Peter Newcombe

Country Lane, Modern British 20th Century Watercolour Landscape

1973

Watercolour on paper, signed and dated 'Sept '60' bottom right Image size: 26 x 19 inches (66 x 48 cm) Handmade frame In this painting, Banks has managed to effectively convey the scorching heat of a Mediterranean summer. It is likely that this work depicts a town in Italy, a country where Banks spent a considerable amount of time travelling. His paintings of this country almost exclusively focused on sections of it's architecture. This unwavering focus of subject reflects Bank's passion for architectural forms that was also put into good practice through his position as a town planner. Robert Louis Banks Banks was born in Cheltenham, Gloucestershire. An architect and artist, Banks studied at the Architectural Association  between 1928 and 1933. Following military service in the Second World War, during which he was awarded the Military Cross...

This drawing records the destruction that was endured by London during the Blitz. The building in the foreground is St Nicholas Cole Abbey, situated in the city of London. Whilst a church was recorded on this site from the twelfth century, this church was destroyed in the Great Fire of London so the remnants of the church that we see here is one that was built by Sir Christopher Wren...

Watercolour on paper, signed and dated '1880' bottom left Image size: 9 x 13 inches (23 x 30 cm) Hand made gilt frame Sir Alfred East Sir Alfred East was born in Kettering, Northa...

Watercolour on paper, signed bottom left Image size: 13 3/4 x 9 1/2 inches (35 x 24 cm) Mounted and framed The Generalife was a summer palace and country estate of the Nasrid rulers...

Pencil, watercolour and bodycolour heightened with white. Image size: 9 1/2 x 13 1/4 inches (24 x 34 cm) Hand made gilt frame Provenance The Fine Art Society 1981 (Label Verso) Priv...

Watercolour and graphite on paper Image size: 15 1/4 x 11 1/4 inches (38.75 x 28.5 cm) This wonderful 20th century watercolour painting depicts a small boat yard that is filled with...

Elizabeth Rosemary Ziar. English ( b.1919 - d.2003 ). The North Coast of Cornwall, West Penwith. Watercolor. Signed. Image size 15 inches x 19.1 inches (...

If you are interested in African American Art and in Women in the Arts, I will certainly not need to introduce Lois Mailou Jones (1905-1988). Often associated with the Harlem Renaiss...

Mid Century Fauvist view of a port and seascape by Verquin Henri. Signed bottom right, titled, located and signed to the backboard. Presented in period mid century gilt wood and clot...

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in t...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

Colorado Modernist landscape, watercolor on paper by Turner B. Messick (1878-1952) from 1938. Tree with houses and mountains in the background, pain...