Raphael Soyer

Sitting Woman, Graphite on Paper by Raphael Soyer

Mid-20th Century

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Study of a Woman Year: 1955 Medium: Graphite on Paper, signed and dated Size: 24 in. x 1...

Raphael Soyer, Russian/American (1899 - 1987) - Sleeping Woman. Medium: Graphite on Paper, signed in pencil, Size: 13.5 x 10.5 in. (34.29 x 26.67 cm)

Raphael Soyer, Russian/American (1899 - 1987) - Nude Figure. Medium: Watercolor and Graphite on Paper, signed in pencil, Size: 25 x 19.75 in. (63.5 x 50.17 cm)

Raphael Soyer, Russian/American (1899 - 1987) - Nude Study. Medium: Graphite on Paper, signed in pencil lower right, Size: 12.5 x 10 in. (31.75 x 25.4 cm)

Moses Soyer, American (1899 - 1974) - Double-Sided Anatomy Drawings. Medium: Double-sided Graphite drawing on paper, signed in pencil lower right, Size: 24.25 x 18.25 in. (61.6 x 46...

Raphael Soyer, Russian/American (1899 - 1987) - Nude Study II. Medium: Graphite on Paper, signed in pencil, Size: 13.5 x 10.5 in. (34.29 x 26.67 cm)

"Woman in Coat & fancy Hat" is a graphite drawing signed by Sylvia Spicuzza. An older woman is sketched as she stands. She is wearing a winter coat and quite a large hat. Art: 8.25...

"Woman In Fancy Costume Estate #752" is a watercolor and graphite signed by Sylvia Spicuzza. A woman stands with arms stretched out. The lady is wearing a red and white stripped outf...

Porcelain (Edition is limited to sixty numbered pieces plus six artist’s proofs numbered EA; measures 17” x 10.25”). This one is numbered 17/60. “Los Cuatro Elementos De La Natur...

Graphite on paper Image size: 10 1/2 x 14 1/4 inches (26.5 x 36 cm) Mounted A fine pencil drawing and a stunning example of a 1930s Art Deco portrait.

This drawing records the destruction that was endured by London during the Blitz. The building in the foreground is St Nicholas Cole Abbey, situated in the city of London. Whilst a church was recorded on this site from the twelfth century, this church was destroyed in the Great Fire of London so the remnants of the church that we see here is one that was built by Sir Christopher Wren...

VIEW OF THE BRONX Watercolor American Modern Modernism NYC 20th Century Drawing. Jan Matulka (1890 – 1972) "View of the Bronx," 15 x 20 inches. Watercolor on paper, c. 1920s. Signed lower Right. In 1907, he came to the Bronx, New York where he had a poverty-ridden childhood with a mother who tried to raise a family by herself. From 1908 to 1917, he studied at the National Academy of Design, and in 1917, received the first Pulitzer Traveling Scholarship with which he traveled and painted in the Southwest and Florida. His work from this period showed a turning towards a more abstract style, replacing his earlier realism. In 1919, he first went to Paris and then returned in 1927 on a scholarship from the National Academy. In Paris, he was exposed to Cubism, and his painting after that seemed always to carry that influence. He had his first one-man exhibit in New York City in 1925, and by 1930, he and Davis were experimenting with their version of Cubism. Concurrently for New Masses, a communist magazine, he did satiric illustrations expressing his sympathy for the working classes, and from 1929 to 1931, he taught at the Art Students League where he inspired emerging modernists such as David Smith, Dorothy Dehner, and I Rice...