katz in Maine, 2005 Hardback monograph (hand signed and dated by Alex Katz) Boldly signed and dated 6.9.10 by Alex Katz on the first front end page 9 3/4 × 11 1/2 × 3/4 inches T...

This original, vintage poster on poster stock features one of Jim Dine's most iconic motifs: the bathrobe. In 1964, Dine saw an ad in the New York Times: “The ad shows a robe with the man airbrushed out of it. There was nobody in the bathrobe, but when I saw it, it looked like me.” Standing in for the artist's own body and rife with personal meaning, it provides a framework for limitless formal and stylistic experimentation. Here, the garment is colored bright green and defined by variegated black lines. Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press...

Donald Baechler Limited edition Tony Shafrazi exhibition catalogue (hand signed and dated by Donald Baechler), 1983 Softback monograph (hand signed and dated by Donald Baechler) Bold...