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James StroudleyPortrait of Juliana - British Art Deco pencil charcoal drawing of a woman 1930
1930
About the Item
A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1930, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it depicts a portrait of a young woman and is titled Juliana. It is very evocative and is in gallery condition.
Signed lower left and dated.
Provenance. Private collection.
Ex Christie’s London.
Ex collection of art dealer Campbell Wilson.
Condition Charcoal and pencil drawing, 23 inches by 17 inches and in excellent condition.
Framed in a fine, gilded oak gallery frame 27 by 23 inches. Excellent original condition.
James Stroudley (1906-1985) was born and lived in London. He studied at Clapham School of Art in 1923-27, then Royal College of Art in 1927-30, his teachers included William Rothenstein and Allan Gwynne-Jones. Stroudley was a Major Abbey Scholar in 1930-33 which gave him three years travelling in Italy. From here he was inspired by classic Italian painters, notably Giotto and Piero della Francesca. He became a fine figurative draughtsman, but his work was also influenced by the Cubists. He was a visiting lecturer at the Royal Academy Schools. Showed at RA, RBA (became a member in 1934), RE and elsewhere. Arthur Tooth and Son and Apollinaire Gallery gave him one man shows. Public collections in Bradford, Brighton, Herbert Art Gallery in Coventry and Rochdale hold examples of his work.
- Creator:James Stroudley (1906 - 1985, British)
- Creation Year:1930
- Dimensions:Height: 27 in (68.58 cm)Width: 23 in (58.42 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU853113420102
James Stroudley
James Stroudley was born and lived in London. He studied at Clapham School of Art, from 1923–27, then the Royal College of Art, from 1927–30. His teachers included William Rothenstein and Allan Gwynne-Jones. Stroudley was a Major Abbey Scholar from 1930–33, which gave him three years of traveling time in Italy. From here, he was inspired by classic Italian painters, notably, Giotto and Piero Della Francesca. He became a fine figurative draughtsman, but his work was also influenced by the Cubists. He was a visiting lecturer at the Royal Academy Schools. He has shown at RA, RBA (became a member in 1934), RE and elsewhere. Arthur Tooth and Son and Apollinaire Gallery gave him one-man shows. Public collections in Bradford, Brighton, Herbert Art Gallery in Coventry and Rochdale hold examples of his work.
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