George Sheringham

Visit to the Bazaar - 1916 British watercolour on silk by Sheringham

1916

RICHARD WESTALL, RA (1765-1836) Cupid Sleeping; from a poem of Mrs Robinson - The Duchess of Devonshire Discovers the Sleeping Cupid Watercolour on paper, oval 36 by 44.5 cm., 14 ¼ by 18 in. (frame size 55 by 66 cm., 21 ¾ by 26 in.) Exhibited: London, Royal Academy, 1792, no.448. Richard Westall was bon in Reepham, near Norwich. Initially apprenticed to a London silver engraving he began studying at the Royal Academy Schools from 1785 and exhibited regularly at the Royal Academy between 1784 and 1836. Westall became an Associate member of the Royal Academy in 1792 and a full member in 1794. Westall painted in both oil and watercolour, his works being romantic and neoclassical in style. He contributing to both Boydell’s Shakespeare Gallery and Fuseli’s Milton Gallery and was also a prolific book illustrator of both fiction and poetry including works by Sir Walter Scott and Byron, whose portrait he also painted. For a time he was also art master to the young Princess Victoria. This is probably Westall’s 1792 Royal Academy exhibit (no.448). The subject was inspired by the poem Cupid Sleeping by the poetess-actress Mary Darby Robinson, which had been published in the previous year. The poem was dedicated to Georgiana, Duchess of Devonshire and the picture show the Duchess discovering the sleeping cupid who she then relieves of his bow and arrows. Mrs Robinson was not only the Duchess’s protégée but also the first public mistress of the Prince of Wales. William Nutter’s engraving of Westall’s picture was also dedicated to the Duchess of Devonshire. Close in a woodbine's tangled shade, The blooming god asleep was laid; His brows with mossy roses crown'd; His golden darts lay scatter'd round; To shade his auburn, curled head, A purple canopy was spread, Which gently with the breezes play'd, And shed around a soften'd shade. Upon his downy smiling cheek, Adorned with many a "dimple sleek," Beam'd glowing health and tender blisses, His coral lip...

OLIVER MESSEL (1904-1978) Egyptian Costume Design for Caesar and Cleopatra - 1945 Signed l.r.: Oliver Messel Watercolour and chalks heightened ...

JOHN DRONSFIELD (1900-1951) Costume Design Signed l.l.: Dronsfield Watercolour and pencil Unframed 42 by 34 cm., 16 ½ by 13 ½ in. (mount size 61.5 by 53 cm., 24 ¼ by 21 in.) John...

JOHN DRONSFIELD (1900-1951) Boy with Whip and Top Signed l.r.: Dronsfield Watercolour Unframed 40 by 33 cm., 15 ¾ by 13 in. (mount size 59.5 by 51 cm., 23 ½ by 20 in.) John Marsd...

JOHN DRONSFIELD (1900-1951) The Duet Watercolour and pencil Unframed, in mount only 32.5 by 26 cm., 12 ¾ by 10 ¼ in. (mount size 45.5 by 39 cm., 18 by 15 ¼ in.) John Marsden Dron...

OLIVER MESSEL (1904-1978) Blue Costume Design for Vivian Leigh in Caesar and Cleopatra - 1945 Signed l.r.: Oliver Messel Watercolour and chalks heightened with white and gold pain...

The artwork we present is a rare watercolor by the distinguished Swedish artist August Hagborg, painted in the later part of his career between 1910 and 1920. This watercolour is a departure from Hagborg's often-seen beach scenes with mussel pickers and instead offers a glimpse into a serene, pastoral moment. The scene is set against a timber house, with a man and a woman standing alongside, their gazes directed away from the viewer, which invites contemplation about the story behind their distant stares. Watercolors by Hagborg are rare, making this piece particularly special. Its fine details suggest a mastery of the medium, likely honed over the years of his extensive career. A written letter from Göteborgs Konstmuseum, dated to the 1940s, suggests a later date for this piece. August Hagborg, born on May 26, 1852, in Gothenburg and passed away on April 30, 1921, in Paris, was a renowned figure in the art world. His education at the Royal Swedish Academy of Arts in Stockholm from 1871 to 1874 placed him among peers who would rise to prominence, such as Carl Larsson and Anders Zorn. Moving to Paris in the fall of 1875, Hagborg initially painted within the costume genre before finding his niche in coastal landscapes that garnered him accolades and recognition. Hagborg's success was punctuated by his 1879 painting...

Portrait. 1966. watercolor on paper, 35.5x30 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside...

This small watercolor painting by Anna Palm de Rosa, titled "Coach and horses at full speed, Boulogne-sur-Seine," is a vibrant and dynamic piece that captures a moment of speed and elegance from the past. The scene is set in what was known then as Boulogne-sur-Seine, now Boulogne-Billancourt, prior to its name change in 1926. The artwork is only like a postcard and depicts a horse-drawn carriage in full gallop, stirring up a cloud of dust along the gravel path. This sense of motion is further emphasized by one of the ladies on the carriage, who is seen clutching her hat, a detail that adds a personal touch to the scene and underscores the speed at which they are traveling. The artist's ability to capture such a fleeting moment, with the horses' hooves barely touching the ground and the dust cloud swirling around, is a testament to her skill and the liveliness of her compositions. Anna Sofia Palm...

Masterful Scottish watercolor landscape of Loch Tay with boats and small figures on the short by Aaron Edwin Penley (English, 1826-1897)....

Watercolour on handmade paper possibly of a 'Fang' figure applied to Vélin d'Arches paper by French artist La Roche Laffitte. A beautifully observed and detailed study of a Fang figure in muted brown on high quality hand-made paper. An extremely chic and elegant watercolour. This contemporary artist, born in 1943, specialises in watercolour studies on hand-made paper. With his highly detailed and precisely painted studies he invites us into the magical world of cultural objects, flora and fauna. The treasures of nature along with tribal regalia is his main inspiration. All of his work is beautifully observed and executed down to the smallest detail. The Fang are a major ethnic group of Central and West Africa and form part of the population of Gabon, Equatorial Guinea, and Cameroon. They produce monumental anthropomorphic wooden statues, used for ritual purposes, with an aesthetic that was admired from the late nineteenth century onwards by such famous modern artists as Pablo Picasso, Georges Braque, and André Derain. Fang sculptures...

This artwork titled "Lily" c.1990, is a watercolor on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed at the lower right corner by the artist. The artwork (image) size is 10 x 28 inches, framed size is 17.25 x 35.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...