Adolf Dehn

Original Drawing for the NEW MASSES - 19.5" x 15"

c. 1930

DAVID ROSE (1910 – 2006) LEONARD WEINGLASS - ELLSBERG TRIAL, 1973 Color marking pen on tracing paper. Image 12 ½ x 11 inches, sheet 15 x 18 ½ inches. Very fresh, in good condition with bright colors save for horizontal creases at the lower sheet edge slightly into the image and a few other soft creases. Leonard Weinglass along with Leonard Boudin were attorneys for Anthony Russo and Daniel Ellsberg at the Pentagon Papers Trial in 1973. Upon his death in 2011 the NY Times called Weinglass, “perhaps the nation’s pre-eminent progressive defense lawyer, who represented political renegades Provenance: Directly from the artist David Rose to this dealer in the late 1980’s. I knew David as an artist and friend as we both lived in Los Angeles. It has been in temperature and humidity storage since its acquisition. The Ellsberg Trial was the beginning of a long career for Rose as a court reporter Rose’s papers are in Special Collections of USC, The University of Southern California. The Online Archives of California Rose Biography states: Rose's courtroom career began in 1973 with the trial of Daniel Ellsberg, the former defense analyst who released the Pentagon Papers regarding the Viet Nam War to the New York Times. (Rose received an Emmy Award nomination for his coverage of the Pentagon Papers trial.) Rose's sketches of this trial-- along with all those that would follow through the next twenty-five years-- appeared in television news broadcasts and newspapers all over the world. He saw himself as a reporter-- but with colored pencils and sketchpads as his tools. He tried to capture the emotions in the courtroom-- the tension, anger, and the body language that conveyed them. Over the years, Rose's art depicted the trials of some of the most famous-- and infamous-- personalities to make the news: Klaus Barbie (the Butcher of Lyon), Patty Hearst, Sirhan Sirhan, John Z. DeLorean, Rodney King, Imelda Marcos, Huey Newton...

EDWARD HAGEDORN (AMERICAN 1902 – 1982) DEBRIS, ca. 1930 Large Ink Drawing - Study for the Print. Image 16 1/2 x 22 1/2 inches, sheet 17 1/2 x 28 inches. Ink wash, on blank side of...

B.J.O. NORDFELDT (Swedish/American 1878 – 1955) (WINDMILL AND WORKERS). c.1900. Color pastel on colored paper, unsigned. 22 ¼ x 15”. Sheet: 24 ½ x 18 ¼”. In 1900 Nordfeldt studied ...

KARL SCHRAG (German - American 1912 - 1995) SELF PORTRAIT IN THE GERMAN MANNER, 1991 Monotype, Signed titled, dated and annotated "Monotype with touches of Oil color, I /I" Plate an...

JUNE WAYNE (1918 - 2011) A WINTER - SEEMING SUMMER'S NIGHT, 1957 From the John Donne Series. (Conway 122, Basket 106: Gilmour 50) Lithograph signed, title...

GERHARD MARCKS (1889 1981) (SEATED WOMAN WITH TOGA) 1933. Graphite on wove paper, signed, dated, 14 ¼” x 7”. Sheet 15” x 10”. S...

Indra Dugar - Untitled - 8 x 10.5 inches (unframed size) & 16 x 18.5 inches ( framed size ) This is a two sided works, Recto & Verso. Set of 5 art works. Ink on Paper. Inclusive of shipment in framed form. Style : Dugar was known for his paintings of rustic scenes en plein air, painted in a non-academic style, yet retaining colour harmony to reflect the tranquillity of his subject matter. He learnt how to structure his landscapes from Nirode Mazumdar and Rathin Moitra, and from his father, he inherited the tradition of painting on silk. Watercolour and tempera were his preferred media. Dugar's earlier works leaned heavily on his observations, but he gradually began paring down detail. Dugar soon outgrew the Bengal School...

Indra Dugar - Untitled - 8 x 10.5 inches (unframed size) & 16 x 18.5 inches ( framed size ) This is a two sided works, Recto & Verso. Set of 5 art works. Ink on Paper. Inclusive of shipment in framed form. Style : Dugar was known for his paintings of rustic scenes en plein air, painted in a non-academic style, yet retaining colour harmony to reflect the tranquillity of his subject matter. He learnt how to structure his landscapes from Nirode Mazumdar and Rathin Moitra, and from his father, he inherited the tradition of painting on silk. Watercolour and tempera were his preferred media. Dugar's earlier works leaned heavily on his observations, but he gradually began paring down detail. Dugar soon outgrew the Bengal School...

Indra Dugar - Untitled - 8 x 10.5 inches (unframed size) & 16 x 18.5 inches ( framed size ) This is a two sided works, Recto & Verso. Set of 4 art works. Ink on Paper. Inclusive of shipment in framed form. Style : Dugar was known for his paintings of rustic scenes en plein air, painted in a non-academic style, yet retaining colour harmony to reflect the tranquillity of his subject matter. He learnt how to structure his landscapes from Nirode Mazumdar and Rathin Moitra, and from his father, he inherited the tradition of painting on silk. Watercolour and tempera were his preferred media. Dugar's earlier works leaned heavily on his observations, but he gradually began paring down detail. Dugar soon outgrew the Bengal School...

Indra Dugar - Narad Ghat and Tulsi Ghat in Baranasi - 10.5 x 8 inches (unframed size) Ink on paper : two sided drawing Inclusive of framed and shipped Narad Ghat and Tulsi Ghat in ...

Indra Dugar - Baranasi & Tulsi Ghat - 10.5 x 8 inches (unframed size) Ink on paper Inclusive of shipment in roll form. Baranasi Ghat : Exemplary rare drawings by Shri Indra Dugar fr...

Latvia-born William Sanderson became a contributor to the New Yorker and New Masses magazines during the 1930s. He was drafted into the Army during World Wa...